Etree - John H - 495 shows
Last Update: Tuesday May 12, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (2) | EMAIL ]


I use wetransfer to send shows. I am always looking for Bryan Adams, Barclay James Harvest, Crosby Stills Nash and Young, Manfred Mann's Earth Band, Kayak and Jackson Browne.



I have over a terrabyte of the Allman Brothers and Grateful Dead and all of the shows I have are not all listed.  If you have a date or show your looking for ask and I will see if I or one of my friends 



has it. I also have a lot of Pink Floyd and cover bands. If I don't get back to you right away the possibility is you wound up in the junk folder.  I will always try to help you out.  


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The Amazing Mongooses  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/07/22 Station Stage - Atlanta, GA A Nak 300’s > Sound Devices 722 24/96 > Sound Forge Pro 11 > Sound Studio > xACT Recorded and Seeded by David Dyche 1 flac  

Bob Weir & The Wolf Brothers http://www.bobweir.net
  Date Venue - City, State Sound Rating Notes Media  
1. 01/14/24 Moon Palace Hotel - Cancún, Mexico A Taper: B.D. Nak700 Transferer: Eric Lugassy Source: Nakamichi CM-700 Cardioids > EAA PSP2 @ 55db > Sound Devices 702T Lineage: SD > Wav > Reaper V6.67 > Flac 24 Bit Location: Recorded at the SBD, a hair left of center, mics approximately 12', crude NOS 2 flac  
2. 01/15/24 Moon Palace Hotel - Cancún, Mexico A Taper: B.D. Nak700 Transferer: Eric Lugassy Source: Nakamichi CM-700 Cardioids > EAA PSP2 @ 55db > Sound Devices 702T Lineage: SD > Wav > Reaper V6.67 > Flac 24 Bit Location: Recorded at the SBD, a hair left of center, mics approximately 12', crude NOS 2 flac  

Bob Weir, Chris Robinson & Jackie Greene  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/02/12 Boulder Theater - Boulder, CO 8 Source:Schoeps MK4>Kwon Din a>KC5>CMC6>analog>788T (HPF 0) 24/48 Location: FOB/DFC directly in front on Board, Stand @ 7' dsp: 788t > wavelab5 > cdwave > wavelab5 > flac(7) tagging: Flacs tagged with Foobar2000 Live Show Tagger Recorded by Bennett Schwartz 2 Flac  

Dark Star Orchestra http://www.darkstarorchestra.net
  Date Venue - City, State Sound Rating Notes Media  
1. 07/04/24 Mishwaka Ampitheater - Mishwaka, CO a- Telefunken M62 Hypers Zoom F3 Thirty two bit float 48kHz Thirty ft back center 7' high ORTF rec by Eric Wilkens 2 flac  

Dead & Company  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/27/21 SPAC - Saratoga Springs, NY A+ Source: Aud > Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Recorded By: JT/NY John T Uploaded By: JT/NY 2 flac  
2. 08/27/21 SPAC - Saratoga Springs, NY A+ Location: sec 8, row EE seats 8 & 9, next to right side of mixer enclosure Mic config: DINA Kwonbar, Schoeps A20S shock, large Manfrotto air-cushioned stand @ 9-11 ft, DPA UA0896 windscreens Source: Neumann KM150's(AK50's/LC3 cables/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ~ Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1>44.1/16-CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.1.9, ffp & md5-TLH Notes: Front of House mix was done from side stage due to COVID concerns ~ ~ S.F. PRO 12.1(normalize to -0.10db, fade outs) ~ ~ Apogee - soft limit on ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld ~ ~ Special thanks to Keith S. for the ticket hookup and super kind hospitality! ~ ~ Many Thanks to Dead & Co. & crew & the venue staff & crew for allowing us to record and share the music ~ 2 flac  
3. 09/03/21 Xfinity Center - Mansfield, MA 9 Source: Aud > DPA 4017's > GakCables > Sound Devices 722 @ 24/96 Lineage: CF 2 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Location: Section 6 > Behind Board > 10ft High Recorded By: JT/NY Uploaded By: JT/NY 2 Flac  
4. 09/11/21 Riverbend Music Center - Cincinnati, OH 9 .wav > Soundforge XP 4.5 to check and balance tracks and complete Figure-8 track > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC 3x AKG398 shotguns (L,C,R); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG392 omnis 5-foot spread (L,R) > Zoom F8 @ 44.1/16... Omnis moved to 3-foot spread for second set Taped by Toaste Transferred by Toaste some chatter by the recorder 2 Flac  
5. 10/14/21 Dos Equis Pavilion - Dallas, TX 9 Source 1: AKG 461 (DIN) > gakables > SD MixPre-6 Source 2: AKG ck63 (PAS) > nbob actives > SD MixPre-6 Location: LOC; clamped to back of sound cage; 7' high Pull & Processing: CorFit Chris @ InsideOut Recording 2 Flac  
6. 10/19/21 Red Rocks Amphitheatre - Morrison, CO A Source: Aud > Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 Lineage: SD @ 16/48 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Recorded By: W Zimmerman Uploaded By: JT/NY 2 flac  
7. 10/20/21 Red Rocks Amphitheatre - Morrison, CO A Source: Aud > Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 Lineage: SD @ 16/48 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Recorded By: W Zimmerman Uploaded By: JT/NY 2 flac  
8. 05/26/23 Dos Equis Pavilion - Dallas, TX A   2 flac  
9. 06/10/23 Wrigley Field - Chicago, IL A+   2 flac  
10. 06/25/23 Fenway Park - Boston, MA a- Location: behind Sec C5, left side of mixer enclosure, right of second base just behind the infield ~ Mic config: DinA Kwonbar, Schoeps A20S shock, Rycote screens, Manfrotto 004BAC stand @ 13ft ~ Source: Neumann KM 150(AK50's/LC3's/KM100's)>HQRP xlr>Lunatec V3(w/ Oade neutral ACM Mod)>AES/EBU>Sound Devices SD722 @24bit/96kHz ~ Transfer, editing, mastering & conversion: SD722 master file @24bit/96kHz/CF>Sound Forge Pro 16.1.4.71>CD Wave v1.98(tracking)>FLAC24 via TLH v2.8.4(level 8), tag w/Tag Scanner6.1.15, ffp & md5-TLH Notes:~ S.F. 16.1.4 (fades, set1 normalize to -0.10db ~ set2 cFX limiter +3.0db) ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld ~ ~ Many Thanks to Dead & Co. & crew & the venue staff & crew for allowing us to record and share the music ~ 2 flac  
11. 07/01/23 Folsom Field - Boulder, CO A Source: (FOB/DFC/KFC/AARP/6'high) Schoeps MK41 (DIN) > Sound Devices MixPre 6 II @ 32/44.1 Sound Forge 17.0 Pro (Volume Balance, CoreFX Compressor, Dither, Fades) > CD Wave > FLAC (level 8) 24/44.1 Recorded by: Steve Ziegler (Z-Man) Transfer: Brian Lee (blee421@hotmail.com) Notes: Huge thanks to Z-Man for sharing his 32 Bit master files. 2 flac  
12. 07/03/23 Folsom Field - Boulder, CO A Source: (FOB/DFC/KFC/AARP/6'high) Schoeps MK41 (DIN) > Sound Devices MixPre 6 II @ 32/44.1 Sound Forge 17.0 Pro (Volume Balance, CoreFX Compressor, Dither, Fades) > CD Wave > FLAC (level 8) 24/44.1 Recorded by: Steve Ziegler (Z-Man) Transfer: Brian Lee (blee421@hotmail.com) Notes: Huge thanks to Z-Man for sharing his 32 Bit master files. 2 flac  
13. 07/07/23 The Gorge Amphitheatre - George, WA A+   2 flac  
14. 07/08/23 The Gorge Amphitheatre - George, WA A   2 flac  
15. 07/14/23 Oracle Park - San Francisco, CA A   2 flac  
16. 07/15/23 Oracle Park - San Francisco, CA A+   2 flac  
17. 07/16/23 Oracle Park - San Francisco, CA A+   2 flac  
18. 05/16/24 The Sphere - Las Vegas, NV a- Taper: Lil Tendies + TJ (https://ratm.live) Taping Location: Section 305 Row 16 Source: Schoeps MK4s > Babynbox > PCM-A10 (24/48) Transfer: WAV > Reaper (EQ) > FLAC (24) Length: 3:12:54 crowd noise 2 flac  
19. 06/22/24 The Sphere - Las Vegas, NV A Schoeps mk41 (hypers) > N-Bob Active Cables > Baby N-Box > Sony PCM M10 @ 24Bit/48kHz Location: Section 205, Row 14, Seat 5 2 Flac  
20. 03/27/25 The Sphere - Las Vegas, NV 8.5 Taper: Hunter S II Transferrer: Hunter S II Quick Mix warts and all 2nd set is less chatty than the 1st. Hoping for better 1st set neighbors tomorrow Location: Floor Source: Channels 1 & 2: Audio Technical 853 Cardioids with PIP voltage modification > Roland R07 24 bit 96khz Lineage: SD > Wav > Reaper > Flac 24 2 Flac  
21. 04/18/25 The Sphere - Las Vegas, NV 8.5 Taped by: Cam Keough Transferred by: Cam Keough Source: Sennheiser MKE 2 -> Naiant Tinyhead-> Pixel 5 (24/48) Lineage: Adobe Audition-> CD WAVE-> THL 2 Flac  
22. 08/02/25 Golden Gate Park - San Francisco, CA 8 Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) BOB/DFC/OTS/KFC/ZFC/AARP 8 1/2' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Taper's Assistant: K-Mac Show #196 Of 2025 A Team Dirty South And Home Team Recording 2 Flac  

Dead Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/17/10 Fox Theatre - Boulder, CO A   2 flac  
2. 03/04/17 Belly Up - Aspen, CO A SOUNDBOARD recording , 1st circulation 2 flac  
3. 11/09/18 Anims City - Durango, CO A Transfer: SBD > WAV > ABLETON > FLAC 2 flac  
4. 04/02/22 Aggie Theater - Fort Collins, CO 9 Source: Matrix Transfer: WAV > ABLETON > FLAC AUD recording from the SBD booth, with L/R SBD feed 2 Flac  
5. 08/26/22 Mishawaka Ampitheatre - Bellvue, CO A Source: Matrix Transfer: WAV > ABLETON > FLAC 3 flac  
6. 11/10/23 Cactus Jacks - Ahwatukee, AZ A source: SBD + Golden Age Project FC4 mics w/ hyper-cardioid caps > Rockville 100% copper 20' XLR mic cables > ZoomH5 XLR jacks > Transcend 700S 285-mb/s 32gb UHS-II U3 class10 V90 SDHC card > audacity > you location: FOB, right side, 8' mic stand taper: davpeterson 2 flac  
7. 04/19/24 Aggie Theater - Fort Collins, CO 9   2 Flac  
8. 02/22/25 Last Exit - Phoenix, AZ 8.5 source: Golden Age Project FC4 mics w/ cardioid caps > Rockville 100% copper 20' XLR mic cables > ZoomH6 XLR jacks > Lexar Professional 2000x 64gb 300-mb/s v90 SDXC UHS-II card > audacity > you location: left side, 18' from stage, 8' mic stand taper: davpeterson 2 Flac  
9. 02/22/25 Last Exit - Phoenix, AZ 9 Source: SBD/AUD > TASCAM > WAV Transfer: WAV > ABLETON > FLAC Whole Show: 2:26:27 2 Flac  
10. 04/26/25 Little Bear Saloon - Evergreen, CO 9 Source: SBD/AUD MATRIX > TASCAM > WAV Transfer: WAV > ABLETON > FLAC Whole Show: 2:11:32 2 Flac  
11. 07/11/25 Mishawaka Amphitheatre - Bellvue, CO 9 Source: SBD/AUD MATRIX > TASCAM > WAV Transfer: WAV > ABLETON > FLAC Whole Show: 2:35:35 2 Flac  
12. 10/10/25 Belly Up - Aspen, CO 9 Source: SBD/AUD MATRIX > TASCAM > WAV Transfer: WAV > ABLETON > FLAC Whole Show: 2:39:47 2 Flac  

Frankly  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/18/22 Innovation Ampitheater - Winder, GA A Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1) SOB/DFC/KFC/ZFC/AARP 29' From Stage, 6 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording 3 flac  

Frankly Scarlet  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/26/24 Madlife Stage & Studio - Woodstock, GA A Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) FOB/DFC/KFC/ZFC/AARP 40'From Stage, 6 1/2' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Show #405 Of 2024 A Team Dirty South And Home Team Recording 2 Flac  
2. 03/28/25 Earth Brewing Company - Roswell, GA 7.5 Neumann KM 150’s > Nick Active Cables > Naiant PFA’s > Sound Devices 744T 24/96 > Logic Pro > Sound Studio > xACT Recorded Recorded and Seeded by David Dyche 2 Flac  

Garcia  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/11/62 Jewish Community Center - San Carlos, CA A Source: Master Audience Recording [Possibly from mics placed on stage] Media: MAR = Scotch 150 1/4" Reel, R1 = Scotch 207 1/4" Reel Lineage: Unknown > MAR > Technics RS-1520 [No Dolby, 7.5 IPS] > Otari MX-5050 [No Dolby, 7.5 IPS] > R1 Transfer: R1 > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 DSD-DDF 1-bit 5.6448 MHz Stereo > Audio Gate Dissemination > 24/96 WAV Taped By: Unknown [Possibly Rodney Albin, see Notes] Supplied By: Barry Glassberg Transfer By: A. Egert Mastering By: SIRMick 2 flac  
2. 07/28/68 Rancho Olompali - Marin County, CA A SBD > ? > CD Single Disc (1) 29:50 01. 3/5 of a Mile in 10 Seconds Jam Notes: - static @ 0:53, 17:28, 17:55, 18:24, 19:48 - tick @ 12:32 fixed using SoundForge Studio 6.0. - digi-chirp @ 29:39 David Gans originally broadcast this material on the KPFA Marathon on February 7th, 2004, and recently and very graciously supplied a set of CDs for circulation. Thanks, David! 1 flac  

Garcia & Kahn  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/28/84 Wolfgang's - San Francisco, CA 9 Recording info: Master soundboard cassette > one analog generation > DAT via Anon Transfer info: Sony R500 > PreSonus Firebox > Peak Pro Mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel Originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on March 30, 2025 https://spinitron.com/KXCI/pl/20438292/Dead-Air Originally shared to www.shnflac.net in October 2025 1 Flac  

The Genesis Show  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/08/24 Carnegie Music Hall - Munhall, PA A BMC-2 mikes -> SPSB-11 -> Edirol R9 -> wav (44.1/16) -> Sound Forge Pro (fades/light eq) -> TLH -> flac Files tagged with Mp3tag 2 flac  

Graham Lesh  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/14/25 The Capitol Theatre - Port Chester, NY 8 Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) FOB/DFC/KFC/ZFC/AARP 45' From Stage, 7' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Tapers's Assistant:David "Cousin Eddie" Dyche Show #62 Of 2025 A Team Dirty South And Home Team Recording 2 Flac  
2. 07/31/25 Pier 48 - Building A - San Francisco, CA 9 Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) FOB/DLFC/KFC/ZFC/AARP 35' From Stage, 7' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Show #194 Of 2025 A Team Dirty South And Home Team Recording 3 Flac  
3. 08/02/25 Golden Gate Park - San francisco, CA 8 Neumann KM 150’s > Nick Active Cables > Naiant PFA’s > Sound Devices 744T 24/96 > Logic Pro > Sound Studio > xACT Recorded and Seeded by David Dyche Crowd noise but really good sound 2 Flac  

Grateful Dead http://www.dead.net
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Unsurpassed vol 6 - Unknown, Unknown AA   5 flac  
2. 07/16/66 Fillmore Auditorium - San Francisco, CA A Stereo Soundboard Reel Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 2.25, FLAC Tags Via xACT 2.51 Trade DAT Transferred, FLAC'd, & Tagged (+ Front Cover Artwork) By OldNeumanntapr Tracks Were Not In Correct Order On DAT But Have Been Arranged To Follow True Set List 2 flac  
3. 07/17/66 Fillmore Auditorium - San Francisco, CA a- Lineage: SBD >Reel Master (10 Inch Reels @ 15ips 1/2trk) >DAT >Sonic Solutions >CD >EAC >SHN (1 Disc Audio / 1 Disc SHN) Converted To SHN By Charlie Miller charliemiller87@earthlink.net 12/13/03 *************************************************************** [Trade CD >FLAC (Level 8) Via xACT 2.36 FLAC Tags Via xACT 2.51 By OldNeumanntapr (+ Front Cover Artwork) 1 flac  
4. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC A Source:SBD >Master Reel >?? >CDR >FLAC Trade CD >FLAC (Level 8) Via xACT 2.35 FLAC Tags Via xACT 2.51 By OldNeumanntapr 2 flac  
5. 11/19/66 Fillmore Auditorium - San Francisco, CA A - Source - SBD ► ? - Transfer - 1xCDR ► ? ► SHN [395 MB]; foobar2000 v0.9.4.2 (write RAFTSv1.3 tags, convert incoming files to FLAC Level 8, all files bit-verified identical, calculate and store album-level replay gain tags for each set) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verify original md5 checksums, verify sector boundaries, compute FLAC fingerprints, compute md5 checksums for the newly tagged files) ► FLAC [373 MB]. - Notes from Jon - This is a liberated bootleg that sounds pretty damn good for how old the show is. According to Deadbase, this is the complete show except for Dancin from the end of the first set. If you want to hear some old Dead, I highly recommend this disc. 1 flac  
6. 08/23/68 Shrine Exposition Hall - Los Angeles, CA A Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT Mastering Info: Samplitude Pro X5 > Flac16 Source provided by Anon Mastering by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC and Pack by Steve Gravel Originally aired on 91.3 FM KXCI Tucson on Dead Air Hosted by Jim Blackwood and Jamie Waddell on August 22, 2021 https://spinitron.com/KXCI/pl/13949252/Dead-Air Shared to www.shnflac.net in August, 2021 FLAC Level 8 at 16bit 44.1kHz Notes: - Cut between The Eleven and Death Don't Have No Mercy – very little is missing 1 flac  
7. 01/02/70 Fillmore East early show - New York, NY A+ Source: Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998) Transfer: Zero Gen. DAT play back and transfer on a Sony PCM R-500 > Digital Audio Labs Carddeluxe > WAV @ 16/44.1 Jim Wise April 5 2015 Lineage: Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16 Early Show Tresure 2 flac  
8. 01/02/70 Fillmore East - late show - New York, NY A+ Grateful Dead 1-2-70 Fillmore East, Treasure New York, NY SBD >MR >Cass >DAT >CD >EAC >SHN patched with AUD>??>CD>EAC>SHN>CD>FLAC [Trade CDs >FLAC (Level 8) Via xACT 2.35] Disc 1 (63:08) Early Show: 1.  Zarathustra introduction--> (1:09) 2.  Mason's Children (6:12) 3.  Casey Jones (4:27) 4.  Black Peter (12:48) 5.  Mama Tried--> (2:39) 6.  Hard To Handle (4:58) 7.  Cumberland Blues (5:49) 8.  Cryptical Envelopment--> (2:01) 9.  Drums--> (3:56) 10. The Other One%--> (10:14) 11. Cryptical Envelopment--> (1:59) 12. Cosmic Charlie// (6:49) Disc 2 (46:14) Late Show: 1.  Uncle John's Band--> (7:19) 2.  High Time (7:24) 3.  Dire Wolf (4:19) 4.  //Easy Wind (7:20) 5.  China Cat Sunflower//(-->) (3:36) 6.  //I Know You Rider (2:02) 7.  Good Lovin' (7:30) 8.  Me & My Uncle (3:05) 9.  stage banter (1:37) 10. Monkey & The Engineer (1:57) Disc 3 (72:15) Late Show continued: 1.  stage banter/tuning (1:34) 2.  Dark Star//(-->) (29:59) 3.  //St. Stephen--> (5:13) 4.  The Eleven--> (12:20) 5.  Lovelight% (23:07) Notes: --aud patch for Zarathustra intro and first 5 seconds of Mason's --reel flip at 0:47 in Other One --Cosmic Charlie cuts out just before the end --beginning of Easy Wind clipped --large cut in between China Cat & Rider --Tighten Up jam in Dark Star starting at 22:43, lasting about a full 5 minutes --Dark Star cuts out during the final verse; at least a couple minutes are missing by the time Stephen cuts in well after its beginning --reel flip at 14:19 in Lovelight --Sound Forge was used for normalization and a slight pitch correction Part of The Music Never Stopped Project 2003 Thanks to Andy Lemieux, Uli Teute, & Hanno Bunjes edits/encoding by JCotsman 2 flac  
9. 01/03/70 Fillmore East (Late Show) - New York, NY A Recording Info: SBD > Master Reel > Cassette > Dat (48k) Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k (1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 12, 2017 Notes: -- There are numerous jams throughout the Alligator jam -- There is a High Time false start after I Know You Rider -- There is a cut in TIFTOO at 18:18 -- Thanks to David Gans for supplying the Dats -- There are some level fluctuations that remain but most have been fixed 1st 11 songs early show last 14 songs late show Treasure 1 flac  
10. 01/03/70 Fillmore East (Early Show) - New York, NY A Recording Info: SBD > Master Reel > Cassette > Dat (48k) Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k (1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 12, 2017 Notes: -- There are numerous jams throughout the Alligator jam -- There is a High Time false start after I Know You Rider -- There is a cut in TIFTOO at 18:18 -- Thanks to David Gans for supplying the Dats -- There are some level fluctuations that remain but most have been fixed 1 flac  
11. 01/10/70 Golden Hall - San Diego, CA A+ Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips) Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16 Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16 (2 Discs Audio / 1 DVD FLAC) All Mastering By Charlie Miller charliemiller87@earthlink.net February 28, 2014 Notes: -- Disc change is seamless -- Intro to Casey Jones cut -- Thanks to Sandy Troy for lending me his reels -- Thanks to Matt Smith for transferring the reels -- Thanks to Rob Eaton for helping make this happen -- Thanks to Joe B. Jones for his help with the pitch correction -- The pitch is not perfect but it's a lot better 2 flac  
12. 01/16/70 Springer's Inn Portland - Portland, OR A Source: SBD > Reel Master > Reel > PCM (Sony Beta Tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar. Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16 2 flac  
13. 01/30/70 The Warehouse - New Orleans, LA A Source: SBD >MR >Cass >DAT >CDR Conversion: CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable) mvernon54@attbi.com shntool confirms tracks on sector boundaries Part of The Music Never Stopped Project 2002 shn em up initiative 7/16/02 Thanks to Raoul Duke for the disks! Treasure 2 flac  
14. 02/01/70 The Warehouse - New Orleans, LA A Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27) Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight) Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC Treasure 2 flac  
15. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO A+ SBD >MR >R >R >PCM >DAT >CDR >EAC >SHN >FLAC excerpt, total time 32:52 195 MB 1. // Cumberland Blues 0:54 2. (tuning) 1:32 3. Dark Star --> 21:49 4. St. Stephen --> 4:32 5. Mason's Children // 4:04 Notes: -- this is all that circulates of this show as of Feb 2003 -- most of Cumberland is missing -- Tighten Up Jam at 11:45 in Dark Star -- Feelin' Groovy Jam at 12:57 in Dark Star -- Sound Forge was used for pitch correction and normalization edits/encoding by JCotsman Treasure 1 flac  
16. 02/11/70 Fillmore East (late show) - New York, NY A ► Recording Notes ◄ - Credits - Original recordist unknown, probably Owsley 'Bear' Stanley Possibly patched by Jeffrey Norman This source released by Darren Sacks Downloaded directly from http://www.gdlive.com/shn/gd70-02-11.shnf/ FLAC conversion by Randy Vogel on 2007-02-12 RAFTSv1.3 tagging by Randy Vogel on 2007-04-16 - Source - SBD ► unknown Reel-to-Reel recorder (possibly Revox 15" reel @ 15ips) - Transfer - Master Reel-to-Reel tape in unknown deck ► unknown DAT deck (probably Panasonic SV-3700) ► 2xCDR (transfer details unknown) ► Exact Audio Copy (unknown version, unknown settings) ► SHN [728 MB] foobar2000 v0.9.4.2 (write RAFTSv1.3 tags, calculate and store album-level replay gain tags, convert wavs to FLAC Level 8, all files bit-verified identical to originals) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verified original md5 checksums, corrected sector boundaries (see log for details), computed FLAC fingerprints, computed md5 checksums for the newly tagged files) ► FLAC [676 MB] - Notes - d1t01 The Other One cuts in (unknown beginning portion missing) d2t01 Dark Star has abrupt splice/cut at approx. 6:57. d2t03 Lovelight has a splice at 30:16 (possible source changes to/from "15ips revox reel"? ) Treasure 1 flac  
17. 02/11/70 Fillmore East - New York, NY A ► Recording Notes ◄ - Credits - Original recordist unknown, probably Owsley 'Bear' Stanley Possibly patched by Jeffrey Norman This source released by Darren Sacks Downloaded directly from http://www.gdlive.com/shn/gd70-02-11.shnf/ FLAC conversion by Randy Vogel on 2007-02-12 RAFTSv1.3 tagging by Randy Vogel on 2007-04-16 - Source - SBD ► unknown Reel-to-Reel recorder (possibly Revox 15" reel @ 15ips) - Transfer - Master Reel-to-Reel tape in unknown deck ► unknown DAT deck (probably Panasonic SV-3700) ► 2xCDR (transfer details unknown) ► Exact Audio Copy (unknown version, unknown settings) ► SHN [728 MB] foobar2000 v0.9.4.2 (write RAFTSv1.3 tags, calculate and store album-level replay gain tags, convert wavs to FLAC Level 8, all files bit-verified identical to originals) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verified original md5 checksums, corrected sector boundaries (see log for details), computed FLAC fingerprints, computed md5 checksums for the newly tagged files) ► FLAC [676 MB] - Notes - d1t01 The Other One cuts in (unknown beginning portion missing) d2t01 Dark Star has abrupt splice/cut at approx. 6:57. d2t03 Lovelight has a splice at 30:16 (possible source changes to/from "15ips revox reel"? ) Treasure 1 flac  
18. 02/12/70 Ungano's Night Club - New York, NY A Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB Thanks to Jay Serafin for the disks! Audio Rating:     AR-2 Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy (Trade CD >FLAC (Level 8) Via xACT 2.35) 1 flac  
19. 02/13/70 Fillmore East - New York, NY A Recording Info: SBD >Master Reel (7 inch 1/2 Track at 15ips) >DAT (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 23, 2009 1 flac  
20. 02/13/70 Fillmore East (Late Show) - New York, NY A Recording Info: SBD >Master Reel (7 inch 1/2 Track at 15ips) >DAT (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 23, 2009 Notes: -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut [Trade CDs >FLAC (Level 8) Via xACT 2.36] 3 flac  
21. 02/14/70 Fillmore East - New York, NY A Recording Info: SBD >Master Reel (7 inch 1/2 Track at 15ips) >DAT (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 26, 2009 Notes: -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18115 -- Unpatched reel flip between Saint Stephen and The Eleven [Trade CDs >FLAC (Level 8) Via xACT 2.35] 4 flac  
22. 02/23/70 The Auditorium - Austin, TX a- Source: SBD>MR>C>DAT>CDR Conversion: CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable) mvernon54@attbi.com shntool confirms tracks on sector boundaries Part of The Music Never Stopped Project 2002 shn em up initiative 7/7/02 Thanks to Raoul Duke for the disks 2 flac  
23. 02/27/70 Family Dog at the Great Highway - San Francisco, CA a- Recording Info: SBD -> Master Reel (7.5ips 1/2trk) Reel >DAT >Pre FM Rebroadcast >CDR >FLAC Trade DATS (Ardas) Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.35 2 flac  
24. 02/28/70 Family Dog at the Great Highway - San Francisco, CA A SBD>MR>C>D>CD>EAC>SHN 2 flac  
25. 03/01/70 Family Dog at the Great Highway - San Francisco, CA A Source: Soundboard > Mater Reel > Dat (44.1k) 2 flac  
26. 03/08/70 Star Theatre - Phoenix, AZ A Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 5, 2011 Notes: -- Disc change is seamless -- Numerous flaws cleaned up and I attempted to fix the level fluctuations -- Cold Rain And Snow cuts in -- Bad hiss for first 26 seconds of Monkey And The Engineer due to recording levels -- Monkey And The Engineer through Katie Mae are acoustic -- Unknown performer joins band for the last 3 tracks 2 flac  
27. 03/21/70 Capitol Theater (Late) - Port Chester, NY a- Late Show Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16 2 flac  
28. 03/24/70 Pirates World - Dania, FL a- Recording Info: SBD ->Master Reel ->Cassette ->Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC (2 Discs Audio / 1 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net January 4, 2006 [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
29. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH a- MR>R>FLAC February, 2012: Obtained shnid: 114616. Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the oversaturation (analog recorder clipping) on the source. Three Stages: 1. Concatenated the files into 3 large files (1 for each set). 2. Upsampled to 88.2 kHz (retained 16-bit) using "master" settings with no dithering. 3. Generated harmonics and overtones using a multifilter with: a. the dynamic noise "enhancer" setting (noise threshold 500, filter frequency 3500, attack time 25, release 100, HF gain of 8dB. b. Virtual valve "harmonic enhancer sweet spot" settings c. Overtone generator at 2.9 level, frequency of 7966, output level at 0 4. Used an multifilter for impulse reduction: a. de-clipper set at threshold of 43, slope of .300, 6dB gain reduction b. narrow crackle filter set at 35 threshold, size of 5 c. expert impulse set at threshold of 2000, size of 3, tracking at 32, "universal" mode, solo/brass checked. Thanks to Craig of Diamond Cut for the impulse suggestions; Marc H. for the upsampling idea, and Germain for access to the source files. 2 flac  
30. 04/09/70 Fillmore West - San Francisco, CA A SBD MR>C>D>CD + AUD MC>4C>D>CD 2 flac  
31. 04/11/70 Fillmore West - San Francisco, CA A Source: sbd > Reel Master > Cassette > DAT (44k) 1 flac  
32. 04/12/70 Fillmore West - San Francisco, CA A Source: SBD for all except Casey Jones through Deep Elem Blues Lineage: Reel master > Sonic Solutions > DAT > CD > EAC > SHN Source for Casey Jones through Deep Elem Blues: AUD Lineage: Aud cassette master > PCM > DAT > Sonic Solutions > CD > EAC > SHN Taper is believed to be Harry Ely but this is unverified. Extraction and .shn encoding by Seth Kaplan (Sdk022769@aol.com) Proper extraction and sector boundaries verified via EAC and MKW ______________________________________________________________________ 2 flac  
33. 04/15/70 Winterland Arena - San Francisco, CA A+ Sony TC-770 7 Inch Half Track Reel Master @ 7.5 ips-Bob Mathews DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW) play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise: March 27 2015 2 flac  
34. 04/18/70 Family Dog at the Great Highway - San Francisco, CA A Soundboard Reel, GDP HDCD 1 flac  
35. 05/01/70 Alfred College - Alfred, NY A Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net November 6, 2008 Notes: -- Source 1 provides Deep Elem Blues through Cumberland Blues -- Source 2 provides The Race Is On through the middle of Drums -- Source 3 provides the middle of Drums though the end of the show -- Part of the acoustic set with members of the New Riders -- Thanks to David Gans for sources 2 and 3 -- Thanks to Joe B. Jones for his help with the pitch correction [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
36. 05/02/70 Harpur College - Binghamton, NY a- Bear's Recording reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell As the tape sounds. a project **GEMS** www.shnflac.net --------------------------------------------- 24 bit to 16 bit conversion: Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC 2 flac  
37. 05/02/70 Harpur College - Binghamton, NY A Soundboard; Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k (1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 2, 2017 Notes: -- Dat supplied By Dick Latvala -- Thanks to Rich Gastwirt for his help with the project *************************************************************** FLAC >WAV >Audacity (Downsample to 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
38. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA A Soundboard; 10" 1/2 Track Mono Master Reels Trade CDs >FLAC (Level 8) Via xACT 2.35 1 flac  
39. 05/14/70 Meramec Community College - Kirkwood, MO A Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except  *  =  MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC [Trade CDs >FLAC (Level 8) Via xACT 2.35] 3 flac  
40. 05/15/70 Fillmore East (Late Show) - New York, NY A SBD > MR > DAT > ZA2 > CDR except the NRPS sets which have 2 cassette generations This is apparently the best possible copy Thanks to David Hollister and Jeff Tiedrich dfinney@cts.com [[[Note by Leigh Orf, who uploaded this show to orp.etree.org: I did some very minor editing to this show, mostly putting tasteful fades where there were cuts in the original. No NR whatsoever was applied! I also removed the mysterious double-strum near the beginning of Don't Ease Me In (sounded like a digital thing)...  Thanks again to the aforementioned folks, plus David Finney for hunting the show down in its best form... Leigh ]]] [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
41. 06/04/70 Fillmore West - San Francisco, CA A 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)- 1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby) Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise circa 1998) DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise:April 3rd 2015 This is a 16 bit 44.1KHz file set Partial Set 1 flac  
42. 06/05/70 Fillmore West - San Francisco, CA a- 7 Inch Half Track Reel Master @ 7.5 ips (Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby) Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015 This is a 16 bit 44.1KHz file set 2 flac  
43. 06/06/70 Fillmore West - San Francisco, CA A+ ► Recording Notes ◄ - Credits - Original recordist unknown, probably Owsley 'Bear' Stanley Seeded by J Ashley http://www.gdlive.com/shn/gd70-06-06.shnf/ FLAC conversion by Randy Vogel on 2007-02-12 RAFTSv1.3 tagging by Randy Vogel on 2007-04-16 - Source - SBD ► 1/2 track Reel to Reel tape @ 7.5ips - Transfer - playback of 7" Master Reel in unknown deck ► Tascam 122mkIII Cassette Recorder ► Panasonic SV-3800 DAT (record) @ 16-bits, 44.1 kHz ► unknown DAT deck (playback) ► Zefiro Acoustics ZA2 soundcard (S/PDIF in) ► 2xCDR ► Exact Audio Copy v.? (unknown settings) ► mkw Audio Compression Tool v0.97b ( losslessly convert WAV to SHN; calculate .md5 checksums) ► SHN [850 MB]; foobar2000 v0.9.4.2 (write RAFTSv1.3 tags, calculate and store album-level replay gain tags, convert wavs to FLAC Level 8, all files bit-verified identical to originals) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verify original md5 checksums, verify sector boundaries, compute FLAC fingerprints, compute md5 checksums for the newly tagged files) ► FLAC [822 MB] - Notes - If the structure of this show was the same as on 6/5/70, then the acoustic set opened the evening, followed by sets from Southern Comfort and NRPS with Garcia on pedal steel and Hart on percussion, and then the Dead closed out the evening with their electric sets. - Notes from Deadlists - There are a few cuts throughout the show. Regardless of the defects, this show is a gem. A must have for collectors of early Dead. - Notes from RLV - The tracking of Set 3 could be much improved! Deadlists has timings to the nearest second... 2 flac  
44. 06/07/70 Fillmore West - San Francisco, CA A 7 Inch Half Track Reel Master @ 7.5 ips (Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby) Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997) DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:January 2015 ********************************************************************************** Trade FLACs >Audacity (Downsample to 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntap 2 flac  
45. 07/16/70 Euphoria Ballroom - San Rafael, CA A Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (1 Disc Audio / 1 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net February 28, 2006 Notes: -- Thanks to Paul Scotton Cassette -- Turn On Your Lovelight with Janis Joplin 1 flac  
46. 09/20/70 Fillmore East - New York, NY A Set One from BETA Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 Set Two from DAT DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1 This recording was gratefully supplied by PO and Stucco TINA Holmes.Thanks to spamjam for the equipment generosity. Wavelab 7.1 mastering by Jamie Waddell Track, FLAC and Pack by John Wenzel 16 bit 44.1kHz a project **GEMS** August 2016 Acoustic set includes both David Grisman and David Nelson as guests 2 flac  
47. 10/24/70 Kiel Opera House - St. Louis, MO A SBD MR >Reel >Reel >DAT >DAT >ZA2 >DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC 2 flac  
48. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY A SBD>MR>PCM>D>CD>EAC>SHN [Trade CDs >FLAC (Level 8) Via xACT 2.35] Notes: --reel flip at 1:53 in Me & My Uncle --high pitch whine at 1:02 in Rider --Tighten Up Jam from 4:58 to 8:17 in Dancin' --glitch at 7:20 in Dancin from static --glitches at 1:19, 3:17 & 3:48 in Big Railroad Blues --high pitch whine from 2:42 to 2:52 in Lovelight --Sound Forge was used to remove a number of pops that sounded as if they originated from equipment adjustments Part of The Music Never Stopped Project 2003 1 flac  
49. 10/30/70 Gym, SUNY (Late Show) - Stony Brook, NY a- SBD>MR>PCM>D>CD>EAC>SHN [Trade CDs >FLAC (Level 8) Via xACT 2.35] has a sound defect not sure what it is 2 flac  
50. 10/31/70 Gym, S.U.N.Y. (Early) - Stony Brook, NY A [Trade CD >FLAC (Level 8) Via xACT 2.35] Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC 1 flac  
51. 10/31/70 Gym, S.U.N.Y. (Early) - Stony Brook, NY A [Trade CD >FLAC (Level 8) Via xACT 2.35] Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC 1 flac  
52. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY A SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC NOTES: Last Viola Lee Blues 2 flac  
53. 11/16/70 Fillmore East - New York, NY AA SBD:MR>Revox deck (model unknown): 10" ¼ track Reel @ 7.5ips> Revox B77 playback deck>Alesis Masterlink ML9600>CD> EAC>Cool Edit 2000>SHN. A>D by Bill Gadsden. Cool Edit 2000 was used for minor glitch removal. CDWav was used to retrack both discs. EAC(secure mode, offset corrected), seekable shorten encoding with MKW, and sector boundaries verified via shntool by D. Winters. 2 flac  
54. 12/12/70 Santa Rosa Fairgrounds - Santa Rosa, CA AA Lineage: Source: Master Soundboard Reel > Cassette > DAT > CDR CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 9/14/01 (2001-09-01r) blog > nontorrent dl > iMac (OSX 10.13.6) > xACT 2.45 (ffp st5) > Transmission 2.94 > ttd http://www.themidnightcafe.org thanks to Mat Brewster Flac encoding notes: All processing with Trader's Little Helper 2 flac  
55. 12/17/70 Winterland - San Francisco, CA A SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac 1 flac  
56. 12/23/70 Winterland Arena - San Francisco, CA A Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 27, 2012 Notes: -- Cumberland Blues is cut during last verse -- Thanks to Joe B. Jones for his help with the pitch correction 1 flac  
57. 12/26/70 Legion Stadium - El Monte, CA A Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller charliemiller87@earthlink.net 2/18/04 Notes: The following songs have patches in them: Easy Wind, Till The Morning Comes, Truckin', Black Peter, Morning Dew and China->Rider. This patch is better than the patch that was on my CD's, which is why I re-did it. 2 flac  
58. 12/26/70 Legion Stadium - El Monte, CA A "Bertha Remaster Series" Bertha Remaster of the Master Reel/Cassette source (SHN ID 22369) SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8) 2 flac  
59. 12/27/70 Legion Stadium - El Monte, CA A+ Recording Info: SBD -> Master Reel (7inch Master Reels @7.5ips 1/2trk) -> Cassette -> Dat ->CD -> EAC -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) Edited By Charlie Miller charliemiller87@earthlink.net 4/15/04 Notes: -- I cleaned up the cuts, fixed the errors, removed several pops and re-tracked the discs. -- It sounds like they are going into Eyes Of The World towrads end of NFA. 2 flac  
60. 12/28/70 Legion Stadium - El Monte, CA A gd70-12-28.sbd.miller.22313.sbeok.flac16 Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patched with: Sony ECM-22>Rm>Dat>CD (BIODTL, Sugar Magnolia and Cumberland Blues) (2 Discs Audio / 2 Discs SHN) All Editing Done By Charlie Miller charliemiller87@earthlink.net 2/18/04 Notes: The previous seed for this show was not patched very well, so I re-patched it. This new copy also more tuning, stage banter, etc and is about 11 minutes longer. __________________________________________ 2 flac  
61. 12/28/70 Legion Stadium - El Monte, CA A Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patched with: Sony ECM-22>Rm>Dat>CD (BIODTL, Sugar Magnolia and Cumberland Blues) (2 Discs Audio / 2 Discs SHN) All Editing Done By Charlie Miller charliemiller87@earthlink.net 2/18/04 Notes: The previous seed for this show was not patched very well, so I re-patched it. This new copy also more tuning, stage banter, etc and is about 11 minutes longer. AUD (shnid=17706) AUD : MR > DAT > CD Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Another installment of The Music Never Stopped Project! (NOTE: per Bob Menke the equipment used was Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips and it was taped by Harv Kaslow and Craig Todd) --------------------------------------------------------- Tech Notes -SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. -Audition 2.0 was used to align & synch the SBD & both AUD sources. -Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode -CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 16-SEP-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD -2.5 SET TWO Stereo Matrix SBD -1 AUD -2.5 --------------------------------------------------------- Audio Faults: 1) Before Cold Rain and Snow, 04.253 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 2) Between Cold Rain and Snow and Truckin', 06.613 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Cold Rain and Snow and Truckin', 20.548 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 4) Between Truckin' and It Hurts Me Too, 07.460 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Between It Hurts Me Too and Me And My Uncle, 1 minute and 30.433 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 6) Between BIODTL and China Cat Sunflower, 20.948 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 7) Also between BIODTL and China Cat Sunflower, 35.716 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between I Know You Rider and Cryptical Envelopment, 5 minutes and 04.149 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 9) Also between I Know You Rider and Cryptical Envelopment, 22.632 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 10) Also between I Know You Rider and Cryptical Envelopment, 3 minutes and 10.689 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 11) At the start of Sugar Magnolia, 26.048 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 12) At the end of Sunshine Daydream, 27.378 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) At the start of Smokestack Lightnin, 20.943 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 14) Between Big RR Blues and Me and Bobby McGee, 15.891 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Also between Big RR Blues and Me and Bobby McGee, 10.346 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 16) Between Me and Bobby McGee and Deep Elem Blues, 11.486 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 17) Close to the end of Uncle John's Band, 35.257 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. Brokedown House Production ______________________________________________________________________________ 2 flac  
62. 01/24/71 Seattle Center Arena - Seattle, WA A Recording Info: SBD > Master Reel > Cassette > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC (2 Discs Audio / 1 Disc FLAC) Patch Info: SBD > Master Reel (dead.net taper's section stream) Good Lovin (0:40 - end of track) Uncle John's Band (complete track) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net June 24, 2020 Notes: 2 flac  
63. 02/18/71 Capitol Theater - Port Chester, NY AA Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 3, 2011 3 flac  
64. 02/19/71 Capitol Theatre - Port Chester, NY A Source: Matrix (SBD/AUD mix): SBD: (shnid=1029) - via WBOTB Project 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN AUD: (shnid=30230) - via Clinton Vadnais 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC Transfer/Editing: The SBD is from SHN files downloaded from LMA, and the AUD is from FLAC files downloaded from bt.etree.org; both sources were converted to WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell ScarFire@liquidcity.com 10-14-05 2 flac  
65. 02/19/71 Capitol Theatre - Port Chester, NY A+ Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net February 26, 2021 Notes: -- This is not the Betty board, it comes from a different set of reels -- Thanks to Digitalrbb for this source 2 flac  
66. 02/20/71 Capitol Theater - Port Chester, NY A+ Grateful Dead 02/20/1971 Capitol Theater Port Chester, NY Source:  7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT  for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8).   Recording, editing and mastering with Wavelab 5.0.  All cables were Mogami Gold 0.3m pro-audio XLR cables.  All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.  Transfer and mastering by Chris L.   Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. (Trade CDs >FLAC(Level 8) Via xACT 2.35) Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus.   All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine.  First peak broadly centered around 8100 and a second at roughly 15700 Hz.  These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering. 2 flac  
67. 02/21/71 Capitol Theater - Port Chester, NY AA Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 26, 2008 Patch Info: SBD -> Master Reel -> PCM -> Dat -> CD supplies: Bertha (5:25 - 5:52 post song tuning) Wharf Rat (4:50 - 5:06) Uncle John's Band (6:36 - end of track) 2 flac  
68. 02/23/71 Capitol Theater - Port Chester, NY A+ Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 17, 2010 Patch Info: SBD -> Master Reel -> PCM -> Dat -> CD supplies: Wharf Rat (2:16 - 2:47) Notes: -- All disc changes are seamless -- Thanks to the tape owner who allowed me to put this out -- This source is a huge upgrade to all circulating copies -- This is not the Betty board that has been in circulation -- Thanks to Joe B. Jones for his help with the pitch correction ______________________________________________________________________ 2 flac  
69. 02/24/71 Capitol Theater - Port Chester, NY AA   2 flac  
70. 03/03/71 Fillmore West - San Francisco, CA A+ Master Soundboard Recording, unknown pedigree Provided by ANON Transfer - Nak BX-300 > Sony 75ES > DAT Mastering by Jamie Waddell and Jason Chastain - reel flip in Other One - *with flute player. Martin Fiero opened the show so can we assume it is him? - in 1971, the Grateful Dead were constantly out of tune. The 1-2+ minutes of tuning between songs, we chose to track out; they are not short moments 16bit 44.1kHz FLAC 2 flac  
71. 03/14/71 Camp Randall Field House, University of Wisconsin - Madison, WI A+ Source: Sbd >MR >DAT >CD Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3 Conversion & Seed: Brian Cole (cole7007@yahoo.com) 11/14/01 ************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
72. 03/18/71 Fox Theatre - St. Louis, MO AA Set # Two only 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz) DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015 This is a 16 bit 44.1KHz file set 1 flac  
73. 03/20/71 University of Iowa - Iowa City, IA A SBD >MR >Cass >DAT >CD >SHN (seekable) >FLAC (Level 8) Via xACT 2.35 2 flac  
74. 03/24/71 Winterland Arena - San Francisco, CA A+ SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 1 Disc FLAC) [Trade CDs >FLAC (Level 8) Via xACT 2.35] All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 3, 2007 Notes: -- The hiss in the first minute of Sugar Mags is due to low levels on the Master Reel -- The setlist on the Dat does not match Deadlists. -- Benefit for the Sufi Choir of San Francisco, who also opened the show -- Patch recorded by Gene Taback supplied by David Minches Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) Beat It On Down The Line (0:00 - 0:32) 2 flac  
75. 04/04/71 Manhattan Center - New York, NY A MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac 2 flac  
76. 04/05/71 Manhattan Center - New York, NY A Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz ; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4 DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0b132 (48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > MKW Audio Compression Toolkit v0.96f (no DAE ; 48k FLAC archived and available by request) 2 flac  
77. 04/06/71 Manhattan Center - New York, NY A Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz ; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4 DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0 build 132 (48-44.1,highest accuracy with anti-alias filter) > CDWav v1.71 > MKW Audio Compression Tool v0.96f (no DAE ; 48k FLAC archived and available by request) 2 flac  
78. 04/07/71 Music Hall - Boston, MA AA Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out> Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT via trailmix and Tim Deibert Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. 3 flac  
79. 04/08/71 Music Hall - Boston, MA A+ Source: Betty Cantor 7" two track reel @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT via trailmix and Tim Deibert Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz]> CD Wave> TLH> Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros. 2 flac  
80. 04/10/71 East Hall, Franklin & Marshall College - Lancaster, PA AA SBD> MR> C> DAT> CD I used CD Wave and Shntool to retrack, and verify sb's. EAC/SHN by Willy 3 flac  
81. 04/12/71 Civic Arena - Pittsburgh, PA A+ Recording Info: SBD >Reel Master >DAT >Sound Forge >CD Transfer Info: CD -> EAC -> FLAC (2 Discs Audio / 2 Discs FLAC) Transferred By Charlie Miller charliemiller87@earthlink.net August 23, 2005 2 flac  
82. 04/13/71 Catholic Youth Center - Scranton, PA A+ MSR >DAT >Delta Dio 2496 soundcard>Soundforge>Flac 2 flac  
83. 04/14/71 Davis Gymnasium - Lewisburg, PA A+ 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews) Transferred By Dick Latvala (Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 48KHz). This is a Jim Wise transfer of his DAT via a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 24bit/96KHz All editing and conversion work with Diamond Cut Forensics 8.5. Converted to 24-bit, 48kHz using Triple precision math; editing done in 24/48 with 32-bit interpolation. Converted to 16/48 with triple precision, 32-bit interpolation and DC8.5 Forensics custom dither (Noise Shape 2). Editing: Speed changes to stabilize the speed in Set I. Speed was off slightly in a linear fashion, so speed change varied from -.14% to +1.0% over a given 45 minute period. Set II did not need any speed correction. I noticed instances suggesting that there were two recorders with some editing done on the master tape. Jim doesn't think it was done. After all the editing was complete, I did a very light eq to increase bass and treble, and then gain normalized each channel to -.5 dB. * multiple instances of static - possibly discharge from record or playback head. I minimized these. Some are gone completely, others are still audible but minimized. I am sure I missed some but these are all I can find within a limited time frame. # Just after reel change/tape flip, cb-radio type noise. Minimized but still there ^ 1 electro-glitch instance (may be different kind from the others) fixed ___________________________________________________________________________________________________________________________ Other notes: -In between Bird Song and Sugar Mag, there is loud feedback. I reduced the level so it did not determine the overall loudness of the recording. -Several songs clip badly in the vocals. There was not much that could be done with it. -Truckin' - level change at the beginning was smoothed out -Deal has an edit or glitch at the very beginning of the first solo. At the end of Deal - hum and buzz starts. -Bobby McGee - after song is over, Phil's bass and stage mics are increased way beyond what the system could take for about 10-15 seconds. I reduced these to sound more like what they probably sounded like in the audience. -Noticeable Reel Change/Tape Flip after Sing me Back Home. Hum/buzz noise is lower afterwards. -Cryptical Envelopment - very short edit or tape glitch at "summer sun looked down on him" -WharfRat appears to be a very quick cut/glitch just before 'got no dime' and cuts at "no friend of mine" - probably reel change/flip (missing several seconds) 2 flac  
84. 04/15/71 Allegheny College - Meadville, PA A SBD >MR>DAT>CD 2 flac  
85. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ AA The lineage of these files is: Main: S:R? Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it. This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. 2 flac  
86. 04/18/71 Lusk Field House, S.U.C.N.Y - Cortland, NY A SBD : MR > RR > DAT > CD From: John Valter (Extraction and .shn encoding by "Alan J. Fink, MCP" ) Notes: d1t11 Casey Jones splice at 4:20, missing a couple seconds d1t13 Sugar Magnolia missing the opening notes d2t8 Uncle John's Band 3:20 - 6:32 patched using Cool Edit 96 from higher gen cassette and increased 86 hz by 14.9 increased 172 hz by 8.5 increased 344 hz by 6.1 increased 689 hz by 4.1 increased 1.3 K by 6.1 increased 2.9 K by 8 increased 7.3 K by 10.5 increased 22K by 12.9 by "Alan J. Fink, MCP" 2 flac  
87. 04/21/71 Rhode Island Auditorium - Providence, RI A Source: SBD Lineage: MSR>R>D>CD>DAE>SHN 2 flac  
88. 04/22/71 Bangor Municipal Auditorium - Bangor, ME A+ Master Soundboard Reel > DAT > CDR shn encoded/uploaded by Scott Clugston 10/00 2 flac  
89. 04/24/71 Wallace Wade Stadium, Duke University - Durham, NC A SBD>MR>PCM>CD CD>EAC>SHN>etree by Mike Lai (usalai@nycap.rr.com) This info file written by Michael K. Weise (mkw@att.net) mkw notes: ---> I moved Casey Jones D2 to D1. While the file names within the md5 files have changed, the md5 signatures themselves have not. ---> This recording is afflicted with a dozen or two very brief (tenths of seconds) PCM dropouts. While that is unfortunate, this appears to be the best recording of 4/24/71 in circulation. ---> Good Lovin' is *not* cut (contrary to deadbase) 2 flac  
90. 04/25/71 Fillmore East - New York, NY A Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net August 29, 2008 Patch Info: SBD -> Master Reel -> Cassette -> Dat -> CD supplies: Morning Dew (0:00 - 0:08) Goin' Down The Road Feeling Bad (2:07 - 5:08) Notes: -- All disc changes are seamless -- Master Reel transferred to CD at the Mastering Plant in L.A. -- Thanks to Joe B. Jones for his help with the pitch correction -- Patch in GDTRFB had to be extended 3 minutes to due reel flutter 2 flac  
91. 04/26/71 Fillmore East - New York, NY A Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) Master Reels Baked and Transferred By David Gans All Mastering By Charlie Miller charliemiller87@earthlink.net February 1, 2010 Patch Info: SBD -> 16 Track Master Reel -> Dat supplies: Big Boss Man (0:00 - 2:52) Wharf Rat (0:24 - 2:07) (2:46 - 2:51) Mama Tried (complete track) Notes: -- Disc change is seamless -- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman -- I Know You Rider is cut at "north bound train" -- Thanks to Bill Gadsden for supplying the reels -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
92. 04/29/71 Fillmore East - New York, NY AA Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 26, 2011 Patch Info: SBD -> Master Reel -> FLAC (shnid=105925) supplies: Me And My Uncle (complete track) Loser (complete track) Greatest Story Ever Told (3:02 - end of track) 3 flac  
93. 05/29/71 Winterland Arena - San Francisco, CA A Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 21, 2008 Notes: -- Very end of Wharf Rat cut due to reel flip -- Master Reel transferred to CD at the Mastering Plant in L.A. -- Thanks to Joe B. Jones for his help with the pitch correction 1 flac  
94. 05/30/71 Winterland Arena - San Francisco, CA A+ Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 21, 2008 Notes: -- Reel fades in at I Know You Rider -- Master Reel transferred to CD at the Mastering Plant in L.A. -- Thanks to Joe B. Jones for his help with the pitch correction 1 flac  
95. 06/21/71 Chateau D'Herouville - Herouville, France A Soundboard Reel Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 2.35 Transferred By OldNeumanntapr 1 flac  
96. 07/02/71 Fillmore West - San Francisco, CA A Master Reel KSFX FM Broadcast (7 & 1/2 ips) >DAT >VHS >DAT >CDR Trade VHS Transferred: Mitsubishi HS-U59 >Tascam DA-30, DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.35 (VHS / DAT / CD Transferred By OldNeumanntapr) 2 flac  
97. 07/31/71 Yale Bowl, Yale University - New Haven, CT AA Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (3 Discs Audio / 2 Discs FLAC) 2 flac  
98. 08/04/71 Terminal Island Correctional Fac. - San Pedro, CA A Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 22, 2008 Notes: -- Disc change is seamless -- Master Reel transferred to CD at the Mastering Plant in L.A. ************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ************************************************** 2 flac  
99. 08/05/71 Hollywood Palladium - Hollywood, CA AA Recording Info: SBD -> Master Reel -> FLAC/24 Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24 (1 DVD FLAC) FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper. 2 flac  
100. 08/06/71 Hollywood Palladium - Hollywood, CA A Sony ECM-22Ps >Sony TC-770 7” Reel (1/4 Track, 7.5 ips) >DAT >CD >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.35 Transferred By OldNeumanntapr 2 flac  
101. 08/14/71 Berkeley Community Theater - Berkeley, CA A+ SBD MR->DAT->CD->FLAC Trade CDs>FLAC (Level 8) Via xACT 2.35 2 flac  
102. 08/15/71 Berkeley Community Theater - Berkeley, CA A Recording Info: SBD > MR > C > DAT Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC NOTES AND FIXES: Upgrade of existing sources. No shn or CDR in lineage. Pitch sharp and fast on existing version. This is correct. Realistic dynamic range, better clarity and presence. No aud source available. Could not patch. Fades used on many tracks for continuity. Keyboards can only be heard during tuning. Disc 1, track 9 is incomplete. Cut at 03:45, now near seamless. Disc 2, track 8 is incomplete. Fades in. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014. 2 flac  
103. 08/23/71 Auditorium Theatre - Chicago, IL A+ Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 22, 2008 Notes: -- All disc changes are seamless -- There is some vocal distortion -- Beginning of Casey Jones cut due to reel flip -- Reel flip at very end of Me And My Uncle -- Reel flip in Not Fade Away jam -- Thanks to Digitalrbb for the discs 2 flac  
104. 08/23/71 Auditorium Theatre - Chicago, IL A+ Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 22, 2008 Notes: -- All disc changes are seamless -- There is some vocal distortion -- Beginning of Casey Jones cut due to reel flip -- Reel flip at very end of Me And My Uncle -- Reel flip in Not Fade Away jam -- Thanks to Digitalrbb for the discs 2 flac  
105. 08/26/71 Gaelic Park - Bronx, NY A+ Recording Info: SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional 8.01 -> Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net February 10, 2006 Patch Info: Notes: -- I 'tried' to fix the levels with Cool Edit Pro v2.0 -- d1t12 static in one channel in the last second on the song that was fixed -- I cleaned this up as best as I could without going crazy! -- It's not perfect, but it's better -- Thanks to Steve Rolfe for the source Dat 2 flac  
106. 08/26/71 Gaelic Park - Bronx, NY A+ Recording Info: SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional 8.01 -> Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net February 2, 2006 Patch Info: Notes: -- I 'tried' to fix the levels with Cool Edit Pro v2.0 -- I cleaned this up as best as I could without going crazy! -- It's not perfect, but it's better -- Thanks to Steve Rolfe for the source Dat 2 flac  
107. 10/19/71 Northrop Auditorium, U. of Minn. - Minneapolis, MN A The Grateful Dead Live at the Northrup Auditorium, Minneapolis, MN 71OCT19 This is a landmark show -- It was Keith's FIRST SHOW. Also the first time for Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time, One More Saturday Night, and Ramble On Rose. The lineage as best as I can tell is FM(KQRS)>cassette>DAT>CDR>SHN>CDR>AIF>SHN 2 flac  
108. 10/21/71 Auditorium Theatre - Chicago, IL A+ Recording Info: SBD -> Master Reel -> Dat Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 22, 2011 Notes: -- Disc change is seamless -- Thanks to David Gans for this recording 2 flac  
109. 10/23/71 Eastown Theater - Detroit, MI a- Recording Info: SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24 Transfer Info: FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 18, 2011 Patch Info: FM -> ? -> 3rd Gen Cassette -> CD (shnid=19862) supplies: Bertha (0:00 - 1:05) Big Railroad Blues (0:00 - 0:08) Truckin' (9:35 - end of track) Notes: -- All disc changes are seamless 2 flac  
110. 10/24/71 Eastown Theater - Detroit, MI A Recording Info: SBD -> Master Reel -> Dat Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 30, 2010 Notes: -- Disc change is seamless 2 flac  
111. 10/27/71 Onondaga County War Memorial - Syracuse, NY AA Recordings FM 135 Master recording source(s): 7inch Master Reels@7.5ips 1/2trk Download/Listen Sources SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > SBD -> Master Reel -> Cassette -> Dat (48k) D SBD>FM>MR>?>CD ********** The GEMS Knudsen Tape Project ********** In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS team for distribution and archiving. We have cherry picked some shows and released them but have only scratched the surface. The process of producing a complete and accurate mastered file set is time consuming: select the show, compare to existing sources, adjust the tape deck, transfer to digital, speed correct, master, aquire the source ID and torrent. We realized we would never release most of collection using this method. As long as music is on tapes in a closet, it is useless. If it circulates it is preserved for others and for the future. Rather than go through the whole file set creation process, we transfer each tape or tape side as a single digital file. A two tape concert consists either two big audio files, 1 for each tape or 4 big audio files, one for each side of the two cassettes. We transfer professionally using the best gear and a high quality Analog to Digital device. The Azimuth and Dolby settings are correct. We release these files for everyone. We do not evaluate the quality of the source, master it, or track it. The Knudsen Tape Project is about sharing the tapes. In each numbered release, along with the digital music files, we include a photo of the tapes. The goal is to release as many of the tapes as possible to the website www.shnflac.net. We think the fruits of this project will become more interesting as time passes. We believe that access to raw, properly transferred audio will be of value to both present and future listeners, researchers and others. Audio mastering technology is moving at breakneck speed. We can only imagine the future technology that will be available. Having access to unmastered sources could be invaluable. HISTORY The collection was started with a box of tapes Jeff Knudsen recieved from his friend Dick Latvala in the late 70's. Dick was just a regular guy in Pahoa, Hawaii and had not yet begun officially working with the Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were currency and Jeff had gold. His collection increased to about 5000 coveted tapes, via mail trades and all night copy-athons. Jeff shared them freely and widely. If you had a soundboard tape in your collection years ago there is a good chance it came from Jeff Knudsen. WHAT CAN I DO WITH IT ? Every release in this project is from a band that allows it's fans to trade music non-commercially. We neither add or take away from that permission. We only ask that you credit the Knudsen Tape Project if you use the material. We ask nothing else of you and you do not need to ask permission to use them. Since we ask only for source credit, we would rather not hear complaints. Take what you need and leave the rest. LINEAGE QUESTIONS The notion of documenting lineage is a modern one, or simply one Jeff did not entertain. We do not have lineage information on most of these tapes. Any information we have will be in the photo of the tapes. Some of the tapes sound absolutely fantastic. Others may remind you of a tape you had long ago. Now the rest is up to the community, with whom we have absolute faith in the ability to discern. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 flac  
112. 10/29/71 Allen Theatre - Cleveland, OH A SBD>MR>DAT>CDR>EAC>SHN 2 flac  
113. 10/30/71 Taft Auditorium - Cincinnati, OH A Primary Source: Pre-FM MR (1/2 track, 7.5 ips) Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (resample to 44.1 and edits) > CDWAV > mkwACT Primary source supplied by Josh Braveman Secondary Source: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD Conversion: Kenwood TrueX > EAC > shn v3 (seekable) Secondary source supplied by the Internet Archive Project *See further edit and patch notes at bottom Edit Notes: - All patching and edits done with Adobe Audition - SHN'd with mkwACT - Primary source supplies the entire show until 1:34 in GDTRFB where the secondary source is crossfaded in. The patch was necessary as the primary source was marred with digital noise. If another MR transfer exists, please share it - Sonic Foundry Pitch Shift applied to secondary source at +52.2 semitones on high setting w/Anti-Alias Filter - Repaired several dropouts and tons of digital pops throughout the primary source Edits performed by Doug Nawrocki 11-07-04 with the help from the kind folks at Supplicationjam. http://launch.groups.yahoo.com/group/supplicationjam/ 2 flac  
114. 10/31/71 Ohio Theatre - Columbus, OH A+ Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 12, 2006 Notes: -- The complete 2nd Set available as Dick's Picks 2 (buy it) -- First few notes of Bertha and Jack Straw missing -- Reel flip in Tennessee Jed fixed with crossfade 2 flac  
115. 11/07/71 Harding Theater - San Francisco, CA A+ SBD : KSFX Pre-FM Reel > DAT > CD > FLAC Trade CDs >FLAC (Level 8) Via xACT 2.35 Known flaws: Some brief Master Reel distortion on a couple of sections 4 flac  
116. 11/07/71 Harding Theater - San Francisco, CA A+ SBD : Pre-FM Reel > DAT > CD 2 flac  
117. 11/11/71 Atlanta Municipal Auditorium - Atlanta, GA A Sbd>MR>?>Dat>cd>shnv3 Discs obtained from Yubah 2 flac  
118. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX A   2 flac  
119. 11/14/71 Texas Christian University - Fort Worth, TX A Recording Info: SBD -> Master Reel -> Dat -> WAV Transfer Info: WAV -> Samplitude Professional v10.2.1 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 10, 2009 Notes: -- Disc change is seamless -- Tuning track added for disc change purposes 2 flac  
120. 11/15/71 Austin Municipal Auditorium - Austin, TX A+ Recording Info: SBD -> Master Reel -> Dat -> WAV Transfer Info: WAV -> Samplitude Professional v10.2.1 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 10, 2009 Notes: -- Disc change is seamless -- Tuning track added for disc change purposes 2 flac  
121. 11/20/71 Pauley Pavilion, UCLA - Los Angeles, CA A Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 18, 2008 Patch Info: FM -> ? -> Reel -> Dat -> CD (shnid=8806) supplies: Truckin' (0:00 - 0:37) Notes: -- Thanks to Rob Eaton for lending me his Dats -- This is a SBD from the GD Vault, not an FM -- First few notes of Bertha are missing -- First few notes of Cumberland Blues are missing 2 flac  
122. 12/01/71 Music Hall - Boston, MA A+ Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC (1 Disc Audio / 1 Disc FLAC) All Mastering done By Charlie Miller charliemiller87@earthlink.net August 10, 2006 Notes: -- First 2 tracks patched from SBD->Master Reel->Cass->Dat->Samplitude->WAV -- Flaw in Big Boss Man fixed 2nd set only 1 flac  
123. 12/02/71 Music Hall - Boston, MA A+ FM broadcost WBCN-Boston - Other artist(s): NRPS Notes Notes: - Thanks to Matt Smith for the 1st generation reel source and the transfer - Thanks to Charlie Miller for coordinating this effort - Based on this copy, we now know, that the majority of what we thought were tape flips on previous versions, were actually the editing of the radio station id's and between song banter/tunings. Previous versions had cuts at the beginning of "Black Peter", the end of Sunshine Daydream, in the middle of "Deal" and in the transition between "Turn On Your Lovelight > Going Down The road Feeling Bad". The only cut remaining is the one in the middle of "Deal" and we also now know that there was no "gozinta" from Lovelight> GDTRFB. Lovelight ends, there's a radio station id and then GDTRFB starts. This transcription also contains most, if not all, of the between song banter and tunings - Upgrade to all circulating copies (3/21/2018) Mastered by Scott Clugston March 21, 2018 Identifier gd1971-12-02.141425.fm.smith.miller.clugston.flac2496 Location Boston, MA Run time 174:32.152 Source Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 Transferred by Scott Clugston and Charlie Miller and Matt Smith 2 flac  
124. 12/04/71 Felt Forum, Madison Square Garden - New York, NY A+ Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 8, 2010 Notes: -- This is the an upgrade to shnid=110128 2 flac  
125. 12/05/71 Felt Forum, Madison Square Garden - New York, NY A ► Recording Notes ◄ - Credits - Original recordist unknown This source comes from Merry Prankster tree #6; tree seeded by Charlie Miller SHN branch possibly from Michael Weise FLAC conversion and RAFTS tagging by Randy Vogel on 2007-07-07 - URL - http://www.gdlive.com/shn/gd71-12-05.shnf/ http://db.etree.org/shn/3391 - Source - Pre-FM ► (unknown reel to reel tape recorder) - Transfer - (playback of master reel on unknown deck) ► (A>D via unknown DAT deck) ► (unknown means of conversion to 3xCDR) ► (unknown means of RIP and SHN conversion) ► SHN [1.14 GB]; foobar2000 v0.9.4.2 (write RAFTSv1.6 file tags, convert incoming files to FLAC Level 8 via libFLAC v1.1.1 20041001, all files bit-verified identical, rename files to RAFTS standard, calculate and store album-level replay gain tags) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verify original md5 checksums, verify sector boundaries, compute FLAC fingerprints, compute md5 checksums for the newly tagged files) ► FLAC [1.11 GB] - Rec Notes - Casey Jones, d2t03 has a small cut the Encore, Johnny B. Goode was not broadcast or recorded 3 flac  
126. 12/05/71 Felt Forum, Madison Square Garden - New York, NY A Recording Info: SBD -> Master Reel -> Dat Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 8, 2010 Patch Info: FM -> Master Cassette -> Dat supplies: Casey Jones (0:00 - 0:23) Set 2 Tuning Track (complete track) Truckin' (0:00 - 0:45) Big Railroad Blues thru End Of Show Notes: -- All disc changes are seamless 3 flac  
127. 12/06/71 Felt Forum, Madison Square Garden - New York, NY A+ Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 5, 2010 Notes: -- All disc changes are seamless -- Master Reels restored and transferred by Rob Eaton -- This source doesn't have any of the cuts/flaws that other sources have 3 flac  
128. 12/07/71 Felt Forum, Madison Square Garden - New York, NY A+ ► Recording Notes ◄ - Credits - Original recordist unknown This source comes from Merry Prankster tree #6; tree seeded by Charlie Miller SHN branch possibly from Michael Weise credit to for what? FLAC conversion and RAFTS tagging by Randy Vogel on 2007-07-02 - URL - http://www.gdlive.com/shn/GD71-12-07.shnf/ http://db.etree.org/shn/3375 - Source - SBD ► (unknown 10" 1/2 track reel to reel tape recorder) - Transfer - (playback of master reel on unknown deck) ► (A>D via unknown DAT deck) ► (unknown means of conversion to 2xCDR) ► (unknown means of RIP and SHN conversion) ► SHN [904 MB]; foobar2000 v0.9.4.2 (write RAFTSv1.6 file tags, convert incoming files to FLAC Level 8 via libFLAC v1.1.1 20041001, all files bit-verified identical, rename files to RAFTS standard, calculate and store album-level replay gain tags) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verify original md5 checksums, verify sector boundaries, compute FLAC fingerprints, compute md5 checksums for the newly tagged files) ► FLAC [871 MB] 3 flac  
129. 12/09/71 Fox Theatre - St. Louis, MO AA Lineage: MSR>LATVALA C>DAT>CDR Extraction and shortening by Seth Kaplan 2 flac  
130. 12/10/71 Fox Theatre - St. Louis, MO A+ Source: MR>DAT>Latvala's Cassette>D>CDR Transfer: ? EAC and SHN'd: Ben Yerys 2 flac  
131. 12/14/71 Hill Auditorium - Ann Arbor, MI A+ SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz Mastered to CD using a Tascam DA302 > HHB 850 3 flac  
132. 12/15/71 Hill Auditorium - Ann Arbor, MI A+ Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 4, 2009 Patch Info: SBD -> Master Reel -> CD supplies: Big Railroad Blues (complete track) Brokedown Palace (complete track) El Paso (complete track) Casey Jones (complete track) Turn On Your Lovelight (18:47 - end of track) Uncle John's Band (complete track) Notes: -- All disc changes are seamless -- It sounds like the patch source has a different mix -- I used Eaton's Dat source since it sounded better than the patch source -- The beginning of Big Railroad Blues is cut -- Lovelight contains King Bee and I'm A Man verses -- Thanks to Rob Eaton for lending me his Dats -- Thanks to Digitalrbb for the patch source -- Thanks to Joe B. Jones for his help with the pitch correction ___________________________________________________________________________ 3 flac  
133. 12/31/71 Winterland Arena - San Francisco, CA A+ Recording Info: SBD > Master Reel > Dat (48k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k (3 Discs Audio / 1 DVD FLAC) Patch Info: FM (KSAN) > Master Reel > Cassette > PCM (shnid=141329) supplies: Big River (complete track) Ramble On Rose (complete track) The Other One (6:58 - 7:23) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net July 14, 2018 Notes: -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings 3 flac  
134. 01/02/72 Winterland Arena - San Francisco, CA A Soundboard Master> Reel > Reel > CD > SonicSolutions Workstation > CD> SHN 2 flac  
135. 03/05/72 Winterland Arena - San Francisco, CA A- Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 8, 2009 Patch Info: Unknown Mics -> ? -> Reel -> Dat (shnid=20704) supplies: Bertha (complete track) Black Throated Wind (complete track) Mr. Charlie (complete track) Sugaree (complete track) Greatest Story Ever Told (complete track) Next Time You See Me (complete track) China Cat Sunflower (0:00 - 0:47) I Know You Rider (0:13 - 0:41) Casey Jones (0:00 - 0:12) Goin' Down The Road Feeling Bad (6:38 - 6:53) One More Saturday Night (0:00 - 0:06) Notes: -- Note updated source info (but still can not confirm) -- That's Wavy Gravy at the beginning of China Cat Sunflower -- Mind Left Body Jam in Good Lovin' -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
136. 03/21/72 Academy Of Music - New York, NY A Lineage: Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano 2/12/2006 Notes: 1. This is the entire 2nd set from the Gans seed. 2. shnid 15041 did not include NFA->GDTRFB->OMSN. 2 flac  
137. 03/22/72 Academy of Music - New York, NY A Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net August 21, 2007 Notes: -- All disc changes are seamless -- Cut in Loser -- Intro to Big Railroad Blues cut due to reel flip -- Reel flip in Caution at 9:25 -- Hundreds of flaws removed, but some may still remain -- Thanks to Rob Eaton for lending me his Dats 2 flac  
138. 03/23/72 Academy of Music - New York, NY A Lineage: Betty Board > Gans CD > CD > DAE > SHN 1 flac  
139. 03/25/72 Academy of Music - New York, NY A Source: sbd > master reel > dat (48k) 2 flac  
140. 03/26/72 Academy of Music - New York, NY A Here's a review of the show from The Grateful Dead Guide:- SET I These songs are all standard for the run, with no standouts until the end. (The first sets tend not to vary that much from one show to the next, other than a few song selections. For instance 3/26 omits a few of my favorites – Bertha, China > Rider, Cumberland Blues…) After a couple minutes of tuning, the band starts the show off with Greatest Story Ever Told. After a pause, they decide on Cold Rain & Snow for the next song, as Lesh announces: “These decisions always take time, folks… We’ve gotta consult with our advisors.” Then Weir notices someone with a request - Weir: “There’s a guy that’s been out there somewhere around there for the last few nights.” Garcia: “Let’s have a light out there, let’s have a look at this guy! Who is this guy, anyway?” Weir: “He’s been hollering ‘Alligator,’ and that’s no joke, there’s an alligator that lives out there under rows double-E and double-F, seats 4, 5 and 6, and you wanna watch out for that.” Whoever this guy was, he apparently didn’t let up - you can still hear him hollering “Alligator” on the 3/27 AUD - and on 3/28 after Mexicali Blues, someone’s still calling for Alligator, and Lesh felt the need to speak up too: “Hey, for all you Alligator fans out there...we understand there's a lot of Alligator fans out there, but we done forgot it, see. And so we're gonna have to remember it sometime later, you know.” Even on the Europe tour, Weir still remembered this guy – in the 4/11 Newcastle show after Brown Eyed Women, someone else yells for Alligator (hopefully not the same guy!), and Weir replies: “The guy hollering Alligator is serious. He's dead serious. There's an alligator in the Academy of Music. He lives under, I think rows triple-C and triple-D. And he wakes up for the rock and roll shit. So there's always some dude back there hollering ‘Alligator! Alligator!’ and everybody else thinks he's making a request.” At any rate, the band never played Alligator again, though they had brought back Caution for Pigpen’s final tour. 3/26 continues with Cold Rain & Snow, then a couple new songs: Chinatown Shuffle (which had debuted on 12/31/71), and Black Throated Wind (a newly-recorded song for Ace). After a little more tuning, a few more songs familiar from ‘71 follow - You Win Again, Mr Charlie, Jack Straw, and Loser. Then we have some more banter – Lesh asks the audience: “Did I hear a request for Psychedelic Dildo? - Must be my hearing…” Someone in the band mentions “Steely Dan,” and Lesh cracks up on the mike, causing feedback. “Watch out for that 1600 cycles, it’ll get ya every time!” The rest of the band is quite amused by this: “Steely Dan, ha ha!” (The surprising thing about this is that the band Steely Dan had just been formed, and wouldn’t release any music for months yet, so the Dead must have been tickled by the name alone – it was the name of a dildo in Burroughs’ novel Naked Lunch. The Dead were joking not about a rival band onstage, but about beat literature!) Weir announces: “First seven-eighths of this set is dedicated to Vic Tanny and associates the world over, for no reason at all.” (Vic Tanny was a bodybuilder and gym owner, so we can see how that train of thought developed…) Then Weir sings Looks Like Rain, another new Ace song. As throughout this run, Garcia plays pedal steel on this song (as he had on the album) and Phil sings boisterous harmony. (Garcia had stopped playing pedal steel with the New Riders a few months earlier in November ’71, and hadn’t played it with the Dead since February ‘70. But a hopeful Weir had told the Harvard Independent back in February ’71, “I would like to see Jerry back us on pedal steel and we could do a few country numbers, which I certainly wouldn’t mind doing.” The idea wouldn’t last beyond the start of the Europe tour, though.) After Looks Like Rain, Lesh pays their latest member a compliment: “That’s Keith, and he’s our new piano player. He’s been with us for quite a while now – part of the family, you might say. Actually, he’s our old piano player – we just didn’t know it for a long time.” Big Railroad Blues and Big Boss Man follow, then they spend a couple minutes tuning for Playing in the Band. Lesh comments: “And now we’re gonna play a song that’s about playing a song that’s about playing a song…” There seems to be some muttering about the sound system, though, and Lesh addresses the sound crew: “Hey, they’re all crying down here for us to make it louder. You know what that means.” Playing is excellent as always. (One notable thing about this Playing is that it’s the last version for a long time with no Donna!) The band keeps up a churning rhythm as Garcia floats majestically over the top, alternating wah-wah wails, sustained cries and rapid flurries, climaxing in screeching trills that Godchaux balances perfectly on piano. Kreutzmann really kicks through the jam, and Godchaux adds jazzy piano tinges – he’s very up-front in his playing, goading Garcia on. The jam calms down and then swells in intensity again – finally the band coalesces in an awesome extended single- chord crescendo that gradually quiets down for a return of the Main Ten riff. This is still done more quickly than it would be later in ’72, indeed Garcia rushes back to the chorus too soon! (It’s always impressive how carefully they handle the quiet outro after the last chorus, though.) After a brief cowboy detour into El Paso, it’s time to close the set, and Kreutzmann starts off Good Lovin’ with the familiar drumbeats. This is a textbook version of Good Lovin’, full of driving hot rhythms meant to get the audience boogieing – it’s very similar to the 3/21 version. Pigpen sings his standard rap with feeling – it’s not about the words, but about the chantlike feel of his repeated lines – then he steps back with a wail and lets the band tear into a jam. It’s all about the nonstop rhythm, but sometimes Garcia rips out some great leads. Midway they suddenly stop and resume quietly under Pigpen’s rap, like a practiced r&b band. There’s so much forward momentum, it’s a surprise when they pause to return to the main riff; they prolong it so Pigpen can time the end of his rap with the chorus. They slam to a strong ending, and Pigpen says: “Thank you. We’re gonna take a short break now, and we’ll be back in a few minutes.” (This is rare! I can’t think of many times when Pigpen announced the set-break.) SET II They did Truckin’ at four shows on this run (every other show), and each time it always started the set. So after some tuning, it’s no surprise to hear Truckin’ – and it’s a lot more driving than on 3/21. The band pours enthusiastically into the strong jam, Garcia especially blazing. After truckin’ on for a couple minutes, they calm down for a bit, then heat right back up again for another climax. After the last chorus is repeated, the music dissolves and rearranges as hints of the Other One slip into the jam. Space opens up for an interlude between bass, drums, piano & rhythm guitar – the band starts to resemble a chamber-jazz combo, and Garcia drops in some sweet lines. Lesh, Kreutzmann & Godchaux start a funky little vamp, which gradually turns into a remarkable full-fledged jam of its own. Weir adds a nice chord backing, Garcia re-enters and fits in some perfect lines, and the music takes on a warm, somehow familiar feeling. They roll along for a bit, as if letting the music play itself – then the theme passes and the jam breaks up. After a few rhythmic dead ends, Lesh keeps rolling out false starts to the Other One; but it’s time for drums. The others drop out, and Kreutzmann gets the spotlight. (The whole Truckin’ jam was 13 minutes, much longer than any Truckin’ had gone before.) After a few minutes of drums, the Other One comes in with a bang. It’s very energetic - fast Garcia runs, darting bass, tumbling drums, and punchy rhythm. The jam stays centered on the Other One theme for a few minutes – there’s a tough, aggressive feel, the instruments whirling like a flock of hungry birds in a quick climax. (As the band quiets down, the crowd can be heard cheering.) Once they’ve worked out the knots, they start to drift and leave the rhythm. The music washes like an abstract sonic wave, toms rolling as the band surges together. Everyone starts playing fast notes, creating a bubbling effect, as Lesh’s bass lead ties it all together. The piano guides them into an alarming space – Garcia cries out, Weir warbles feedback, Kreutzmann thumps and rattles, Godchaux stabs out piano clusters, and Lesh underpins them with a giant rumble. Fragments of the Other One theme start to creep back in like little echoes, and they slowly reform around it - the twirling strands of music fly out freely, then pull together in an insistent rhythm, made solid by Kreutzmann’s drumbeat. Weir very quickly sings the verse (and Pigpen suddenly appears on organ, just in time). They stay on theme after the verse, still going frantically pell-mell as if they’re running a race. Pigpen stays on organ, adding a nice circus texture. They tumble forward, so it sounds like they’re going straight for the second verse, but then put on the brakes. The guitars start a repeating two- chord pattern – and suddenly things get dense, and they fall into another pounding climax with Weir and Garcia struggling together in noisy confusion. Lesh unwinds from this with twisting bass lines as Godchaux hits a few fractured chords. Weir starts a spiraling line, and Garcia plays a tormented lead over it. Pigpen is still swirling in the backdrop, and the mood is very heavy. Lesh nudges them back to the Other One theme again, but it doesn’t last for long. Garcia keeps playing an especially distressed-sounding lead, and the band scatters back to arrhythmic wildness - bass grunts, ringing organ, odd chords from Weir & Godchaux, and Garcia’s piercing keens. Then there’s a little passage of Weir chimes and bass groans with light piano/organ backing. When Garcia comes back in, they all combine in a brief harmonic maelstrom, the instruments twisting around each other in hideous beauty. It subsides, and there’s a little drum break as the audience cheers. Garcia percussively beats on his strings and Lesh plays along with the rhythm; Weir returns with a strum, and suddenly before knowing it, they have entered Me & My Uncle. (24 minutes into the jam.) After this jaunty western interlude, Weir and the band dash straight back into the Other One riff out of the song. Kreutzmann’s banging hard on the drums, but they tone it down for a quiet segment. Garcia does a pretty solo over Weir’s subdued chords - Lesh initially plays the root notes but then starts following Garcia’s lines in a duplicate lead. He drops to low repeating notes, and Garcia climbs up the frets to a high note, joined by Pigpen in a small finale. After some momentary uncertainty, Lesh hints at the Other One theme; Weir & Kreutzmann grab on, and they lead the band back to the second verse. The Other One crashes to a somewhat unsynchronized end (this epilogue was about five minutes long); when Garcia starts up the Wharf Rat chord, and the others slowly tumble in. It’s a fine, strident version, with another long solo at the end – which comes across as more upbeat, less poignant than on 3/21, and ends with a march of slow harmonics and drums, and a final cry of feedback. (Definitely no shiny melodic jams in this Other One! It’s very dense, driving, and focused – the groupmind is quite impressive as the music disintegrates and coalesces at will. Stormclouds thunder through the jams here; with its raging, heavy atmosphere, it looks forward to the Other Ones of late ’72.) Weir perks things up again with a fast, standard Sugar Magnolia. Then they slow things down for Pigpen’s new song Two Souls, which they performed at six of these shows – it has a nice Garcia solo and a long, emotive ending as Pigpen sings, “Won’t somebody please help me!” (Note that the band hasn’t yet added the “whoa-oh” backing vocals at the end that they would do in Europe.) Lesh immediately starts the Not Fade Away riff, and Kreutzmann obliges by starting the beat. NFA closed four shows in this run - like Truckin’, it was done at every other show. (On 3/21 it was rather brief and perfunctory; 3/23 and 3/28 were both good versions, but very similar – they’d streamlined NFA since the giant jams of late ’71.) It’s a typically hard-driving version, not too different from the others, though there’s a nice reflective passage before Goin’ Down the Road starts, that almost goes into China Cat mode. (They would extend this idea in the 3/28 version.) Goin’ Down the Road rocks out, and the Goodnight coda is reasonably extended before the band stomps back into Not Fade Away. (This is also the last version of Goin’ Down the Road without Donna, as she joins in the chorus on 3/28.) I like how Weir & Pigpen both sing the “not fade away” closing – Pigpen has impeccable timing. The band leaves as Weir says, “See y’all later, folks.” 3 flac  
141. 03/27/72 Academy of Music - New York, NY A Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 9, 2008 Notes: -- All disc changes are seamless 2 flac  
142. 04/08/72 Wembley Empire Pool - London, England A Source: SBD Lineage: Discs 1 and 2: MR > DAT > CD > EAC > SHN Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton Thanks to Seth Kaplan for this wonderful show! 2 flac  
143. 04/14/72 Tivoli Theater - Copenhagen, Denmark A Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 2, 2006 Patch Info: FM -> Master Reel -> Cassette -> Cassette -> Dat -> CD supplies: d1t08 - Me And Bobby McGee (patched from 5:08 - 6:20) d1t09 - Cumberland Blues (patched from 0:00 - 0:37) d1t09 - Cumberland Blues (patched from 1:23 - 3:29) SBD -> Master Reel -> Cassette -> Dat -> CD supplies: d3t01 - Dark Star (patched from 0:00 - 0:43) d3t01 - Dark Star (patched from 18:01 - 22:48) d3t03 - Good Lovin' (patched from 14:37 - 15:12) Notes: -- Thanks to Steve Rolfe for the Dat (Trade CDs >FLAC (Level 8) Via xACT 2.35) 2 flac  
144. 04/17/72 Tivoli Concert Hall - Copenhagen, Denmark A Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 2, 2006 Patch Info: FM -> Master Reel -> Cassette -> Cassette -> Dat -> CD supplies: d1t08 - Me And Bobby McGee (patched from 5:08 - 6:20) d1t09 - Cumberland Blues (patched from 0:00 - 0:37) d1t09 - Cumberland Blues (patched from 1:23 - 3:29) SBD -> Master Reel -> Cassette -> Dat -> CD supplies: d3t01 - Dark Star (patched from 0:00 - 0:43) d3t01 - Dark Star (patched from 18:01 - 22:48) d3t03 - Good Lovin' (patched from 14:37 - 15:12) Notes: -- Thanks to Steve Rolfe for the Dat (Trade CDs >FLAC (Level 8) Via xACT 2.35) 2 flac  
145. 04/26/72 Jahrhundert Halle - Frankfurt, Germany A Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable)   This is an upgrade to the previous shn set http://db.etree.org/shninfo_detail.php?shnid=9197 The sound quality here is on par with the commercially released tracks, while the previous shn set I now believe to have been from an FM broadcast based on the spectral signature and hiss level.  This new shn set also includes El Paso which was missing from the previous, "FM" shn set.  Although I do not know the exact source/lineage information, it is probably from the same 16 track tapes used for the commercial release. shn encoding mvernon54@attbi.com.   shntool provides track times and confirms no sector boundary errors submitted to etree ~ 10/31/02 [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
146. 04/29/72 Musikhalle - Hamburg, Germany A Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 22, 2008 Notes: -- All disc changes are seamless -- There is a tone that can be heard during quiet passages -- The tone's frequency changes throughout the show 2 flac  
147. 05/03/72 Olympia Theater - Paris, France A Lineage: Soundboard->Master Reel (multi-track)->DAT x 5 Transfer: DAT->ZA2->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano 1/25/2004 Notes: 1. Known lineage and transfer from DAT, no EAC step. 2. Most circulating copies have digital noize about a minute into Bertha, this seed is clean. 3. Some circulating copies are plagued with static from Truckin' on, this seed is clean. 4. Consistent with other copies, Casey Jones has a skip about 4 minutes in. 5. China Cat->IKYR, Tennessee Jed, and Jack Straw are patched in from the Europe '72 CD. If you don't own it, please go buy it today! 2 flac  
148. 05/04/72 Olympia Theater - Paris, France A Recording Info: SBD -> (16 Track) Master Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (4 Discs Audio / 2 Discs FLAC) [Trade CDs >FLAC (Level 8) Via xACT 2.35] All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net September 6, 2006 Notes: -- Thanks to Steve Rolfe for lending me his Dat -- 2nd Set disc changes are seamless -- Cut at start of Casey Jones -- Cut at end of Dark Star -- Cut in Not Fade Away -- Diginoise in Big Railroad Blues patched with shnid#20562 -- Next Time You see Me is from a different source Set 1: 2 flac  
149. 05/10/72 Concertgebouw - Amsterdam, Netherlands A+ Source: SBD Lineage: S:MR > Cassette > DAT > CDR > SHN Extraction and SHN encoding by Seth Kaplan Thanks Seth for this excellent show! 2 flac  
150. 05/11/72 Rotterdam Civic Hall - Rotterdam, Netherlands A Soundboard: Master Reel >Reel >PCM >DAT >CDR Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o. CD Masters >FLAC (Level 8) Via xACT 2.28 3 flac  
151. 05/13/72 Lille Fairgrounds - Lille, France A source: sbd > mr > cass > dat > cda > wav > shn v3 dae: eac, high secure mode, offsets in place, wav md5's included. 2 flac  
152. 05/16/72 Theatre Hall - Luxembourg, Luxembourg A Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN 2 flac  
153. 05/18/72 Kongressaal Deutsches Museum - München, Germany A Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net 2 flac  
154. 05/23/72 Lyceum Ballroom - London, England A Genealogy: MSR>C>DAT>CD>EAC>WAV>SHN. This shn file set may or may not be derived from the same source as other shn file sets with this date, however the source discs for this file set have a verified lineage, and are reportedly of better sound quality than other file sets with an unverified or suspect lineage. This source exhibits occasional static throughout, which seems to be from the master recording. In addition, much of the between-song tuning is at the start of tracks. No edits of any kind were made to this file set, including patches from other sources listed at db.etree.org. I'll leave that to someone who is brave enough to sort out the mess of sources that exist for this show. My hope is that the track timings listed below might help sort out the mess. Special thanks to Andy Lemieux for the source discs. 2 flac  
155. 05/26/72 Lyceum Ballroom - London, England A Soundboard: Master Reel >DATx5 >CD >FLAC (Trade CDs >FLAC (Level 8) Via xACT 2.35) 2 flac  
156. 07/18/72 Roosevelt Stadium - Jersey City, NJ A Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 20, 2006 Patch Info: AUD>Cm>?>Reel>Dat>CD supplies the following patches: Jack Straw (0:07 - 0:10) Beat It On Down The Line (0:36 - 0:39) Dark Star (21:00 - 21:03) Comes A Time (3:38 - 6:36) Not Fade Away (0:31 - 0:32) Going Down The Road Feeling Bad (1:35 - 1:37) Not Fade Away (0:34 - 0:38) (AUD>Cm>?>Cass>Dat>CD) Notes: -- Drop out in Bertha removed, no patch available -- This is the complete show from the SBD (minus encore) -- I patched the drop-outs and cleaned up the tape pauses, etc. -- Pops and static removed with Cool Edit Pro v2.0 -- Many tracks still have static & buzzing from the piano 2 flac  
157. 07/22/72 Paramount Northwest Theater - Seattle, WA A Sound Board Master Reel>DAT 16/48 DAT Master Transfer from The Collection of Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav -Utilized mastering tools from Universal Audio: * UAD1e-DSP * Cambridge EQ * LA2A * Precision Limiter * Waves Tools- S1 Imager, RBass and Z-Noise * L3 for Dither All mastering performed in Wavelab 6.0 by Jamie Waddell. -This is an improvement over the circulating 13562 , though the cuts and missing songs are similar. -Billy Kreutzman's drums are quite high in the mix. That's how the mix happened that night. -Volume fluctuations were rampant and evened out over the whole show on a song by song basis -There are a few reel flips and whatnot throughout...all made listenable -thanks to the shnflac irc chat for listening and approving. a **GEMS Production** www.shnflac.net August 2007 2 flac  
158. 07/25/72 Paramount Theater - Portland, OR A SBD>MR>C>D>CD>EAC>SHN 2 flac  
159. 07/26/72 Paramount Theater - Portland, OR A Source: MR > PCM > DAT > CD > EAC > SHN Patch Source: Master Soundboard Reel > DAT > ZA2 > CDR x2 Edits: SHN > WAV > Sound Forge > CDWave > FLAC (level 8) NOTES: - Primary source shnid 8957 - Patch source (sbd) shnid 1411 - Greatest Story patched from alternate sbd source. The patch was adjusted with iZotope Ozone to brighten it up and better match the primary source. - Several sub-second dropouts @ 12:38 in Dark Star repaired. - The disc breaks were made seamless. - He's Gone was already patched from (I believe) the same alt. source used to patch GSET. - Dark Star has been left intact, tracked as a single cut. In the previous seed, there was a "Drums" track which was really a brief Drums followed by Phil/Drums and then an extended jam before the return to the theme. Dark Star breaks down like this: - Thanks to Charlie Miller for his comment under shnid 8957 which suggested this fix. - The only way to get this onto 3 audio discs would have been to cut out much of the tuning and banter, which is often entertaining. Jerry says to Weir before BTW, "You gonna bullshit all night or play..." - Put the kids to bed and enjoy this fine show. 2 flac  
160. 08/12/72 Sacramento Memorial Auditorium - Sacramento, CA A Source: SBD Lineage: Reel master > DAT > CDR > EAC > SHN Thanks to Seth Kaplan for this copy! Retracked (Cool Edit/CDWav) by G.S. Hamilton Notes: D1t09 (El Paso): ending cut D1t10 (Tennessee Jed): first half cut D2t03 (Jack Straw): large cut @ 3:11 D2t05 (GSET): First couple of seconds cut 2 flac  
161. 08/20/72 San Jose Civic Auditorium - San Jose, CA A SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net 3 flac  
162. 08/21/72 Berkeley Community Theater - Berkeley, CA A Source: SBD>MR>PCM>DAT>CD>EAC>SHN D1t03 (Black-Throated Wind): brief buzziness/possible digi-snit @ 5:04 D1t06 (China Cat): brief buzziness/possible digi-snit @ 2:09 D1t09 (Sugareee): brief buzziness/possible digi-snits @ 1:32 and 6:24 D2t04 (Casey Jones): reel splice @ 1:01 D2t06 (Ramble On Rose): brief digi-snit @ 3:11 D3t01 (Dark Star): occasional transient distortion (for example, @ 21:30); minor diginoise @ 20:14 and 20:30 2 flac  
163. 08/22/72 Berkeley Community Theater - Berkeley, CA A Set 1 Recording Info: SBD -> Master Reel (10 inch Master Reels @ 7.5ips 1/2trk) -> Apogee AD500 -> Master Dat (Panasonic SV3800/48k) Set 1 Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Set 2 Recording Info: SBD -> Master Reel (10 inch Master Reels @ 7.5ips 1/2trk) -> PCM -> Dat -> CD Set2 Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 2/13/04 Notes: -- First few notes of Bertha are missing -- All disc transitions are seamless -- The 2nd Not Fade Away cuts at 1:18 -- Cool Edit Pro v2.0 used to remove numerous pops -- There is some distortion from the Piano -- There were channel loss and level changes going on in Loser, most fixed. -- In the middle of the 1st Set, there is a level change, and then it gets a little hissy. 2 flac  
164. 08/24/72 Berkeley Community Theater - Berkeley, CA A+ Recording Info: SBD>Rm>Dat(48k) Transfer Info: Dat(Sony 500)>Prodif Plus>Samplitude v6.0>SHN Notes: Sugar Magnolia, Ramble On Rose And Greatest Story Ever Told Patched From SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN All transfers (including the patch) were done by Charlie Miller charliemiller87@earthlink.net 6/12/03 2 flac  
165. 08/25/72 Berkeley Community Theater - Berkeley, CA A Source: Partial Set 1: SBD>MR>PCM>DAT>CD>EAC Partial Set 2: FMSBD>??? 2 flac  
166. 08/27/72 Old Renaissance Faire Grounds - Veneta, OR A+ Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) 2 flac  
167. 09/03/72 Folsom Field, U of Colorado - Boulder, CO A Recording info: SBD > Bear's Master Reels > Cassette Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz Recorded by Augustus Owsley Stanley III (aka Bear) 2023 transfer and mastering by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel Originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on September 3, 2023 https://spinitron.com/KXCI/pl/17830348/Dead-Air Originally shared to www.shnflac.net in November 2023 3 flac  
168. 09/09/72 Hollywood Palladium - Hollywood, CA A Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 13, 2010 Patch info: Sony ECM 22P -> Master Reel -> ? -> Cassette (shnid=31949) supplies: Tennessee Jed (6:21 - 6:49) Johnny B. Goode (3:42 - end of track) China Cat Sunflower (0:00 - 0:13) Truckin' (9:25 - 9:50) The Other One (18:36 - 18:38) Notes: -- All disc changes are seamless -- This is a re-master of shnid=14086 -- The pitch is not perfect but is a lot better -- Dozens of flaws cleaned up - some may still remain -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
169. 09/10/72 Hollywood Palladium - Hollywood, CA AA Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz) 2 flac  
170. 09/15/72 Music Hall - Boston, MA A Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net August 12, 2015 Patch Info: Audience (shnid=7924) Supplies: The Other One (22:00 - end of track) Sugar Magnolia (complete track) One More Saturday Night (complete track) Notes: -- All disc changes are seamless -- Reel flips in Tennessee Jed and Playing In The Band -- Thanks to Joe B. Jones for his help with this project 2 flac  
171. 09/17/72 Baltimore Civic Center - Baltimore, MD A small digi-snit during Uncle John's Band. tech notes: fixed show order/track order(moved Uncle John's Back to where it occured) **/spliced in the encore from corey wolfson/david minches aud source(shnid 28165). added to checksums(rehashed) shn > flac with Traders Little Helper, Tagged with Foobar2000 + LST addon(etree/furthurnet) checksums rehashed and validated with TLH 2.7.0, .fpl playlist generated with foobar2000 1.3.10 Flac encoding notes: All processing with Traders Little Helper Shn - st5 generated Shn > Flac ( level 8 ) Flac - st5 generated and matched to Shn st5 Tagging notes: Show information is embedded within the headerof each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. MisterMojoRising 4-26-2016 2 flac  
172. 09/21/72 The Spectrum - Philadelphia, PA A Soundboard; Master Reel >DAT >CDR >FLAC Trade DATs Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.35 (Transferred By OldNeumanntapr) 2 flac  
173. 09/23/72 Palace Theater - Waterbury, CT A Source: SBD >MR >Cass >DAT >CDR >EAC >SHN >FLAC From the point of the splice in Rider, all the way through Deal, there is an oscillating fuzziness that sounds like tape waver, reminiscent of how some of the water-damaged Betty tapes sound. It is particularly bad on Deal. Playing reverts to the previous cleaner sound, and the sound is fine until about the 6:11 point in GDTRFB. From here on, there is an oscillating loss of the left channel, again sounding like a problem with tape wavering as it passes over the record head. D1t01 (Big River): intermittent static in right channel 2:34-2:45 D1t02 (Sugaree): occasional right channel static, some soundboard problems D1t07 (Rider): cut/splice @ 1:57; some tape waver and fuzziness in latter half D1t09(Tennessee Jed)-D2t01 (Deal): intermittent tape waver/oscillation? D2t07 (Around And Around): dropout @ 3:39 D3t04 (Wharf Rat): discontinuity/splice @ 7:12 D3t08 (GDTRFB)-10 (OMSN): intermittent fadeout of left channel 2 flac  
174. 09/24/72 Palace Theater - Waterbury, CT A Recording Info: SBD > MR > ? > C > DAT > SHN Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC NOTES AND FIXES: Retracked, patched, remastered upgrade of shnid 25282. Overall cleanup was needed to remove many digital artifacts. Big sonic improvement now with better clarity and presence. Patches were pulled from aud shnid 99860. Thanks for this. Fades used on many tracks for smooth transition. This is a good mix with all instruments and vocals balanced. 35 plus minutes of "Dark Star". A deep space experience...sick! Set 1, disc 1, track 8 patched from 0:00 - 04:18 Set 1, disc 2, track 1 patched from 14:55 - 16:11 Set 2, disc 3, track 5 patched from 05:40 to end Tracked, patched and mastered by Bill Guarneri, July 28, 2014 ____________________________________________________________ 2 flac  
175. 09/26/72 Stanley Theatre - Jersey City, NJ A Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz) notes: - this version of this classic show has been provided by an anonymous source - there is no cassette gen. in the lineage of this documented source - the original sound has not been altered in any form - the reel splices in 'cumberland blues' and 'the other one jam' had been crossfaded for smoothed transitions - the second set opener 'bertha' is missing as on all other copies - occasional level fluctuations had been corrected - occasional static and some noise had been removed - the cuts between many of the songs had been softened for smooth transitions - all files are tagged edited and mastered BRUNO March 2013 2 flac  
176. 09/27/72 Stanley Theatre - Jersey City, NJ A Soundboard Reel >Reel >PCM >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35 Transferred By OldNeumanntapr 2 flac  
177. 09/28/72 Stanley Theatre - Jersey City, NJ AA   2 flac  
178. 09/30/72 American University - Washington, DC A Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 2/25/02 2 flac  
179. 10/02/72 Springfield Civic Center - Springfield, MA A Recording Info: SBD -> Master Reel -> Dat -> Data DVD Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 17, 2011 Notes: -- All disc changes are seamless -- Thanks to David Gans for the recording -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
180. 10/09/72 Winterland Arena - San Francisco, CA A+ Recording Info: SBD > MR > C > DAT > CD Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC FIXES AND NOTES: A remastered, retracked version of shnid 5249 Abrupt track cuts were faded for continuity. Dead air before and after songs was eliminated. Vocals were attenuated for proper balance. No patches were made due to lack of an aud source. Disc 1, track 9, incomplete, fades out Disc 1, track 13, 2 second cut at 04:00 Disc 2, track 1, incomplete, fades out Disc 2, track 2, guessing at title Disc 3, track 1, fades out Disc 3, track 5, incomplete, fades out Grace Slick (vocalist of Jefferson Airplane) sings on Disc 2 track 2, plus helps out with harmony on several other tracks. This is a terrific performance and a nice overall recording. Another ignored jewel returned to general circulation. Mastered and retracked by Bill Guarneri, July 3, 2014. 2 flac  
181. 10/17/72 Fox Theatre - St. Louis, MO A Source: MSR>C>DATs>CDRs>EAC>SHN 2 flac  
182. 10/18/72 Fox Theatre - St. Louis, MO A+ Recording Info: SBD > Master Reel > Dat Transfer Info: Dat > Samplitude Professional v10.22 > FLAC All Transfers and Mastering By Charlie Miller 2 flac  
183. 10/19/72 Fox Theatre - St. Louis, MO A+ SBD > MR > Cass > DAT > CDR 2 flac  
184. 10/24/72 Milwaukee Performing Arts Center - Milwaukee, WI A Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 12, 2010 Patch Info: Sony ECM-250 -> Cassette Master (shin=97641) supplies: The Other One (6:06 - 6:53) SBD -> Reel Master -> Cassette -> Dat -> CD supplies: Casey Jones (complete track) Johnny B. Goode (complete track) 1 flac  
185. 10/26/72 Cincinnati Music Hall - Cincinnati, OH A Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 15, 2006 2 flac  
186. 10/28/72 Cleveland Public Hall - Cleveland, OH A SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master Notes: --the overall mix is generally light on bass, and sometimes piano --significant mix problems from Box Of Rain into Me & My Uncle --splice at 1:52 in Bobby McGee --dropout at 3:12 in Bobby McGee --splice at 17:51 in Playin' --splice at 1:52 in BIODTL --"Philo Stomp" from 16:53 to 18:32 in Dark Star --Sound Forge was used for normalization and to fix track boundaries Part of The Music Never Stopped Project 2003 Thanks to KingBee & Andy Lemieux encoding by JCotsman 2 flac  
187. 11/13/72 Soldiers and Sailors Memorial Hall - Kansas City, KS A A Dick Latvala DAT shared with for Dead Air's 500th radio show, KXCI 91.3 FM Tucson. This source and many more to come provided graciously by Jim Blackwood, former Dead Air co-host. We believe it is Dick's copy of Owsleys AUD. We know more of the AUD exists , but this is what Dick chose to share with KXCI. The song list is Dick's and the tracking reflects this. Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE -cut at 11:56 or so -slight ammount of hiss, phenominal recording Editing and Mastering on the GEMS Edit Station by Jamie Waddell a **GEMS** Production www.shnflac.net February 1 2010 This is for Kevin Tobin 1 flac  
188. 11/14/72 Civic Center Music Hall - Oklahoma City, OK a- Recording Info: Source One: SBD-> Master Reel-> Cassette x 3-> Dat (d1t01-> d2t09) Source Two: SBD-> Master Reel-> Cassette-> Dat (d2t10-> d3t07) Transfer Info: Dat (Sony R500)-> M-Audio Dio 2448-> Samplitude v6.0-> CD-> EAC-> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET. --Rob Eaton lists this show as a Cassette Master, but he only has Set Two. 2 flac  
189. 11/15/72 Civic Center Music Hall - Oklahoma City, OK A+ Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net November 9, 2010 Patch Info: SBD -> Master Cassette -> Dat supplies: Ramble On Rose (0:09 - 0:57) Playing In The Band (11:27 - 11:46) Notes: -- All disc changes are seamless -- The mix starts off rough but gets much better very quickly -- Thanks to Rob Eaton for lending me his Dats [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
190. 11/15/72 Civic Center Music Hall - Oklahoma City, OK A+ Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net November 9, 2010 Patch Info: SBD -> Master Cassette -> Dat supplies: Ramble On Rose (0:09 - 0:57) Playing In The Band (11:27 - 11:46) Notes: -- All disc changes are seamless -- The mix starts off rough but gets much better very quickly -- Thanks to Rob Eaton for lending me his Dats 3 flac  
191. 11/17/72 Century II Convention Hall - Wichita, KS A sdb>>reel master>>cassette>>dat>>cdr 2 flac  
192. 11/18/72 Hofheinz Pavilion - Houston, TX A Recording Info: SBD -> Master Cassette -> Dat Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 10, 2012 Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction 1 flac  
193. 11/19/72 Hofheinz Pavilion - Houston, TX A Gave it an a because Bertha was/had sound variations Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16 (3 Discs Audio / 1 DVD FLAC) Reels supplied and Transferred By David Gans Mastered By Charlie Miller charliemiller87@earthlink.net November 8, 2012 Notes: -- All disc changes are seamless -- Mix problems in Bertha -- Cut at 0:27 in I Know You Rider -- Cut at 0:13 in Playing In The Band -- Cut at 2:46 in Weather Report Suite Prelude -- This is far from perfect but is still an upgrade to other sources -- Thanks to Joe B. Jones for his help with the pitch correction 3 flac  
194. 11/22/72 Austin Municipal Auditorium - Austin, TX a- Recording Info: SBD -> Reel Master -> Reel -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charlieniller87@earthlink.net August 19, 2011 Notes: -- All disc changes are seamless -- Thanks to David Gans for supplying the Dat -- There were fades after most of the tracks which sucked -- This is the same source that circulates but is a better transfer/mastering 2 flac  
195. 11/24/72 Dallas Memorial Auditorium - Dallas, TX A SBD>MR>DAT>CDR>EAC>SHN 2 flac  
196. 12/10/72 Winterland Arena - San Francisco, CA A Source: MSR > Cass x 3 > DAT > CDR > EAC (secure mode, test and copy) > SHN 2 flac  
197. 12/11/72 Winterland Arena - San Francisco, CA A+ Lineage: "7 MR @ 7 1/2 ips.>R@ 3 3/4 ips.(Kidd dub for Jerry)>R @ 3 3/4 ips(Will Boswell)>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz Will's reel was dubbed in the spring of 1979 and to the best of my knowledge, has been the source to the circulating version. However, in this case, Pat Lee dubbed his reel off of will's so it could have been Pat's reel that has been the source through the years. I do know Will's reel has hardly been played and in pristine condition and the results bear this out- Matt Smith Audience patches come from master tapes recorded by Gene Taback aka Snoid at LL. He and sent to me for this project. Some mastering and pitch correction was performed to improve the sound. The Johnny B Goode is on Gene's tape but likely isn't from that night, but we left it just because we wanted and because memories still seem hazy. Almost no music is missing from this now, short of the casey jones..2 patches in darkstar, 2 in china cat and tons of others. enjoy. Another slightly better audience tape is in the works. This may be re-released some day. As it stands, certainly an enjoyable listen. Editing and Final Mastering by Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net) Art by Gyro [ a **GEMS** Production ][ www.shnflac.net ][ May 2010 ] http://db.etree.org/shn/107877 2 flac  
198. 12/12/72 Winterland Arena - San Francisco, CA AA Recording Info: SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transfered and Edited By Charlie Miller charliemiller87@earthlink.net July 1, 2004 3 flac  
199. 12/15/72 Long Beach Arena - Long Beach, CA A Recording Info: SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transfered and Edited By Charlie Miller charliemiller87@earthlink.net July 1, 2004 Notes: -- Seamless transition between discs 2 and 3. -- Various flaws removed with Cool Edit Pro. Notes: - This version has been provided by an anonymous source. - There was a cut in "Playin' In The Band2 of approximately 27 seconds which has been been patched with shnid 17186 - A number of level adjustments have been made and speed issues addressed. - There is some light crackle in the left channel during the first 30 minutes or so of Set I, which is only really noticeable between songs and in quiet passages. Although it has been greatly reduced it cannot be entirely eliminated. - All files are tagged. edited and mastered SIRMick May 2013 2 flac  
200. 12/31/72 Winterland Arena - San Francisco, CA A+ ertha Remaster of the PreFM source. (*)PreFM>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN Sound A / Patched Sources B Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on August 18, 2004. -------------------------------------------------------- From original text file, and prior to Bertha processing: (*) Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon __________________________________________________________________________ 2 flac  
201. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA A+ Bertha Remaster by jashley@deadacated.com SBD >MR >Reel >DAT >SS >CDR >DAW(Bertha) >CDA >SHN > COOL EDIT PRO>>SHN - Sound A 2 flac  
202. 02/15/73 Dane County Coliseum - Madison, WI a- MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD 2 flac  
203. 02/17/73 St. Paul Auditorium - St. Paul, MN A Recording Info: SBD -> Master Reel -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 4, 2006 Patch Info: The following songs are patched from SBD->?->Cassette->CD Bird Song, BIODTL, Loose Lucy, Me And Bobby McGee & Stella Blue Notes: -- Thanks to Matt Smith for the patch source -- Some pops and level problems fixed with Cool Edit Pro v2.0 -- This still isn't perfect, but it's a lot better and complete 2 flac  
204. 02/17/73 St. Paul Auditorium - St. Paul, MN A Recording Info: SBD -> Master Reel -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 4, 2006 Patch Info: The following songs are patched from SBD->?->Cassette->CD Bird Song, BIODTL, Loose Lucy, Me And Bobby McGee & Stella Blue Notes: -- Thanks to Matt Smith for the patch source -- Some pops and level problems fixed with Cool Edit Pro v2.0 -- This still isn't perfect, but it's a lot better and complete 2 flac  
205. 02/19/73 International Amphitheatre - Chicago, IL A SBD : MC > C > DAT > SS > CDR > EAC > SHN 2nd set only 1 flac  
206. 02/21/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL A Recording Info: SBD -> Master Reel -> Dat Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 1, 2010 Patch Info: SBD -> Master Reel -> Cassette supplies: Jack Straw (complete track) Notes: -- All disc changes are seamless -- Can not confirm set break is in correct spot 2 flac  
207. 02/22/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL A Recording Info: SBD -> Master Reel -> Dat Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 1, 2010 2 flac  
208. 02/24/73 Field House, University Of Iowa - Iowa City, IA a- shnid=16051 provides last 4 tracks of the first set SBD>MR>DAT>CDR>EAC>SHN Notes for this recording: El Paso cuts in at "Fear of Death" Minor skip at 1:24 of Playin' Muchos Gracias to Senor Raoul Duke por los disco Another Installment of The Music Never Stopped Project partial set 1 flac  
209. 02/26/73 Pershing Municipal Auditorium - Lincoln, NE A+ Source:  S:MR > cassette > DAT > CDR > EAC > SHN Extraction and SHN encoding by Seth Kaplan Thanks Seth for this show! Info file and notes by G.S. Hamilton (Trade CDs >FLAC (Level 8) Via xACT 2.35) 2 flac  
210. 02/28/73 Salt Palace - Salt Lake City, UT A+ Source One: SBDMR > ? > C > DAT > WAV > SHN (set I and II through Promised Land) Source Two: SBDMR > R > C > CD > EAC > SHN (set II //Nobody's Jam >>> end) A>D & EAC>SHN by Noah Weiner (noahbw@attbi.com), February, 2003 Source One cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Sound Forge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn). This cassette provides an upgrade to previous circulating copies. Source Two provided by David Gans via direct transfer of his cassette to CD > EAC > Sound Forge (normalizing, wav edits and track IDs) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn). This cassette provides a known gen as well as the complete "Eyes Of The World" and the "And We Bid You Good Night" encore, neither of which previously circulated. 2 flac  
211. 03/15/73 Nassau Veterans Memorial Coliseum - Uniondale, NY A+ Source: Soundboard > Reel Master > Cassette > DAT (48k) - This version has been provided by an anonymous source. - A substantial amount of this show has never circulated in soundboard quality before and it's not hard to figure out why, parts of the Master Reels are not in very good shape at all. However, after major surgery, including a transplant, our patient is doing fairly well. The new Sugaree is functioning perfectly. Our benefactor is not in favour of audience patches so the patient is missing some vital parts as there are no suitable donors. - "Sugaree" is provided by shnid 14035 - Some sections have been made mono as the damage in one channel was too severe to be repaired. - The mix gets a little different in places. e.g. 'Me and My Uncle' has Weir's guitar up much higher than anything else for a lot of the track. - All files are tagged. edited and mastered SIRMIck April 2013 2 flac  
212. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY A+ Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 15, 2006 Patch Info: AUD pulled from etree supplies: Ramble On Rose (0:00 - 0:06) Big River (1:11 - 1:50) Truckin' (7:34 - 8:05) Notes: -- All disc changes are seamless -- Thanks to Steve Rolfe for the Dat -- 18:10 in Dark Star through Morning Dew from same source as Set 1 -- This is the 'infamous' bust show -- This version doesn't have all the flaws that the other sources have -- This is also an upgrade in sound quality -- Some static in Sugar Magnolia [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
213. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY A+ Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 15, 2006 Patch Info: AUD pulled from etree supplies: Ramble On Rose (0:00 - 0:06) Big River (1:11 - 1:50) Truckin' (7:34 - 8:05) Notes: -- All disc changes are seamless -- Thanks to Steve Rolfe for the Dat -- 18:10 in Dark Star through Morning Dew from same source as Set 1 -- This is the 'infamous' bust show -- This version doesn't have all the flaws that the other sources have -- This is also an upgrade in sound quality -- Some static in Sugar Magnolia 2 flac  
214. 03/19/73 Nassau Veterans Memorial Coliseum - Uniondale, NY A+ Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 27, 2013 Patch Info: Sony Mic -> Master Cassette -> Reel -> Cassette -> CD -> FLAC (shnid=97417) supplies: The Other One (6:36 - 6:52) Johnny B. Goode (3:19 - end of track) Casey Jones (complete track) Notes: -- Disc change in seamless -- This is a remaster of shnid=9987 -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
215. 03/21/73 Utica Memorial Auditorium - Utica, NY A Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 5/15/05 Notes: I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm The afore mentioned NR was likely applied because there is a persistent line buzz throughout. This is especially noticeable in the quieter sections to the point of moderate annoyance. 2 flac  
216. 03/22/73 Utica Memorial Auditorium - Utica, NY A+ Most of Set I and some of Set II. missing 2nd Encore. Middle reel of show unplayable due to mold and water damage. 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk Transferred by Tim Deibert 6-10-2002 NOTES: * Sound Forge 6.0 volume raised to +2.4dB. * Sound Forge 6.0 peak normalization @ 99%. * notes from trailmix 3-15-07: † Project WBOTB † these shns were decoded to wav, SBE's fixed (by set), then encoded to flac16 (level 6). The process was repeated and resulted in identical wavs. Although the original shns were created in 2002, they are not in circulation and do not exist in the database (which is why these shns were converted and fixed). 2 flac  
217. 03/22/73 Utica Memorial Auditorium - Utica, NY A+ Master Soundboard Reel (10.5 “ Reel, 1/2 Track, 7.5 ips) >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35 Transferred By OldNeumanntapr 3 flac  
218. 03/24/73 The Spectrum - Philadelphia, PA A+ 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02 * First reel of show unplayable due to mold and water damage. * Mold & water damage causes some distortion. * Sound Forge 6.0 volume raised to +2.4dB. * Sound Forge 6.0 peak normalization to 99%. * Sound Forge Noise Reduction 2.0 noise reduction sample taken and used to reduce hum to -30dB in mode 3. * Splits in Truckin' at about 8:45. notes from trailmix 3-15-07: † Project WBOTB † these shns were decoded to wav, SBE's fixed (by set), then encoded to flac16 (level 6). The process was repeated and resulted in identical .wavs. † Although the original shns were created in 2002, they are not in circulation and do not exist in the database (which is why these shns were converted and fixed). 2 flac  
219. 03/26/73 Civic Center - Baltimore, MD A+ Recording Info: SBD -> Master Reel -> Dat (44.1k) (Trade CDs >FLAC (Level 8) Via xACT 2.35) 2 flac  
220. 03/26/73 Civic Center - Baltimore, MD A+ SBD>>MR>>DAT>>CDA>>CDA>>EAC>>SHN - Sound A Show A+ EAC and shortening by Jay Ashley, with CDA provided by Charlie Miller. ...more on the DAT>>CDA>>CDA bit, from Charlie (13 SEPT 2000): "Actually, I just remembered that 3/26/73 came to me on CD. I cloned it off of a Sony CDP-XE500> Tascam CDRW700 via Monster optical cable. I have a Behringer UltraMatch SRC2000 which has a jitter remover, but I didn't use it. I didn't feel that it was neccesary. It also removes SCMS (so does the tascam) and the track marks. I didn't feel like dealing with the track marks, so I didn't run it through the jitter remover. The Tascam does bit-for-bit clones. Also, I didn't have my 8x HP then. This show circulates as MR>CASS>DAT>CD, but my copy is MR>DAT>CD. I don't think that he would appreciate me giving out his name. Sorry. I am sure that you can understand." We understand :) Seeded by Charlie Miller and uploaded by jashley@deadacated.com 2 flac  
221. 03/28/73 Springfield Civic Center - Springfield, MA A+ gd73-03-28.sbd.miller.86459.sbeok.flac16 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 13, 2007 Notes: -- All disc changes are seamless -- Minor diginoise in first part of Cumberland Blues -- Quality improves for disc 3 2 flac  
222. 03/30/73 Rochester Community War Memorial - Rochester, NY A+ Recording Info: SBD > Reel Master (10in 7.5ips 1/2trk) > Apogee AD-500 > DAT (Panasonic SV-3700/48k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC (2 Discs Audio) Original Transfers and Mastering by Rob Eaton Additional Mastering by Charlie Miller charliemiller87@earthlink.net December 1, 2020 Notes: -- Thanks to Rob Eaton and Dick Latvala for both sources -- I removed the loud hum but a slight buzz still remains but it's inaudible during music -- Thanks to Jim Blackwood for his input on this project 1 flac  
223. 03/31/73 Buffalo Memorial Auditorium - Buffalo, NY AA SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (audio DVD extraction through FLAC encoding by Gary F. (2 discs .flac/3 discs audio) 3 flac  
224. 04/02/73 Boston Garden - Boston, MA A Soundboard; Master Reel (7.5 ips / 2 Track Reel) >DAT >CDR >FLAC Trade DAT Transferred: Tasca,m DA-30 >HHb CDR 800 PRO Via Analog i/o, Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35 Transferred By OldNeumanntapr 2 flac  
225. 04/02/73 Boston Garden - Boston, MA A gd73-04-02.sbd.miller.17346.sbeok.flac16 Recording Info: SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN CD -> SHN Conversion Done By Charlie Miller charliemiller87@earthlnk.net 5/18/03 Thanks to David Gans for lending me his master discs!!! 2 flac  
226. 05/13/73 Iowa State Fairgrounds - Des Moines, IA A gd73-05-13.sbd-set3.fix-miller-smith.flac16 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 24, 2009 Notes: -- Thanks to Matt Smith for the disc -- More from this source to follow when I find my Dat -- I fixed the pitch and worked on the levels a bit -- Thanks to Joe B. Jones for his help with the pitch correction 1 flac  
227. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA A+ gd73-05-20.sbd.miller.86905.sbeok.flac16 Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net August 24, 2007 Patch Info: Sony Mic -> Master Cassette -> Reel -> Cassette -> Dat -> CD supplies: Box Of Rain (6:03 - 6:16) (post song tuning) Deal (0:00 - 0:03) Promised Land (0:00 - 0:08) Here Comes Sunshine (7:43 - 8:07) Nobody's Fault But Mine Jam (5:58 - 6:27) Stella Blue (8:06 - 8:34) (post song tuning) Sugar Magnolia (0:00 - 0:01) (9:20 - 10:09) Alternate Multi-Gen SBD Source supplies: Eyes Of The World (6:54 - 7:15) Notes: -- All disc changes are seamless -- I cleaned up many flaws and fixed the levels -- Line buzz during Bertha -- First few notes clipped from Greatest Story Ever Told -- Thanks to Noah Weiner for his previous work on this project 2 flac  
228. 05/26/73 Kezar Stadium - San Francisco, CA AA Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC (4 Discs Audio / 2 Discs FLAC) 2 flac  
229. 06/09/73 Robert F. Kennedy Stadium - Washington, DC AA   4 flac  
230. 06/10/73 Robert F. Kennedy Stadium - Washington, DC AA   3 flac  
231. 06/22/73 P.N.E. Coliseum - Vancouver, BC A+ Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC (5 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net November 15, 2007 Patch Info: (FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies: Bertha (0:00 - 1:23) Big Railroad Blues (0:00 - 0:17) The Other One (5:44 - 12:54) Casey Jones (6:07 - end of show) SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies: Bird Song (Numerous patches to fix tracking problems) The Race Is On (0:00 - 0:23) I Know You Rider (2:01 - 3:12) SBD -> Master Reel -> Cassette -> Dat -> CD supplies Truckin' (7:51 - end of Casey Jones) Notes: -- Each set is seamless -- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD -- Truckin' contains Nobody's Fault But Mine Jam -- The Encore will fit on end of 1st Set 2 flac  
232. 06/24/73 Memorial Coliseum - Portland, OR A+ gd73-06-24.sbd.miller.99852.sbeok.flac16 Recording Info: SBD -> Master Reel -> DAT -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 3, 2008 Notes: -- All disc changes are seamless -- The first few tracks are a mess -- Thanks to Matt Smith for the discs 2 flac  
233. 06/26/73 Seattle Center Arena - Seattle, WA A gd73-06-26.sbd.goodbear.80602.sbefail.flac16 Sources: 3 - SBD >MR >Cass 1 (Latvala?) >GoodBear DAT > 5/2000 edit by GoodBear >CD >EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro) >FLAC 11/2006; 2 - SBD >MR >Cass 1 (Latvala?) >DAT >CD > "12076"> Teddy slight hiss reduction & retracking in 11/2006 >FLAC; 1 - AUD MC >Reel >Reel >DAT >WAV >SHN (from "12076"> GoodBear heavy edit >FLAC) *Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006. *Previous "12076" Loser aud patch edited with heavy hiss reduction & eq'ing by Teddy in 11/2006 from about 2:56 to 3:23. *AUD Patch from "12076" in Truckin' from 4:14 to 4:38 edited with heavy hiss reduction & eq'ing by Teddy on 11/30/2006. *shnid #12076 ~ AUD>MR(1)>C>D>CD>EAC>SHN. Audience recording provides: --Casey Jones through Brown Eyed Women --patch in Loser from 2:55 to 3:22 --all of Black Peter --the final few seconds of Sugar Magnolia (1) Per http://www.deadlists.com entry: AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) This recording is the same master that is found on current copies listed as AUD>MR>C>DAT>CD. That genealogy is completely fabricated. Not only was the recording not mastered on reel, but Amick put his master cassette onto reel and all direct copies he made, that we know of, came from that. Judging from the drastic difference in sound quality, this other listing is AUDMC>R>?>C>DAT>CD at best. The difference in sound quality is absolutely striking. *Notes on original shnid "12076": --the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well) --Sound Forge was used for a slight pitch correction throughout --Part of The Music Never Stopped Project 2002 --Thanks to Mark Sweeney & Chuck Gannon --Original shnid "12076" edits/encoding by JCotsman <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> **SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006. **SBD portions of Loser left unedited from "12076" and entire Loser only retracked by Teddy in 11/2006. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> ***SBD>MR>C1 (Latvalla?)>Teddy DAT(1?)>5/2000 edit by Teddy in CoolEdit (slight reduction in Bertha diginoise)>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006. ***All timings were by Teddy in 5/2000 (retracked slightly 11/2006) w/extracting from DAT & tracked on 5/30/2000 in CDWave. ***This is not shnid "5293" nor "12076". HOWEVER, "12076" (perhaps "5293" also) is believed to be from another DAT copy of original source sometime in 9/2001 or more then likely "5293"/"12076" was derived from Teddy 5/2000 seed. "12076" sounds almost the same as Teddy's 5/2000 seed except minor retracking. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Teddy :^) http://www.goodbear.com Home of etrees: http://www.goodbear.com/tree.html All encoded to FLAC & Seeded 11/30/2006 by Teddy "GoodBear" Selby :wave: 2 flac  
234. 06/29/73 Universal Amphitheatre - Universal City, CA A SBD>MR>R>D>CD>EAC>SHN Notes: --the first 1:20 of Jack Straw shows some noticeable tape wear --splice @ 15:15 in Playin' part of The Music Never Stopped Project 2002 Thanks to Mark Sweeney edits/encoding by JCotsman k Sweeney edits/encoding by JCotsman 2 flac  
235. 06/30/73 Universal Amphitheatre - Universal City, CA A BD > ? > DAT > CD CD > Sound Forge 10 > TLH > flac > you Transferred, tracked and mastered by Bill Guarneri JazzFanatic, April 19, 2014 This was sourced from shn ID 177. "Hot" distorted vocals marred this otherwise nice performance. Vocals were attenuated resulting in better balance and less vocal distortion. Still not perfect but much better. 2 flac  
236. 10/29/73 Kiel Auditorium - St. Louis, MO A+ Recording Info: SBD -> Master Reel -> Dat -> WAV Transfer Info: WAV -> Samplitude Professional v10.2.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 18, 2009 Patch Info: 2nd Gen AUD supplies: Cold Rain And Snow (2:10 - 2:20) Row Jimmy (0:00 - 0:26) El Paso (complete song) Around And around (0:00 - 0:02) Truckin (7:27 - 7:55) The Other One (14:14 - 14:16) Notes: -- Set 2 is seamless (FLAC Tags Via xACT 2.50 By OldNeumanntapr) 2 flac  
237. 10/29/73 Kiel Auditorium - St. Louis, MO A Both sources have numerous cuts. Soundboard source has patches with another uncirculated audience source used. Longer patches were removed, shorter ones left in. No patches were used for the gaps in the audience source. Audience source is hissy, noticable during quieter parts in particular. El Paso is not on the sbd source, so aud only. Aud ends near the conclusion of Sugar Magnolia, so only soundboard thereafter. Source 1(sbd): gd73-10-29.sbd.miller.32352.sbeok.flac16 Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net July 4, 2004 & February 10, 2006 Patch Info: The following songs have patches from a 2nd Gen AUD: Cold Rain And Snow 2:10 - 2:20 Mexicali Blues 0:00 - 0:03 Row Jimmy 0:00 - 0:26 El Paso 0:00 - 4:05 (complete song) Around And around 0:00 - 0:02 Truckin 7:27 - 7:55 The Other One 14:14 - 14:16 Notes: -- Thanks to Rob Eaton for letting me copy his dats. -- Thanks to Matt Smith for the patch source discs. Source 2(aud): gd73-10-29.116118.aud.cousinit.flac16 Taper: Unknown Source: Unknown Mics and Deck>??>C>WAV>FLAC Transferred and Encoded by Cousinit Notes: A nice AUD from 73. Sorry not much info for source and lineage. I only know the show was recorded by a Chicago area taper. Enjoy! 2 flac  
238. 10/30/73 Kiel Auditorium - St. Louis, MO A Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC (4 Discs Audio / 2 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net July 4, 2004 & February 10, 2006 Patch Info: The following songs have patches from a 3rd Gen AUD: Me And My Uncle 0:00 - 0:01 Eyes Of The World 6:27 - 6:42 Notes: -- This source doesn't have some of the flaws that other sources have. -- You can combine Discs 2 and 4 onto one CD if you want. -- Thanks to Rob Eaton for letting me copy his dats. -- Thanks to Matt Smith for the patch source discs. 2 flac  
239. 11/09/73 Winterland Arena - San Francisco, CA A soundboard 2 flac  
240. 11/23/73 County Coliseum - El Paso, TX AA Recording Info: SBD -> Reel Master -> Cassette -> Dat -> CD 3 flac  
241. 12/08/73 Cameron Indoor Stadium, Duke University - Durham, NC AA Recording Info: Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala) Transfer Info: Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16 Notes: - Thanks to Dick Latvala for the source - Thanks to Rob Eaton for the transfer - Thanks to Dick Latvala and Charlie Miller for the shnid105607 MSR > Cassette source that supplies "Ramble On Rose", "El Paso", "Row Jimmy" and "Greatest Story > Bertha" - Thanks to Matt Smith for the "Johnny B. Goode" audience source - Thanks to Charlie Miller for coordinating this effort - Tape flip in "China Cat Sunflower" - End of "Around And Around" clipped - Other One space included in "The Other One" - Tape flip in "The Other One" - A few notes missing in the "Greatest Story Ever Told > Bertha" transition? Mastered by Charlie Miller & Scott Clugston March 15, 2018 2 flac  
242. 02/22/74 Winterland Arena - San Francisco, CA 9.5 Recording Info: SBD -> Master Reel -> Dat Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC (4 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 12, 2011 Patch Info: Alternate SBD Source provides: Nobody's Fault But Mine (1:36 - 1:58) China Doll (0:11 - 0:33) 3 Flac  
243. 02/23/74 Winterland Arena - San Francisco, CA AA Grateful Dead Winterland San Francisco, CA February 24, 1974 Jerry Garcia - Lead Guitar, Vocals Donna Jean Godchaux - Vocals Keith Godchaux - Keyboards Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals *Matrix* ----------------------------------------------------------------- SBD (shnid=116902): Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net November 3, 2011 Notes: -- All disc changes are seamless -- Numerous flaws were cleaned up -- There is a Spanish Jam in Dark Star -- Tape flips in Row Jimmy and Dark Star [and I Know You Rider] -- Thanks to David Gans for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction ----------------------------------------------------------------- AUD (shnid=136266): Unknown Very Good Audience Recording > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag This recording was gratefully supplied by PO and Stucco TINA Holmes. Thanks to spamjam for his equipment generosity. Pitch Corrected By Kevin Tobin In Adobe Audition Mastering in Wavelab 7.1 by Jamie Waddell 16bit 44.1kHz Track, FLAC and Pack by John Wenzel a project **GEMS** Betamania Release July 2016 ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to Kevin Tobin, Jamie Waddell, and John Wenzel for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 1, 2016 Set I ----- d1t01 - U.S. Blues d1t02 - Mexicali Blues d1t03 - Brown Eyed Women d1t04 - Beat It On Down The Line d1t05 - Candyman d1t06 - Jack Straw d1t07 - China Cat Sunflower -> d1t08 - I Know You Rider d1t09 - El Paso d1t10 - Loser d1t11 - Playing In The Band Set II ----- d2t01 - Cumberland Blues d2t02 - It Must Have Been The Roses d2t03 - Big River d2t04 - Bertha d2t05 - Weather Report Suite -> d2t06 - Row Jimmy d2t07 - Ship Of Fools d2t08 - Promised Land d3t01 - Dark Star -> d3t02 - Morning Dew d3t03 - Sugar Magnolia -> d3t04 - Not Fade Away -> d3t05 - Goin' Down The Road Feeling Bad -> d3t06 - Not Fade Away Encore ------ d3t07 - It's All Over Now, Baby Blue Notes: The edited AUD source occasionally alternates between two different sound fields, mostly between songs, sometimes during songs. I chose to exclude these AUD edits for set 1, but incorporated them for set 2. Soundtrack Pro was used to remove some digital flaws in the SBD during Candyman and Jack Straw. length expanded size cdr WAVE problems fmt ratio filename 6:37.74 70204892 B --- -- ---xx flac 0.6112 gd74-02-24d1t01.flac 3:44.62 39659468 B --- -- ---xx flac 0.6120 gd74-02-24d1t02.flac 5:30.37 58299068 B --- -- ---xx flac 0.5683 gd74-02-24d1t03.flac 3:51.53 40873100 B --- -- ---xx flac 0.6375 gd74-02-24d1t04.flac 7:30.49 79495292 B --- -- ---xx flac 0.5493 gd74-02-24d1t05.flac 5:07.44 54258332 B --- -- ---xx flac 0.5947 gd74-02-24d1t06.flac 9:59.51 105783596 B --- -- ---xx flac 0.6129 gd74-02-24d1t07.flac 6:59.69 74073932 B --- -- ---xx flac 0.5916 gd74-02-24d1t08.flac 4:50.53 51280700 B --- -- ---xx flac 0.6121 gd74-02-24d1t09.flac 7:04.74 74967692 B --- -- ---xx flac 0.5626 gd74-02-24d1t10.flac 18:37.20 197085884 B --- -- ---xx flac 0.6032 gd74-02-24d1t11.flac 8:26.51 89378396 B --- -- ---xx flac 0.5437 gd74-02-24d2t01.flac 5:44.71 60848636 B --- -- ---xx flac 0.5496 gd74-02-24d2t02.flac 5:44.21 60731036 B --- -- ---xx flac 0.5587 gd74-02-24d2t03.flac 6:38.11 70233116 B --- -- ---xx flac 0.6057 gd74-02-24d2t04.flac 15:42.39 166260572 B --- -- ---xx flac 0.5554 gd74-02-24d2t05.flac 11:21.45 120234284 B --- -- ---xx flac 0.5026 gd74-02-24d2t06.flac 6:38.34 70287212 B --- -- ---xx flac 0.5276 gd74-02-24d2t07.flac 6:09.58 65228060 B --- -- ---xx flac 0.5440 gd74-02-24d2t08.flac 29:37.47 313573388 B --- -- ---xx flac 0.5570 gd74-02-24d3t01.flac 14:02.13 148559420 B --- -- ---xx flac 0.5287 gd74-02-24d3t02.flac 8:57.57 94860908 B --- -- ---xx flac 0.6162 gd74-02-24d3t03.flac 4:56.32 52289708 B --- -- ---xx flac 0.6211 gd74-02-24d3t04.flac 7:22.25 78027644 B --- -- ---xx flac 0.6234 gd74-02-24d3t05.flac 4:38.74 49213292 B --- -- ---xx flac 0.6054 gd74-02-24d3t06.flac 6:28.62 68589068 B --- -- ---xx flac 0.5360 gd74-02-24d3t07.flac 222:26.26 2354296696 B 0.5720 (26 files) 3 flac  
244. 02/23/74 Winterland Arena - San Francisco, CA AA Grateful Dead Winterland San Francisco, CA February 24, 1974 Jerry Garcia - Lead Guitar, Vocals Donna Jean Godchaux - Vocals Keith Godchaux - Keyboards Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals *Matrix* ----------------------------------------------------------------- SBD (shnid=116902): Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net November 3, 2011 Notes: -- All disc changes are seamless -- Numerous flaws were cleaned up -- There is a Spanish Jam in Dark Star -- Tape flips in Row Jimmy and Dark Star [and I Know You Rider] -- Thanks to David Gans for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction ----------------------------------------------------------------- AUD (shnid=136266): Unknown Very Good Audience Recording > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag This recording was gratefully supplied by PO and Stucco TINA Holmes. Thanks to spamjam for his equipment generosity. Pitch Corrected By Kevin Tobin In Adobe Audition Mastering in Wavelab 7.1 by Jamie Waddell 16bit 44.1kHz Track, FLAC and Pack by John Wenzel a project **GEMS** Betamania Release July 2016 ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to Kevin Tobin, Jamie Waddell, and John Wenzel for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 1, 2016 Set I ----- d1t01 - U.S. Blues d1t02 - Mexicali Blues d1t03 - Brown Eyed Women d1t04 - Beat It On Down The Line d1t05 - Candyman d1t06 - Jack Straw d1t07 - China Cat Sunflower -> d1t08 - I Know You Rider d1t09 - El Paso d1t10 - Loser d1t11 - Playing In The Band Set II ----- d2t01 - Cumberland Blues d2t02 - It Must Have Been The Roses d2t03 - Big River d2t04 - Bertha d2t05 - Weather Report Suite -> d2t06 - Row Jimmy d2t07 - Ship Of Fools d2t08 - Promised Land d3t01 - Dark Star -> d3t02 - Morning Dew d3t03 - Sugar Magnolia -> d3t04 - Not Fade Away -> d3t05 - Goin' Down The Road Feeling Bad -> d3t06 - Not Fade Away Encore ------ d3t07 - It's All Over Now, Baby Blue Notes: The edited AUD source occasionally alternates between two different sound fields, mostly between songs, sometimes during songs. I chose to exclude these AUD edits for set 1, but incorporated them for set 2. Soundtrack Pro was used to remove some digital flaws in the SBD during Candyman and Jack Straw. length expanded size cdr WAVE problems fmt ratio filename 6:37.74 70204892 B --- -- ---xx flac 0.6112 gd74-02-24d1t01.flac 3:44.62 39659468 B --- -- ---xx flac 0.6120 gd74-02-24d1t02.flac 5:30.37 58299068 B --- -- ---xx flac 0.5683 gd74-02-24d1t03.flac 3:51.53 40873100 B --- -- ---xx flac 0.6375 gd74-02-24d1t04.flac 7:30.49 79495292 B --- -- ---xx flac 0.5493 gd74-02-24d1t05.flac 5:07.44 54258332 B --- -- ---xx flac 0.5947 gd74-02-24d1t06.flac 9:59.51 105783596 B --- -- ---xx flac 0.6129 gd74-02-24d1t07.flac 6:59.69 74073932 B --- -- ---xx flac 0.5916 gd74-02-24d1t08.flac 4:50.53 51280700 B --- -- ---xx flac 0.6121 gd74-02-24d1t09.flac 7:04.74 74967692 B --- -- ---xx flac 0.5626 gd74-02-24d1t10.flac 18:37.20 197085884 B --- -- ---xx flac 0.6032 gd74-02-24d1t11.flac 8:26.51 89378396 B --- -- ---xx flac 0.5437 gd74-02-24d2t01.flac 5:44.71 60848636 B --- -- ---xx flac 0.5496 gd74-02-24d2t02.flac 5:44.21 60731036 B --- -- ---xx flac 0.5587 gd74-02-24d2t03.flac 6:38.11 70233116 B --- -- ---xx flac 0.6057 gd74-02-24d2t04.flac 15:42.39 166260572 B --- -- ---xx flac 0.5554 gd74-02-24d2t05.flac 11:21.45 120234284 B --- -- ---xx flac 0.5026 gd74-02-24d2t06.flac 6:38.34 70287212 B --- -- ---xx flac 0.5276 gd74-02-24d2t07.flac 6:09.58 65228060 B --- -- ---xx flac 0.5440 gd74-02-24d2t08.flac 29:37.47 313573388 B --- -- ---xx flac 0.5570 gd74-02-24d3t01.flac 14:02.13 148559420 B --- -- ---xx flac 0.5287 gd74-02-24d3t02.flac 8:57.57 94860908 B --- -- ---xx flac 0.6162 gd74-02-24d3t03.flac 4:56.32 52289708 B --- -- ---xx flac 0.6211 gd74-02-24d3t04.flac 7:22.25 78027644 B --- -- ---xx flac 0.6234 gd74-02-24d3t05.flac 4:38.74 49213292 B --- -- ---xx flac 0.6054 gd74-02-24d3t06.flac 6:28.62 68589068 B --- -- ---xx flac 0.5360 gd74-02-24d3t07.flac 222:26.26 2354296696 B 0.5720 (26 files) 3 flac  
245. 02/24/74 Winterland Arena - San Francisco, CA 9.5 SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net [Trade CDs >FLAC (Level 8) Via xACT 2.34] 3 Flac  
246. 03/23/74 Cow Palace - Daly City, CA 9.5 Master Soundboard Reel > DAT > CDR Master Soundboard Reel > Cassette > DAT source supplies first 0:10 of "Ship of Fools". Audience source supplies patch in "Morning Dew" from 0:21 thru 0:43, as well as the patch in "Sugar Magnolia" from 6:57 thru 7:22 The "meat" of the show is captured on Disc 2 and requires an 80 min disc patching/CD re-mastering by Scott Clugston EAC > SHN by Scott Clugston 3 Flac  
247. 05/12/74 University Of Nevada - Reno, NV 9.5 gd74-05-12sbd.sacks.2224.sbeok.flac16 Source: MSR>C>DAT>CDRs>EAC>SHN EAC/SHN by darrin 2 Flac  
248. 05/14/74 Adams Field House, University Of Montana - Missoula, MT 9.5 Soundboard; Master Reel >Cassette >DAT >CD-R >TAE >SHN >CD >FLAC Trade Discs >FLAC (Level 8) Via xACT 2.35 Note: There is a splice in China Doll 2 Flac  
249. 05/17/74 P.N.E. Coliseum - Vancouver, BC 9.5 Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 9, 2008 Patch Info: Unknown Mics -> Cassette Master -> Cassette -> HD (shnid=28041) supplies: The Promised Land (0:32 - 0:35) Unknown Mics -> Cassette Master -> HD (shnid=28041) supplies: Playing In The Band (16:58 - 17:24) Notes: -- All disc changes are seamless -- Many flaws cleaned up -- This source has more tuning than the other circulating sources -- Reel flip in China Doll cleaned up with crossfade -- Thanks to Joe B. Jones for his help with the pitch correction -- Patch source was slow but has been fixed (Trade CDs >FLAC (Level 8) Via xACT 2.25) 3 Flac  
250. 05/19/74 Portland Memorial Coliseum - Portland, OR 9.5 Master Soundboard Reel > PCM > DAT> CDR [Trade CDs >FLAC (Level 8) Via xACT 2.35] many copies in circulation are missing Tennessee Jed, Me & Bobby McGee, Sugaree, Jack Straw, IMHBTR, El Paso and Ship of Fools. This transcription is complete. EAC'ed / SHN'ed by Scott Clugston 12/24/01 3 Flac  
251. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA 9.5 SBD SOurce (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV>Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. AUD Patch source (shnid=10150) AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck, recorded by Pat Lee, hand held mics in right balcony Patches SHN > WAV > CE Pro (patching) > sector boundary correction (CE Pro & shntool v1.2.3) > SHN V3 encoding (shntool) by Charles Wier SBEs fixed manually and with shntool, as the crowd is cut between most songs on both the SBD and AUD master. Transitions are smooth, but not continual due to missing crowd. Minor cut at beginning of JBG also cut on AUD and could not be patched. 1/ patch beginning ~0:13.8 w/ aud; 0:12.6 of silence removed from end 2/ trim silence from end 3/ patch w/ aud; -2 dB to R ch & trim/fade crowd 4/ 10 dB boost to R ch fadein for 1st 5 secs (barely detectable) 3 Flac  
252. 05/25/74 Campus Stadium, UCSB - Santa Barbara, CA 9.5 Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35 3 Flac  
253. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA 9.5 Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC (3 Discs Audio / 2 Discs FLAC) Re-mastered By Charlie Miller charliemiller87@earthlink.net February 4, 2009 Patch Info: Sony ECM250 -> Master Cassette -> FLAC (shnid=94594) supplies: U.S. Blues (complete track) Big River (complete track) Ship Of Fools (complete track) Playing In The Band (17:00 - 17:20) Sugar Magnolia (complete track) Notes: -- All disc changes are seamless -- This is a re-master of shnid=97182 -- Thanks to Joe B. Jones for his help with the pitch correction -- Thanks to Matt Smith, Pat Lee, Jamie Waddell and David Gans for the SBD -- Thanks to Bob Menke for the AUD source -- I cleaned up some flaws and pitch corrected some tracks 3 Flac  
254. 06/16/74 Des Moines State Fair Grandstand - Des Moines, IA 9.5 Per Andy Lemieux, the source of this is as follows: Set 1: MSR>C>DAT>CD Set 2 & 3: MSC>DAT>CD (except for patch in Wharf Rat which is MSR>?>DAT>CD) (Trade CDs >FLAC (Level 8) Via xACT 2.35) note: splice in Wharf Rat at 2:51 Based on Alan Fink's patched version: ...I used Steve Windsor's notes from his version: ...to verify and make the fixes myself. I also made several additional fixes, including... -- Removed two additional pops from Eyes Of The World at 14:35 and 15:10. -- Patched the splice in Wharf Rat with MSR>?>DAT>CD.  Even after patching,    it sounds like there may be a small chunk of material missing. -- Removed four additional pops from GDTRFB at 6:41, 6:43, 6:45 and 6:47. -- Patched the start of Casey Jones with alternate MSC>DAT>CD source. -- Retracked each disc so that tuning follows songs at the end of tracks. Kudos to Alan and Steve for their hard work. Thanks to Andy for the patch material for Wharf Rat. 4 Flac  
255. 06/18/74 Freedom Hall - Louisville, KY 9.5 Soundboard Reel >DAT >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.28 3 Flac  
256. 06/20/74 The Omni - Atlanta, GA 9.5 Master 7 inch, 2 track Soundboard Reel > Cassette > DAT > CDR uploaded 10/00 by Scott Clugston made possible by the usual group of suspects/mental patients 3 Flac  
257. 06/22/74 Jai-Alai Fronton - Miami, FL A new fresh 24 bit transfer source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/3/10 2 flac  
258. 08/06/74 Roosevelt Stadium - Jersey City, NJ A MR > DAT > CD > Sonic Solutions > CD Circulation shn: Plextor SCSI 40x Reader > EAC As of Sept 00, this copy is just entering circulation. For more info on the source of this copy, read Jim Powell's comments below. .shn and .md5 created by Mike Hall (myko@well.com) >From Jim Powell: "OK, I just got the master of the DeadLists Edition of Roosevelt Stadium, Jersey City 8/6/74: a digital copy of the master SBD reels with the 20 second flip cut in Scarlet Begonias patched with an excellent AUD master. This is the entire show including Seastones, in perfect condition, on 4 CDs. 3 flac  
259. 10/16/74 Winterland Arena - San Francisco, CA A Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (4 Discs Audio / 3 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 21, 2008 Patch Info: -- Bertha through 1:16 of Deal patched from AUD source -- Reel flip in Playing In The Band patched from mulitrack reel (not from GDM) -- Set 1 tunings patched from Master Reel -> Cass -> Dat -- 18:03 of PITB through 7:35 of Jam patched from Master Reel -> Cass -> Dat Audience source (1st Gen reel) from Matt Smith supplies: Eyes Of The World (11:07 - 11:31) Uncle John's Band (4:07 - 4:34) Notes: -- All disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- I can confirm lineage 100% accurate 2 flac  
260. 03/23/75 Kezar Stadium - San Francisco, CA A Source: SBD Geneology: Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN _________________ 1 flac  
261. 06/17/75 Winterland Arena - San Francisco, CA A+ Recorded by Rob Bertrando Sony ECM-280 mics >Sony TC-152SD Cassette >Reel >VHS 1 >CDR >FLAC Audience from Winterland floor, about 30-35' back, just to the  left of dead  center. Trade VHS Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO, Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35 2 flac  
262. 09/28/75 Lindley Meadows, Golden Gate Park - San Francisco, CA A+ Soundboard : Dan Healy’s Master Cassette >DAT >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.35 2 flac  
263. 06/03/76 Paramount Theatre - Portland, OR A+ Recording Info: SBD >Cass Master >Cass (Dolby B) >WAV (24bit/96k) Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16 (3 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 26, 2013 Patch Info: Sony ECM-280 -> Cassette Master -> FLAC/24 supplies: Might As Well (0:00 - 0:20) Supplication (2:50 - 3:19) Franklin's Tower (7:10 - 7:43) Notes: -- All disc changes are seamless -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
264. 06/09/76 Boston Music Hall - Boston, MA A+ Recording Info: Set 1: SBD -> Master Cassette -> CD Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC Set 2: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 20, 2008 Patch Info: Sony ECM-99A -> Master Cassette -> Dat -> CD (shnid=5982) supplies: Cold Rain And Snow (0:00 - 0:42) Big River (1:29 - 2:24) Saint Stephen (0:00 - 0:59) Notes: -- All disc changes are seamless -- Thanks to Joe B. Jones for his help with the pitch correction ________________________________________________________________________________ 2 flac  
265. 06/10/76 Boston Music Hall - Boston, MA A+ Soundboard; Master Reel (Betty Board) 2 flac  
266. 06/11/76 Boston Music Hall - Boston, MA A+ Soundboard Reel GDP HDCD 2 flac  
267. 06/12/76 Boston Music Hall - Boston, MA A+ Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96> hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09 2 flac  
268. 06/14/76 Beacon Theatre - New York, NY A+ Soundboard Reel; 2 flac  
269. 06/15/76 Beacon Theatre - New York, NY A+ Soundboard Reel; 2 flac  
270. 06/17/76 Capitol Theater - Passaic, NJ A MATRIX MIX: SBD/AUD (About 60%/40%) --------------------------------------------------------------- SBD: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 11, 2006 2 flac  
271. 06/19/76 Capitol Theater - Passaic, NJ A PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable) [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
272. 06/21/76 The Tower Theatre - Upper Darby, PA A+ Recording Info: SBD >Master Cassette >Apogee Ensemble >Peak >AIFF Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Transferred By Digitalrbb Mastered By Charlie Miller charliemiller87@earthlink.net June 19, 2013 Patch Info: Shure SM96 -> Master Cassette -> Cassette -> Dat -> CD (shnid=6679) supplies: Row Jimmy (2:37 - end of track) Looks Like Rain (complete track) Promised Land (0:00 - 0:01) Dancing In The Street (2:14 - 4:12) Notes: -- All disc changes are seamless -- This is a cleaned up version of shnid=112191 -- Thanks to Digitalrbb for the supplying and digitizing the tapes -- Thanks to Rob Eaton for supplying the sbd for Scarlet through Candyman -- Thanks to Joe B. Jones for his help pitch correcting the patch source 2 flac  
273. 06/22/76 The Tower Theatre - Upper Darby, PA A+ Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 24, 2008 Patch Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF supplies: U.S. Blues (2:11 - 2:22) The Music Never Stopped (4:06 - 4:19) Cassidy (3:00 - 3:14) Promised Land (1:32 - 1:58) Samson And Delilah (4:45 - end of track) Beer Barrel Polka (complete track) Eyes Of The World (complete track) Dancing In The Street (0:00 - 6:53) One More Saturday Night (1:48 - 2:35) Notes: -- All disc changes are seamless -- There was a lot of static which I cleaned as best as I could -- Patch source recorded with mics placed at soundboard -- Playing in The Band contains a Happiness Is Drumming Jam -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
274. 06/26/76 Auditorium Theatre - Chicago, IL A+ Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 7, 2008 Patch Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF supplies: Tennessee Jed (7:38 - end of track) Crazy Fingers (0:42 - 1:12) Notes: -- All disc changes are seamless -- Patch source recorded with mics placed at soundboard -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
275. 06/28/76 Auditorium Theatre - Chicago, IL A+ Recording Info: SBD >Master Cassette >Apogee Ensemble >Peak >AIFF Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Mastering By Charlie Miller charliemiller87@earthlink.net October 21, 2008 Patch Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF supplies: Scarlet Begonias (3:13 - end of track) Lazy Lightnin' (0:00 - 0:15) The Wheel (0:26 - 0:50) Notes: -- Disc change is seamless -- Patch source recorded with mics placed at soundboard -- Thanks to Digitalrbb for the supplying and digitizing the tapes -- Thanks to Joe B. Jones for his help with the pitch correction ______________________________________________________________________________ 2 flac  
276. 06/29/76 Auditorium Theatre - Chicago, IL A 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN (Trade CDs >FLAC (Level 8) Via xACT 2.35) 2 flac  
277. 07/12/76 Orpheum Theatre - San Francisco, CA A lineage: Soundcheck - SBD->Master VHS->DAT->CD Set One - SBD->RM->Reel->Reel->Reel->DAT->CD Set Two - SBD->RM->DAT->Sonic Solutions->CD Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CD 2 flac  
278. 07/18/76 Orpheum Theatre - San Francisco, CA A Pre FM >Master Reel >Reel >PCM >DAT >CDA >DAW (Bertha) >CDA - d1t01 and d3 FM >Reel >DAT >CDA >DAW (Bertha) >CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Trade CDs >FLAC (Level 8) + Tags Via xACT 2.37 FLAC & Tags By OldNeumanntapr 2 flac  
279. 09/25/76 Capital Centre - Landover, MD A SBD MR >CASS/1 >DAT >CD CD->EAC->SHN conversion by AJ - a2k@pacbell.net - April 10th, 2000 - Enjoy! 2 flac  
280. 09/27/76 Community War Memorial Auditorium - Rochester, NY A Audio Sources Information Soundboard (no shnid at this time) Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 18, 2006 Patch Info: Sony ECM-33P>Master Cassette>Dat>CD (shnid=3821) supplies: Promised Land (0:00 - 0:09) It's All Over Now (0:00 - 3:09) Loser (3:52 - 4:39) Slipknot! (6:02 - 6:27) Around And Around (0:36 - 1:49) Notes: -- Set 2 is seamless -- Patch source was pitch adjusted to match sbd -- Fixed vocal distortion -- El Paso has a false start -- Supplication is instrumental -- First few seconds of U.S. Blues missing Audience Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN Extracted, Edited, Shortened and Uploaded to e-tree by Mike Parrillo (dankstar@mediaone.net) 2 flac  
281. 10/01/76 Market Square Arena - Indianapolis, IN A Recording info: Vault master reel sourced files (via anon) Mastered by Jim Blackwood Pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel Originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on January 5, 2025 https://spinitron.com/KXCI/pl/20036765/Dead-Air Originally shared to www.shnflac.net on February 11, 2025 2 Flac  
282. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA A Soundboard Reel >Gans Dead Head Hr; FM Cable >VHS 2 >CDR >FLAC VHS 2 Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO, Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.35 2 flac  
283. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA A Source: Master Soundboard Reel > DAT > CDR CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 3/8/01 requires 2 x 80 minute discs made possible thru the usual group of suspects/mental patients Trade CDs >FLAC (Level 8) Via xACT 2.35    2 flac  
284. 10/15/76 Shrine Auditorium - Los Angeles, CA A SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) Patch Info: Sony ECM-280 -> Cassette Master -> Dat -> CD supplies: Mama Tried (0:00 - 0:09) Lazy Lightning (2:11 - 2:45) Samson And Delilah (2:26 - 3:35) Drums (5:03 - 5:07) Comes A Time (8:27 - end of show) Notes: -- Set 2 is seamless -- Patch source recorded by Rob Bertrando -- I cleaned up numerous flaws and patched the tape flips (Trade CDs >FLAC (Level 8) Via xACT 2.35) 2 flac  
285. 12/31/76 Cow Palace - Daly City, CA A+ Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) * from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Seeded to tol 7/19/03 by Jack Warner Source discs via Steven Martin (thanks!) Note added 9/1/2003: Cool Edit 2000 was used to fix pops at the following spots in Jack Warner's Pre-FM version of 12/31/76. I [Dave Winters] re-encoded to shorten and generated new MD5's with MKW. Loud pops were noticed at: Slipknot! - 6:20 Dew - 4:50, 7:40, 7:50 Dave Winters - 08/16/03. 2 flac  
286. 02/26/77 Swing Auditorium - San Bernardino, CA A+ Soundboard Reel >? >DAT >VHS I >CDR >FLAC Trade VHS Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO, Tayio-Uden CD Masters >FLAV (Level 8) Via xACT 2.35 Transfered / FLAC’d By OldNeumanntapr 3 flac  
287. 03/18/77 Winterland Arena - San Francisco, CA A+ Source info: SBD MR @ 7.5 ips >DAT >CD >EA C>SHN >CDR >FLAC (*) Audience info:  Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN [Trade CDs >FLAC (Level 8) Via xACT 2.35] 3 flac  
288. 03/19/77 Winterland Arena - San Francisco, CA AA SBD recording, the second night of a three show run at Winterland, San Francisco, CA, March 19th 1977. SHN ID 255 ChinaCat. The Terrapin > Playin' > Samson > Playin' is pretty good. Not forgetting the Eyes > Dancin' > Wharf > Franklin's > Sugar Magnolia. Only flaw is a few sonic flutters during Terrapin. Preview 'Estimated Prophet' from this show below. Been listening to this run for the first time in a couple years and had forgotten how good it was. 3 flac  
289. 03/20/77 Winterland Arena - San Francisco, CA A+ Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller charliemiller87@earthlink.net 9/1/04 Notes: -- Tracked with Samplitude v7.02 Professional -- Thanks to David Gans for lending me his Master Production Discs. [Trade CDs >FLAC (Level 8) Via xACT 2.35] 3 flac  
290. 04/23/77 Springfield Civic Center - Springfield, MA A Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net November 9, 2007 Patch Info: (FOB) Sony ECM-99A -> Cassette Master -> Dat -> CD -> Samplitude supplies: Franklin's Tower (5:05 - 5:34) [Trade CDs >FLAC (Level 8) Via xACT 2.35] Notes: -- All disc changes are seamless -- Cleaned up many flaws and fixed the levels -- This seed does not have any diginoise in Sugaree 3 flac  
291. 05/04/77 The Palladium - New York, NY A Recording Info: Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 22, 2008 Patch Info: Sony ECM33P -> Cassette Master -> ART DIO -> Cool Edit 2000 -> FLAC supplies: Mississippi Half-Step Uptown Toodeloo (0:29 - 2:13) Notes: -- Set 1 is seamless -- Complete sbd supplied by David Gans -- Thanks to David Minches for transferring David Gans' Set 1 SBD Cassette 2 flac  
292. 05/05/77 Veterans Memorial Coliseum - New Haven, CT A+ Recording Info: SBD >Master Reel (DBX-1 Encoded) >PCM (Sony PCM501ES/44.055k) Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Original Transfer and Mastering By Rob Eaton and Dan Stephens Remastered By Charlie Miller charliemiller87@earthlink.net January 18, 2013 Notes: -- All disc changes are seamless -- This is a remaster of shnid=8832 -- I cleaned up some flaws and adjusted the levels -- I was able to clean up the static in d1t01 2 flac  
293. 05/07/77 Boston Garden - Boston, MA A source info: SBD -> Betty Reels ->PCM -> DAT -> Digitally read in on SGI -> SHN Trade CDs >FLAC (Level 8) Via xACT 2.35 2 flac  
294. 05/08/77 Barton Hall, Cornell University - Ithaca, NY A Lineage: Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks [Trade CDs (Set I) >FLAC (Level 8) Via xACT 2.35. Trade DAT (Set II) Transferred: Tascam DA-30 >HHb CDR 800 PRO, CD Master >FLAC (Level 8) Via xACT 2.35] Set II: Soundboard; Master Reel >PCM >DAT Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.35 2 flac  
295. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY A Sources: Soundboard Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn Audience Source: Master Audience Cassette>Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Original Shn Seed provided by Joe Samaritano Aud source provided by Scott Clugston Aud Patches were performed using Steinberg's Wavelab 3.0 by Charlie Connor Seeded via Fungus and abgd by Charlie Connor 3/21/02 Thanks to Joe Samaritano for the show and to Scott Clugston for the Aud Source!!!!!!! 3 flac  
296. 05/11/77 St. Paul Civic Center - St. Paul, MN A+ Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus ->  Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net March 7, 2007 Notes: -- The skip in Jack Straw has been fixed -- All disc changes are seamless -- Reel flips in Ramble On Rose and Wharf Rat -- Cool Edit Pro was used to make level adjustments -- Fixed flaw in tuning before Ramble On Rose [Trade CDs >FLAC (Level 8) Via xACT 2.35] flac  
297. 05/13/77 Auditorium Theatre - Chicago, IL A+ Recording Info: SBD -> Master Reel -> CD (HDCD) -> FLAC Transfer Info: FLAC -> dbpoweramp (HDCD Decoded) -> Samplitude Professional v11.2.1 -> FLAC/24 (1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 22, 2013 Notes: -- This is remastered from the May 77 box set 3 flac  
298. 05/15/77 The Arena - St. Louis, MO A Recording Info: SBD >Master Reel (7 inch reels @ 7.5ips 1/2trk) >DAT (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 4/11/05 Notes: -- All disc changes are seamless. 2 flac  
299. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL A SBD MR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. EAC > SHN by Noah Weiner June 2003 2 flac  
300. 05/18/77 Fox Theatre - Atlanta, GA A+ Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 12. 2006 Notes: -- All disc changes are seamless -- I can confirm 100% that this comes from the vault master reel -- Like other copies, this has the radio bleeding through -- Bleed through only heard during tuning between some songs -- Reel flip in The Other One fixed with crossfade 2 flac  
301. 05/19/77 Fox Theatre - Atlanta, GA A The vast majority of copies in circulation suffer from what appears to be a master reel flip during the jam in "Playin' in the Band", thanks to an alternate soundboard source, we now know what we were missing during that 1:43. Enjoy! Sources: Master Soundboard Reel > Reel to Reel > DAT > CDR Alternate Soundboard source-purportedly derived from a cassette master- supplies the patch in "Playin' in the Band" (d3t02) from 7:40 thru 9:23   A third Soundboard source- MSR>RR>RR>DAT-is used for an 0:11 patch in "Sugaree" (d1t02) from 5:22 thru 5:33 Made possible through the usual, and ever growing, group of suspects/mental patients. Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston Circulated 12/30/00 [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
302. 05/21/77 Lakeland Civic Center - Lakeland, FL A SBD >Reel >DAT >CD-R TFBT Tree #5 Extraction and compression by Drew Boyles 3 flac  
303. 05/25/77 The Mosque - Richmond, VA A Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 2, 2007 Notes: -- Set 2 is seamless -- Cleaned up a lot of flaws and fixed the levels a bit -- Reel flip between He's Gone and Drums 3 flac  
304. 05/26/77 Baltimore Civic Center - Baltimore, MD A - Source - SBD ► Grateful Dead Master Reel (7" RTR half-track recording @ 7.5 ips; unknown deck) - Transfer - Master Reel (playback in unknown deck) ► Marin County Mixdown ADAT ► SSSB - "All editing & processing performed at 24-bit/96 kHz (100% digital realm) by: Jay Serafin, chief audio/video engineer at Serafin Station Studio B, using the (code name) "Harpoon" editing software (beta Ver. 0.948.7 Build 103); released 2002-03-29" ► SHN [960 MB]; foobar2000 v0.8.3 (RAFTSv1.3 file tagging, conversion to FLAC Level 8, all files bit-verified identical) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 89) ( verify original md5 checksums, correct sector boundaries (s1/s2 ran separately), compute md5 checksums for the newly tagged files). [896 MB]  
305. 05/28/77 Hartford Civic Center - Hartford, CT A+ Soundboard; Two-Track Betty-Board Reel >GDP HD CD >FLAC 3 flac  
306. 06/07/77 Winterland Arena - San Francisco, CA A Updated Lineage: SBD >MR >DAT with AUD Patches in Peggy-O and UJB from source: AKG D220 mics > Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein > Rob Bertrando's first-gen reel > DAT [patch source had been marked: AMR >DAT by Rob Bertrando using AKG D220 mic's into a Tandberg 10X reel to reel.] DAT >CD transfers, including patches by David Hollister. CD >WAV (EAC Secure mode) with editing of patches to raise volume of patches to audibly match adjacent SBD source, conversion to SHN, and uploading by Keith Bode. David Hollister's original transfer done approximately 1999. Editing of patches, SHN conversion, and uploading done in May, 2004. I believe this transfer of the show has not been widely spread, and I am glad to have been involved in the editing and making of the show available. 3 flac  
307. 06/08/77 Winterland Arena - San Francisco, CA A Soundboard; Master Reel >GDP HD CD >FLAC 3 flac  
308. 06/09/77 Winterland Arena - San Francisco, CA A Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/4/05 Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD Patch in d3t02 (St. Stephen) from 4:50 - 4:54 Patch in d3t07 (Sugar Magnolia) from 0:53 - 1:14 All other reel flips take place between songs, no patches needed. Notes: -- This is an upgrade to all circulating copies. -- Thanks to Paul Scotton for the source discs. -- There are some kind of low-frequency pops in Franklin's Tower. -- Mind Left Body tease at end of Not Fade Away. 3 flac  
309. 09/03/77 Raceway Park - Englishtown, NJ a- Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD *Comment at etree: 06/17/2003 - barton hall After comparing the Intro and Promised Land to both dp15 and 4/27/77 I have determined that the first 2 tracks in this set are indeed NOT from this show. They do not match dp15, but Promised Land does match 4/27/77 (the Intro was not included in the 4/27/77 set. Even just comparing the Intro from this set to the intro on dp15, John Scher introduces the members of the band in different orders (although he calls the godchauxs the "god-chows" in both intros) 2 flac  
310. 10/02/77 Paramount Theatre - Portland, OR A Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 13, 2012 Notes: -- Set 2 is seamless -- Tape flip in Wharf Rat at 9:24  
311. 10/06/77 Activity Center, Arizona State University - Tempe, AZ A Recording Info: SBD > Cassette Master > DAT (48k) > WAV Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC) Patch Info: FM (KBFH) > Reel Master > FLAC (shnid=113809) supplies: Promised Land (0:00 - 0:13) All Mastering by Charlie Miller charliemiller87@earthlink.net July 27, 2018 (original mastering) April 10, 2023 (dozens of clicks cleaned up) Notes: -- Tape flips in They Love Each Other and Eyes Of The World -- Tape 2 runs out during the jam in Uncle John's Band -- Thanks to Joe B. Jones for the pitch correction settings 3 flac  
312. 10/09/77 McNichols Sports Arena - Denver, CO a- Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net September 24, 2010 Notes: -- Disc change is seamless -- Many flaws cleaned up -- Tape flips in Brown Eyed Women and He's Gone -- Sounds like a beat is missing on Truckin' intro -- Encore (Casey Jones) is missing -- It sounds like this may be from multiple sources -- There's quite a bit of distortion on Jerry's guitar -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
313. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS AA Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 1, 2008 Patch Info: Sony ECM-990 -> Cassette Master -> Reel -> CD supplies: The Promised Land (0:00 - 0:22) He's Gone (14:43 - 15:00) Around And Around (7:45 - 8:49) Notes: -- Set 2 is seamless -- Thanks to David Minches for the patch source -- Thanks to Joe B. Jones for his help with the patch source pitch correction **************************************************** Tags Via xACT 2.50 By OldNeumanntapr **************************************************** 2 flac  
314. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL A+ gd77-10-29.sbd.miller.92085.sbeok.flac16 Recording Info: SBD ->Master Reel ->PCM ->DAT ->CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 2, 2008 Patch Info: Sony ECM-990 -> Cassette Master -> Reel -> Dat -> CD supplies: Eyes Of The World (5:37 - 6:11) Sugar Magnolia (2:30 - 2:58) Notes: -- Set 2 is seamless -- Patch source was also remastered 2 flac  
315. 11/01/77 Cobo Arena - Detroit, MI A Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 13, 2007 Notes: -- Start of Friend Of The Devil is cut -- Reel flip in Truckin' -- Thanks to muletaper for the Dat 2 flac  
316. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY A This file is: gd1977-11-04.matera.130927.txt Remaster - August 10, 2014 - Phil Matera Seed: gd77-11-04.sbd.braverman.3739.sbeok.shnf Adjusted amplitudes and equalization with Cool Edit 2000 shn > wav > flac All (I think) drop outs are fixed and tracks resplit to begin at the start of the songs or where I perceived the start of the track. Good show. I think that you guys will enjoy this "new anad improved" remaster. 2 flac  
317. 11/06/77 Broome County Arena - Binghamton, NY A MATRIX MIX: SBD/AUD (About 60%/40%) ---------------------------------------------------- SBD: Reel -> DAT -> CDR Transfer: EAC -> Shorten 32 By Doug Nawrocki ---------------------------------------------------- AUD: Sony ECM-33Ps> Sony 158; A:C:D:Cool Edit:CD Recorded by Jerry Moore Transferred by David Minches ----------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008 3 flac  
318. 12/27/77 Winterland Arena - San Francisco, CA A+ Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A 2 flac  
319. 12/30/77 Winterland Arena - San Francisco, CA A+ Recording Info: SBD > Master Reel > Dat > FLAC Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 11, 2017 Patch Info: AKG's > Master Reel > FLAC/24 (shnid=139533) supplies: Eyes Of The World (13:25 - 14:18) Notes: -- This is a patched version of shnid=132379 -- Thanks to SIRMick for his help with this project 3 flac  
320. 12/31/77 Winterland Arena - San Francisco, CA A Source: SBD > Master Reel > PCM > DAT > CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.35 Transferred By OldNeumanntapr 3 flac  
321. 07/08/78 Red Rocks Amphitheatre - Morrison, CO AA   3 flac  
322. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA A+ Recording Info: SBD -> Master Reel -> Reel -> Cassette -> Dat Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 13, 2012 Patch Info: Neumann KM84 -> Master Reel -> CD -> SHN (shnid=19417) supplies: Stagger Lee (4:11 - 5:05) Playing In The Band (1:41 - 2:40) Saint Stephen (6:15 - end of track) Not Fade Away (complete track) Goin' Down The Road Feeling Bad (complete track) Around And Around (complete track) One More Saturday Night (complete track) Notes: -- All disc changes are seamless -- Ollin Arrageed With Hamza el-Din -- Around And Around with Lee Oskar -- I can not confirm the accuracy of the SBD lineage -- Thanks to Joe B. Jones for his help with the pitch correction **************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr **************************************************** 2 flac  
323. 12/09/79 Kiel Auditorium - St. Louis, MO A Recording Info: SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 2, 2010 Patch Info: Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=8833) supplies: Minglwood Blues (4:15 - 5:06) Samson And Delilah (2:04 - 2:24) Saint Of Circumstance (1:58 - 2:14) Bertha (6:02 - end of track) Good Lovin' (0:00 - 0:06) Notes: -- Set 2 is seamless -- This is a remaster of shnid=27751 -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
324. 12/10/79 Soldiers & Sailors Memorial Hall - Kansas City, KS A Recording info: SBD Cassette Master > DAT > AIF via Anon Mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Track, FLAC, and pack by Steve Gravel Highlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on June 25, 2023 https://spinitron.com/KXCI/pl/17543317/Dead-Air Originally shared to www.shnflac.net in July 2023 2 flac  
325. 08/27/80 Pine Knob Music Theater - Clarkston, MI A+ Recording Info: SBD -> Master Cassette -> Dat Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 30, 2010 Patch Info: Audience recording (shnid=12160) supplies: Eyes Of The World (4:00 - 6:09) Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction 2 flac  
326. 10/07/80 Warfield Theater - San Francisco, CA A+ Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 (2 DVD's FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net December 29, 2020 Notes: -- I fixed the dropout in Cold Rain And Snow and a hiccup in Don't Ease Me In -- A second soundboard source was used to cover the flips and some tunings **************************************************************** FLAC >WAV >Audacity (Downsample To 16 Bit / 44.1k) >FLAC + Tags Via xACT 2.50 By OldNeumanntapr **************************************************************** 2 flac  
327. 12/13/80 Long Beach Arena - Long Beach, CA 8 Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 127 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC 2 Flac  
328. 09/26/81 Community War Memorial Auditorium - Buffalo, NY A AUD: 2x Sennheiser mics > Sony TC-D5. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. 2 Flac  
329. 11/29/81 Civic Arena - Pittsburgh, PA A+ Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 1, 2010 Patch Info: Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9610) supplies: Me And My Uncle (0:00 - 0:08) He's Gone (10:50 - 10:54) (I Can't Get No) Satisfaction (0:08 - 0:18) Notes: -- Set 2 is seamless -- Numerous teases in jam out of He's Gone -- Thanks to Joe B. Jones for his help pitch correcting the patch source 2 flac  
330. 11/30/81 Hara Arena - Dayton, OH A+ Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 5, 2010 Patch Info: SBD -> Cassette Master -> Reel -> Dat supplies: Estimated Prophet (5:18 - end of track) Eyes Of The World (0:00 - 1:19) Sugar Magnolia (4:14 - end of track) Might As Well (complete track) Notes: -- Disc change is seamless 2 flac  
331. 12/02/81 Assembly Hall, University Of Illinois - Champaign, IL A+ Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 6, 2010 Patch Info: Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9595) supplies: Terrapin Station (4:44 - 5:00) Stella Blue (complete track) Around And Around (complete track) Good Lovin' (complete track) Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help pitch correcting the patch source 2 flac  
332. 12/09/81 Events Center, University Of Colorado - Boulder, CO A+ Recording Info: SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net September 21, 2007 Patch Info: Sennheiser 421 -> Master Cassette -> CD (By Jim Wise) supplies: Bird Song (last 8 seconds - post song tuning) Mama Tried (complete song) Mexicali Blues (0:00 - 1:38) Scarlet Begonias (6:20 - 7:35) Space (4:52 - end of track) The Other One (0:00 - 4:19) Notes: -- All disc changes are seamless -- I cleaned up many flaws and fixed the patches 2 flac  
333. 05/23/82 Greek Theatre, University Of California - Berkeley, CA A+ Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 10, 2008 Notes: -- Set 2 disc change is seamless -- This is the only circulating source without digital noise reduction 2 flac  
334. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA 9.5 source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac 2 Flac  
335. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA 9.5 recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 21, 2011 Patch Info: (FOB) Sony ECM-220T -> Cassette Master supplies: Tuning (complete track) Playing In The Band (0:00 - 0:07) I Know You Rider (4:05 - end of track) Black Peter (0:00 - 0:13) (I Can't Get No) Satisfaction (0:00 - 0:17) Notes: -- US Festival -- This is a re-master of shnid=5490 -- This has the levels fixed in Playing In The Band -- Thanks to Joe B. Jones for his help with the pitch correction -- This is dedicated to my sister Carolyn Beth Miller (12/23/61 - 9/5/82) 2 Flac  
336. 03/30/83 Warfield Theater - San Francisco, CA A+ Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller Post Processing by David Minches charliemiller87@earthlink.net August 13, 2006 Notes: -- Thanks to macdaddy for the Nak Cassette Deck 2 flac  
337. 09/04/83 Park West Ski Resort - Park City, UT 9 MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8 Ive had this dat for many years, and never listened to it until now. Claims to be aud taped using Schoeps but its pretty much a Sdb. Funky sounding SDB but nice. Dolphinsmile Archive Produced by Dolphinsmile 2 Flac  
338. 04/06/84 Aladdin Theater - Las Vegas, NV AA Recording Info: SBD > PCM Master > Dat (44.1k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller 2 flac  
339. 06/14/84 Red Rocks Ampitheatre - Morrison, CO AA Recording Info: SBD > PCM Master > Dat (44.1k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC (2 Discs Audio / 1 DVD FLAC) 2 flac  
340. 07/03/84 Starlight Theater - Kansas City, MO A+ Recording Info: SBD > PCM Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net August 16, 2017 2 flac  
341. 06/27/85 Saratoga Performing Arts Center - Saratoga Springs, NY A+ 1 SBD: Recording Info: SBD -> Master Cassette -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 8/27/04 Notes: I can't confirm this lineage 100%, but that is how my dat was labled and that is how Rob Eaton has it listed, so I can only assume it's correct. I have also seen it listed as SBD>VHS>Cass>Dat>CD. This version sounds better and is more complete than the etree version. ---------------------------------------------------- 3 AUDs: AUD 1 ----- Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac AUD 2 ----- Source: Painoman's Master Analog Cassettes Digital Mastering by Charlie Connor 11/03/01 Lineage: FOB AUD>CM (unknown mics)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) Correct sector boundaries verified using shntool Note: Although, the mics used to record this show are unidentified it only will take you 5 seconds to realize the deck was patched into a veteran FOB taper with good equipment and a great buffer zone in front of the mics. This is an awesome "you are there" FOB. A HUGE special thanks to Painoman for lending me his Master Cassettes, Which took me a friggin year to digitize. Painoman you have the patience of a saint. AUD 3 ----- Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *Lawn, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 Transfer and upload by Tony Suraci. --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer; to Jim Oade, Painoman, and Tony Suraci for recording the show; and to Charlie Connor and Doug Oade for the AUD transfers. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20, 2008. 3 flac  
342. 05/11/86 Frost Amphitheatre - Palo Alto, CA a- OTS; Left, Realistic Stereo Cardioid Condenser 33-919 (On Stand) >Sharp Boom Box XLII Master Tapes Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHZ) WAV >Audacity (EQ, Amplify, Track Splits, Minor Edits, Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity Post Production, FLAC, Tags, And Front Cover Artwork By OldNeumanntapr 2 flac  
343. 12/17/86 Oakland-Alameda County Coliseum - Oakland, CA a- OTS (Risers); Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS] Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits & Fades) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumantapr 2 flac  
344. 06/14/87 Ventura County Fairgrounds - Ventura, CA A OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD (HX-S 90, XLIIS 90) Cass Masters Transferred: Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) (August 2024) WAV >Audacity (Amplify By 4.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 [Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr] TDK HX-S 90 - 1st Set Maxell XLIIS - 2nd Set 2 flac  
345. 12/27/87 Oakland-Alameda County Coliseum - Oakland, CA A OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD [XLIIS] Cass Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 5.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) >FLAC (Level 8) + Tags Via xACT 2.53 [Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr] (August 2024) 2 flac  
346. 12/28/87 Oakland-Alameda County Coliseum - Oakland, CA A OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD [XLIIS] Cass Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 4.2db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 [Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr] (August 2024) 3 flac  
347. 12/31/87 Oakland-Alameda County Coliseum - Oakland, CA a- KSLY Sly 96 FM Simulcast Of Nationwide Broadcast; Sansui Receiver >Sony TC-153SD w/Dolby B [XLIIS} Cassette Masters (Dolby Encoded) Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits & Repairs [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr 2 flac  
348. 10/01/88 Shoreline Amphitheatre - Mountain View, CA A OTS; SEC 202, Row E, Seat #23, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS] Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr 2 flac  
349. 10/02/88 Shoreline Amphitheatre - Mountain View, CA a- OTS; SEC 202, Row E, Seat #20, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS] Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr Talking next to the recorder on New Minglewood 2 flac  
350. 12/29/88 Oakland-Alameda County Coliseum - Oakland, CA a- OTS; AKG D-190E Dynamic Cardioids (ORTF) >Sony WM-D6C >(patch) >Sony WM-D6C [MX90] Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr 2 flac  
351. 09/29/89 Shoreline Amphitheatre - Mountain View, CA A OTS, Section 202, Row H, Seat #5; Nakamichi CM-300 CP-4 Shotgun Capsules >Sony WM-D6C [XLIIS] XLIIS Master Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o CD Masters >FLAC (Level 8) Via xACT 2.25 FLAC Tags Via xACT 2.53 Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr 3 flac  
352. 10/08/89 Hampton Coliseum - Hampton, VA A Grateful Dead - Formerly The Warlocks 1989 (6CD Box Set) (C)2010 Grateful Dead Records R2-525760 HDCD USA 3 flac  
353. 10/09/89 Hampton Coliseum - Hampton, VA A Grateful Dead - Formerly The Warlocks 1989 (6CD Box Set) (C)2010 Grateful Dead Records R2-525760 HDCD USA 3 flac  
354. 10/18/89 The Spectrum - Philadelphia, PA A+ Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 29, 2007 Patch Info: (2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD From 1:41 in Drums to 6:21 in Space Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Jill and Rob R. 2 flac  
355. 10/19/89 The Spectrum - Philadelphia, PA A+ Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 29, 2007 Patch Info: (2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD Drums (5:01 - 5:06) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson 2 flac  
356. 10/20/89 The Spectrum - Philadelphia, PA A+ Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 28, 2007 Patch Info: (2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD The Other One Jam (9:13 - 9:22) Wharf Rat (4:12 - 4:29) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson -- This was the longest show of the year 2 flac  
357. 12/09/89 Great Western LA Forum - Inglewood, CA A Source: Nakamichi CM-300s w/CP-4's >Sony TCD-D10 Lineage: M-DAT >DAT/1 >Tascam DA-30 >HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Recorded, Transferred, FLAC Tags & Front Cover Artwork By OldNeumanntapr CDR >EAC >TLH (6 )>FLAC: Brad Foster (10/25/09) 2 flac  
358. 12/10/89 Great Western LA Forum - Inglewood, CA A Source: Nakamichi CM-300s w/CP-4's >Sony TCD-D10 Lineage: Master DAT >DAT/1 >Tascam DA-30 >HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Recorded, Transferred, FLAC Tags & Front Cover Artwork By OldNeumanntapr CDR >EAC >TLH (6) >FLAC: Brad Foster (10/25/09) 2 flac  
359. 12/30/89 Oakland-Alameda County Coliseum - Oakland, CA A Source: (OTS) Nakamichi CM-300 CP-4's >TCD-D10 Lineage: DAT-M >Tascam DA-30 >HHb CDR 800 Recorded, Transferred. Tags, & Front Cover Artwork By OldNeumanntapr Extraction [CD >EAC >WAV >FLAC]: Brad Foster (06/27/10) 3 flac  
360. 12/31/89 Oakland-Alameda County Coliseum - Oakland, CA A ource: (OTS) Nakamichi CM-300 CP-4's >TCD-D10 Lineage: Master DAT >Tascam DA-30 >HHb CDR 800 Recorded, Transferred, Tags, & Front Cover Artwork By OldNeumanntapr Extraction [CD >EAC >WAV >FLAC]: Brad Foster (6/27/10) B&W Photos By OldNeumanntapr (Pentax MX w/80-200 f/4.5-5.6 Maraxar zoom w/T-Max 3,200 film) 3 flac  
361. 02/25/90 Oakland-Alameda County Coliseum - Oakland, CA A OTS; Nakamichi CM-300's w/CP-1 Cardioid Capsules >Sony WM-D6C [XLIIS] XLIIS Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr XLIIS 90 - Set 1 XLIIS 100 - Set 2 2 flac  
362. 09/19/90 Madison Square Garden - New York, NY AA Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller charliemiller87@earthlink.net May 9, 2007 3 flac  
363. 12/09/90 Compton Terrace - Chandler, AZ A source: SBD > DAT > CDR > WAV > SHNv3 DAT > CDR transfer - via C. Miller. DAE (EAC > shntool > mkwact) 2 flac  
364. 12/13/90 McNichols Sports Arena - Denver, CO A Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 27, 2010 Notes: -- Set 2 is seamless -- This source has no diginoise or flaws and needed no patches like other sources *********************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr *********************************************************** 2 flac  
365. 10/27/91 Oakland-Alameda County Coliseum - Oakland, CA A OTS; Nakamichi CM 300 CP4s >Sony WM-D6C [MX-S 100s w/Dolby C] MX-S Cassette Masters Transferred Via Denon DR-M12HR Cassette Deck w/Dolby C Engaged >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Balance Channel Levels, Minor Edits [Tape Flips], Fades, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 [Sept. 2024] (Audience Cassette Master Recorded, Transferred, FLAC, & Tags By OldNeumanntapr) 2 flac  
366. 08/26/93 Shoreline Amphitheatre - Mountain View, CA A+ Recording Info: SBD > Dat Master (48k) Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net September 26, 2019 2 flac  
367. 08/27/93 Shoreline Amphitheatre - Mountain View, CA A+ Recording Info: SBD > Dat Master (48k) Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net September 26, 2019 2 flac  
368. 09/08/93 Richfield Coliseum - Richfield, OH A Recording Info: SBD -> Master Dat -> Dat Clone (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/26/05 Notes: -- Seamless transition between discs 2 and 3. 2 flac  
369. 09/09/93 Richfield Coliseum - Richfield, OH A Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/26/05 Notes: -- Seamless transition between discs 2 and 3. 2 flac  
370. 09/10/93 Richfield Coliseum - Richfield, OH A Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/26/05 Notes: -- Seamless transition between discs. 2 flac  
371. 09/25/93 Boston Garden - Boston, MA A Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/27/05 Notes: -- Seamless transition between discs 2 and 3. 2 flac  
372. 09/17/94 Shoreline Amphitheatre - Mountain View, CA 8.5 Source: (OTS) Nakamichi CM-300's/CP-1 > Sony TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: OldNeumanntapr Extraction [CD>EAC>WAV>CDWav>FLAC]: Brad Foster (8/14/10) FLAC Tags & Front Cover Artwork By OldNeumanntapr 3 Flac  

Grateful Dead & NRPS  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/15/70 Fillmore East - New York, NY A+ SBD > MR > DAT > ZA2 > CDR except the NRPS sets which have 2 cassette generations This is apparently the best possible copy Thanks to David Hollister and Jeff Tiedrich dfinney@cts.com [[[Note by Leigh Orf, who uploaded this show to orp.etree.org: I did some very minor editing to this show, mostly putting tasteful fades where there were cuts in the original. No NR whatsoever was applied! I also removed the mysterious double-strum near the beginning of Don't Ease Me In (sounded like a digital thing)...  Thanks again to the aforementioned folks, plus David Finney for hunting the show down in its best form... Leigh ]]] [Trade CDs >FLAC (Level 8) Via xACT 2.35] 2 flac  
2. 04/27/71 Fillmore East - New York, NY AA MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R 3 flac  
3. 04/28/71 Fillmore East - New York, NY AA MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R 4 flac  

Grateful Dead 50th Farewell Tour http://www.dead.net/
  Date Venue - City, State Sound Rating Notes Media  
1. 07/03/15 Soldier Field - Chicago, IL A+ Source Info WXRT SBD > WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24-bit 48khz > Sound Forge for edits & resampling > flac16 Recorded By: Firebottle SBD > Webstream Video Rip Live Stream AUD Source: Microtech Gefell M-210>Oade M-248>Sound Devices 722>WAV 2448 Transfer: WAV 2448>Wavelab>CD-Wave (24bit)>R8Brain>TLH>FLAC 1644 tagged Recording By: Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage --------------------------------------------------------- Tech Notes FLAC were decoded to wave. Vegas Pro 12 was used to reassemble the tracks back to 1 long wave. Vegas Pro 12 was used to align & synch both of the sources, isolate and remove background noise, expand the dynamics and widen the stereo imaging. This is a matrix mix of 32.5% WXRT, %32.5% Webstream, 35% FOB. - Mixed by amdig1@yahoo.com - FLAC conversion done 09-August-2015 2 flac  
2. 07/05/15 Soldier Field - Chicago, IL A+ SBD > Webstream Video Rip Live Stream AUD Source: Microtech Gefell M-210>Oade M-248>Sound Devices 722>WAV 2448 Transfer: WAV 2448>Wavelab>CD-Wave (24bit)>R8Brain>TLH>FLAC 1644 tagged Recording By: Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage --------------------------------------------------------- Tech Notes FLAC were decoded to wave. Vegas Pro 12 was used to reassemble the tracks back to 1 long wave. Vegas Pro 12 was used to align & synch both of the sources, isolate and remove the FM background noise, expand the dynamics and widen the stereo imaging. This is a matrix mix of 32.5% WXRT, %32.5% Webstream, 35% FOB. - Mixed by amdig1@yahoo.com - FLAC conversion done 09-August-2015 - Art Included --------------------------------------------------------- Notes Nice sounding broadcast with almost no crowd in the mix. It was more like a straight SBD but with the usual missing info above 16k and minimal dynamic range. All DJ chatter and station ID's have been meticulously removed. These edits are completely inaudible. These are differnt than many of my matrix mix efforts in that quite a bit of DSP has been performed. The FM broadcasted sounded very good. At first I really liked the in-your-face sound but after 20 minutes or so the heavy compression ultimately tired my ears out. Large dynamics are part of a Grateful Dead concert experice and so it was left sounding artifical. The other broadcast was very sterile and flat with no feel for a live experience. Additionally the mix was lacking Bruce and Jeff. The sound processing effort paid huge dividens alone but combining the 2 differnt broadcasts is what really made the differnce. The final result iss a great sounding SBD source that just need some life breathed into it with the FOB. Although the broadcast sources were received at 16/44 it seems likely they were broacast at lower resolutions but obviosuly still in the high quality range. The high end (cymbols) are tight and not brittle. Plus with all the DSP and the mixdown of 3 sources means this will no longer show any signs of suspect compression. This is a great sounding source and will do nicely until the band puts out the multitracks. Enjoy, Dan (aka amdig1) 2 flac  

Harvest  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/04/24 Rob's Cabin - Payson, AZ a- source: Golden Age Project FC4 mics w/ cardioid caps > Rockville 100% copper 20' XLR mic cables > ZoomH5 XLR jacks > Transcend 700S 285-mb/s 32gb UHS-II U3 class10 V90 SDHC card > audacity > you location: next to SBD/lights tent, 7' mic stand taper: davpeterson The Harvest is a great Phoenix Grateful Dead cover band. 2 flac  

Jazz Is Dead  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/05/23 Memorial Hall - Cincinnati, OH A+ Recording Info: SBD + (Stage) Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 (2 Discs Audio / 1 Disc FLAC) Recorded by Charlie Miller charliemiller87@earthlink.net KimockArchives@gmail.com December 9, 2023 2 flac  
2. 12/06/23 Mercury Ballroom - Louisville, KY A+ Recording Info: SBD + (Stage) Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 (2 Discs Audio / 1 Disc FLAC) Recorded by Charlie Miller charliemiller87@earthlink.net KimockArchives@gmail.com December 9, 2023 2 flac  
3. 12/07/23 Egyptian Room - Indianapolis, IN A+ Recording Info: SBD + (Stage) Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 (2 Discs Audio / 1 Disc FLAC) Recorded by Charlie Miller charliemiller87@earthlink.net KimockArchives@gmail.com December 9, 2023 2 flac  

Jerry Garcia Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/??/75 Studio Rehearsals - Unknown, Unknown A-   1 Flac  
2. ??/??/75 Studio Rehearsals - Unknown, Unknown a- SB UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC 1 flac  
3. 08/07/90 Warfield Theater - San Francisco, CA a- source: Vintage Neumann KM54s >DAT lineage: CDR >EAC >TLH >flac16 Recorded By Chuck and Janet Vasseur ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 flac  
4. 04/25/92 Event Center Arena, San Jose State Univ. - San Jose, CA a- Tapers: Chuck and Linda Vasseur Source Neumann mics (vintage 1957, tube electronics)>MAC>CDR> EAC (Secure mode)>shn(MKWACT). Eac'ed/shn'ed by Charlie Connor Seeded to fungus,abgd and uploaded to tol 12/25/02 Correct Sector Boundaries verified with Shntool Special Thanks to Bob Menke for the audio discs 2 flac  

Jerry Garcia Symphonic Celebration  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/03/25 Symphony Hall - Boston, MA 8.5 Source: Church -Audio CA-14 cardioid > SP-SPSB-20-12 > PCM-A10 Lineage: WAV > Audacity (tracking) > FLAC Location: Balcony Center Recorded and Transferred by : Kevin T 2 Flac  
2. 06/04/25 Symphony Hall - Boston, MA 8.5 Source: Church -Audio CA-14 cardioid > SP-SPSB-20-12 > PCM-A10 Lineage: WAV > Audacity (tracking) > FLAC Location: Balcony Center Recorded and Transferred by : Kevin T 2 Flac  
3. 07/06/25 Red Rocks - Morrisson, CO 7.5 Source: Tascam DR-40 (48/16) BOB/DFC/KFC/ZFC/AARP Center Section, Row 16, 3' High DSP: Tascam DR-40>Sound Forge 18.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Show #171 Of 2025 A Team Dirty South And Home Team Recording seems distant 3 Flac  

Legion of Mary  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/09/75 The Bottom Line - New York, NY A source: SBD (DAT: MSR>1R>P>D>???>CD>SHN) Trade SHNs >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr notes: " [this tape] descends from the Marin Flea Market batch of Betty Cantor reels. These are reels that “fell out” from the infamous Betty locker auction that happened in 1985. 1st gen 15ips copies were made from the master 7.5ips reels and every tape I’ve seen descends from these first gen reels. I believe Jeff Silberman and other long-time traders were very instrumental in getting copies of this show widely circulated. " - www.thejerrysite.com These CD's are missing the music from reel's 3 & 5 from the soundboard recording. The early show ends with Talkin' 'Bout You, and the late show is missing last train from poor valler i'll take a melody & mysetry train. The remaining tracks are in circulation, so if I'm able to obtain them I'll re-release these shows. See http://www.thejerrysite.com/lom040975.stm for more information on these tapes, and the setlist re-ordering. packaging by tsl@volition.org 1 flac  

Live Dead  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/08/21 Harbor Loop Summer Concert Series Stage Fort Park - Gloucester, MA A+ Source: Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP 10' From Stage, 6 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording 2 flac  

Live Dead & Brothers https://www.jambase.com/band/live-dead-brothers
  Date Venue - City, State Sound Rating Notes Media  
1. 04/07/24 The Social - Orlando, FL A Source: AKG ck63 (DINa/Ch 1-2) + AKG ck61 (NOS/CH 3-4) > nBob Actives > MixPre-6 (24/48) > SD Card Location: FOB/SLOC (clamped to corner of left upper drink rail @ 7’ over upper level) Transfer: Wave Agent (Split PolyWav Files) > Audacity (Compression/Normalizing/Fades) > Fission (Tracking/Conversion to 16/44.1) > xACT (Fix SBEs/FLAC Level 8/Tagging) Recorded & Transferred by mccordo 2 flac  
2. 04/12/24 Buckhead Theatre - Atlanta, GA A+ Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) FOB/DFC/KFC/ZFC/AARP 40" From Stage, 6 1/2' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Les Dudek 2 flac  
3. 04/14/24 Grey Eagle - Asheville, NC A   2 Flac  
4. 04/19/24 Late show ~ Sportsmens’ Tavern - Buffalo, NY A Sbd + Sennheiser EW-D SKM-S With MMD 835 Module House Mic + Two Direct Guitar Splits -> Zoom F8N 48kHz/24bit FLAC Recorded By Stucco Mixed And Mastered By Jim Blackwood Additional Assistance From Jason Chastain CRGP #107 Musicians Tom Constanten, Les Dudek, Scott Guberman, Mark Karan, Pete Lavezzoli, Berry Duane Oakley 2 Flac  
5. 04/24/24 The Westcott Theater - Syracuse, NY A AKG568EBs>LunatecV3(25dbgain)>MarantzPMD671>CF>CDWAVEeditor>FLAC(8)> TLH 16bit/44.1khz 2 flac  
6. 04/25/24 Ardmore Music Hall - Ardmore, PA A Source: Schoeps cmc6/mk4v > Tascam DR 680 (@24/44) Lineage: SD Card > Audacity (Amplify Slightly, Normalize) > CDWAV (Tracking) > FLAC Foobar2000 (tagging) Recorded by: Chris Cafiero Processed by: Rich Stoler 2 flac  
7. 04/27/24 The Hamilton - Washington, DC A-   3 Flac  
8. 04/28/24 Sony Hall - New York, NY A+ Source: AKG 451's > Zoom H5 Location: Floor Center 20' in front of the SBD stand at 10' Recorded, edited and seeded by Michael Buzzeo 2 flac  
9. 05/10/24 Arcada Theatre - St. Charles, IL A FOBC AKGCK1>SD MixPre 6 Suond Forge Transfer>CDWave Track And Flac 2 flac  
10. 09/27/24 Empire Live - Albany, NY A Audience AKG568EBs>LunatecV3(30dbgain)>MarantzPMD671>CF>CDWAVE>FLAC(8)>TLH 16bit/44.1Khz 2 flac  
11. 09/29/24 The Hamilton - Washington, DC 8.5 Source: DPA 4023 > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Tracked via Sound Studio, FLAC via xACT Recorded by Alex Leary 2 Flac  
12. 10/06/24 Bethel Woods Center for the Arts - Bethel, NY A+ Soundboard + Schoeps MK41v's>Schoeps KCY 250/5i>Schoeps VST62iu>Zoom F6 (Recorded at 32 BIT Float/48Khz) from back of room WAV>Steinberg Nuendo 4.3(, align sources,Mix)>Magix Sound Forge Pro 16 (Fades,POW-r Bit depth conversion/sample rate conversion to 16 BIT/44.1Khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Keith Litzenberger FOH Mix by Larry Levin 2 flac  
13. 10/09/24 Fort Hill PAC - Canandaigua, NY 8 AKG568EBs>LunatecV3(30dbgain)>MarantzPMD671>CF>CDWAVE>FLAC(8)>TLH>16bit?44.1Khz 2 Flac  
14. 10/12/24 Westcott Theatre - Syracuse, NY 9 Source: 4 channel audience mix (Schoeps CMC1U with MK5's (card) + AKG C568EB (shotguns) > Sound Devices MixPre 6ii (32/48) Balcony Center (on top of soundboard roof) Recorded by John Hermsen Mastering by Markus w. In Dusseldorf Germany 2 Flac  
15. 03/29/25 Lark Hall - Albany, NY 7.5 Background crowd noise still solid 2 Flac  
16. 03/30/25 Bull Run - Shirley, MA 9 Source: Church -Audio CA-14 cardioid > SP-SPSB-20-12 > PCM-A10 Lineage: WAV > Audacity (tracking) > FLAC Location: Back of House, LOC Recorded and Transferred by : Kevin T 2 Flac  
17. 04/01/25 Zenbarn - Waterbury, VT 8.5 Source: Matrix: SBD and 4 mic mix: 2 AKG 414XLII omni and 2 AKG 451EBck1 mics> Tascam DR-70D 24/48 x 2. Location: 2 AKG 414 mics were mounted on a 7’ stand about 3’ from the left PA speakers and the 2 AKG 451ck1 mics were DFC on the stage lib pointed xy. Lineage: Tascam DR-70D> Sony Sound Forge Studio 10.0 for all tracking, editing and fades as well as conversion to HD FLAC. Taped, Mastered and uploaded by Mark Van Blunk 2 Flac  
18. 04/04/25 XL Live - Harrisburg, PA 8.5 ***16 BIT/44.1Khz Fileset*** Soundboard + Neumann U89i's (Omni on stage, spaced 10 feet) + Schoeps MK4v's/KCY250/5i/VST62iu (On stage dead center)>Sound Devices 833 (Recorded at 32 BIT Float/48Khz) WAV>Nuendo 4(Mix)>Sound Forge Pro 18 (Fades,Sample Rate Conversion/Bit depth conversion to 16 Bit/44.1hz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) 2 Flac  
19. 04/09/25 Sellersville Theatre - Sellersville, PA 8.5 ***16 BIT/44.1Khz Fileset*** Schoeps MK41v's/KCY250/5i/VST62iu (from last row of theater, dead center)>Sound Devices 833 (Recorded at 32 BIT Float/48Khz) WAV>Sound Forge Pro 18 (Fades,Sample Rate Conversion/Bit depth conversion to 16 Bit/44.1hz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Recorded by Keith Litzenberger 2 Flac  
20. 04/10/25 The National - Richmond, VA 8 ***24BIT/48Khz Fileset*** Recorded by Keith Litzenberger FOH Sound Mixed by Larry Levin 2 Flac  
21. 04/12/25 Pour House - Charleston, SC 8   2 Flac  
22. 04/13/25 Pour House - Raleigh, NC 8 ***16 BIT/44.1Khz Fileset*** Schoeps MK41v's/KCY250/5i/VST62iu (Just in front of soundboard, adjacent to Zman)>Sound Devices 833 (Recorded at 32 BIT Float/48Khz) WAV>Nuendo 4(Mix)>Sound Forge Pro 18 (Fades,Sample Rate Conversion/Bit depth conversion to 16 Bit/44.1hz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Recorded by Keith Litzenberger 2 Flac  
23. 04/15/25 Grey Eagle - Ashville, NC 8 ***16 BIT/44.1Khz Fileset*** Schoeps MK41v's/KCY250/5i/VST62iu clamped to shelf FOB>Sound Devices MixPre-10II (Recorded at 32 BIT Float/48Khz) WAV>Sound Forge Pro 18 (Fades,Sample Rate Conversion/Bit depth conversion to 16 Bit/44.1hz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Recorded by Keith Litzenberger 2 Flac  
24. 04/16/25 City Winery - Nashville, TN 8 ***24 BIT/48Khz Fileset*** Schoeps MK41v's/KCY250/5i/VST62iu(right in front of soundboard)>Sound Devices MixPre-10II (Recorded at 32 BIT Float/48Khz) WAV>Sound Forge Pro 18 (Fades,Bit depth conversion to 24 BIT)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Recorded by Keith Litzenberger 2 Flac  
25. 04/17/25 Headliners - Louisville, KY 8.5 source: Schoeps mk4v (DINa) > kcy > Sonosax SX-M2/LS2 > Sony M10 (24/48) transfer: wav > Sound Studio > xACT > flac (24/48) 2 Flac  
26. 06/22/25 Hidden Hall - Seattle, WA 9 Source: 4 channel audience mix (Schoeps CMC1U with MK5's (card) + AKG C568EB (shotguns) > Sound Devices MixPre 6ii (32/48) Balcony Center (on top of soundboard roof) Recorded by John Hermsen Mastering by Markus w. In Dusseldorf Germany 2 Flac  
27. 11/12/25 Historic Theater - Des Plaines, IL 8.5 AKGCK1>SD mix Pre 6 Audacity Track Mixdown>Sound Forge Pro11 Balance and Volume CDWave Track AND FLACed>TLH Checksums 2 Flac  
28. 11/20/25 Bethel Woods Event Gallery - Bethel, NY 9 ***16 BIT/44.1Khz Fileset*** Soundboard + Neumann U89i's (Omni/on stage, spaced 6ft)>Sound Devices 833 Recorded at 32 Bit Float/48Khz WAV>Steinberg Nuendo 4.3(, align sources,Mix)>Magix Sound Forge Pro 18 (Fades, Sample Rate Conversion to 44.1khz,POW-r Bit depth conversion to 16 BIT)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Keith Litzenberger 2 Flac  
29. 11/21/25 Homer PAC - Homer, NY 9 Source:Nakamichi 300 Mics W/CP1 Cardioids>Edirol UA-5>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker.Dead Center Balcony,About 30 Yards From Stage,Mic Stand About 9 Feet High. 2 Flac  
30. 05/02/26 The Hamilton - Washington, DC 9.5 Sonic-Studios DSM-6s > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC > Audition > CD Wave > TLH FLAC 16/48 2 Flac  

Live Dead '69 https://www.facebook.com/events/164451053966241/
  Date Venue - City, State Sound Rating Notes Media  
1. 05/03/17 Revolution Live - Fort Lauderdale, FL A Source: Nakamichi CM-1000 CP-101 (Sank P48) > Shure FP24 > Sony PCM-D100 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC 2 flac  
2. 05/16/17 Westcott Theatre - Syracuse, NY A Location: front of mixer, 4.5 ft left of center, 25ft from stage lip Mic config: stereo bar/AKG H-85 shock mounts(13" split), Large Manfrotto air-cushioned stand @ 8.5 ft, no windscreens. mics aimed just outside PA stacks. Source: 2 AKG c414b-uls'(hyper-cardioid)>GAKables xlr(15')>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Transfer,editing,mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner 6.0.21, ffp & md5-TLH Notes: ~ S.F. 11.0 (set1: volume gain +1.7db, set2: volume gain +1.9db, fades, resample(iZotope 64-bit SRC-highest quality w/ anit-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~ ~ Apogee - soft limit on ~ ~ Editing performed in 24bit/48kHz realm ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld ~ sunboy@verizon.net ~ Many Thanks to the Band, Crew & the Westcott Theater staff for allowing us to record and share the music ~ 2 flac  
3. 01/26/18 Tupelo music hall - Derry, NH A Neumann km184>Zoom F8 24:48 Ozone 8 resample>SF fades, tracking>xAct wav to flac 2 flac  
4. 01/31/18 Sellersville Theater - Sellersville, PA A source : schoeps mk6(c) > actives > nbox platinum > r-05 > 24/44.1 wav adobe audition > ozone 6 > xact 2.41 > flac 16/44.1 taper : edtyre location : row A loc 2 flac  
5. 02/02/18 Under The Bridge - London, UK A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
6. 02/03/18 Under The Bridge - London, UK A Source: Sony ECM-MS957 > Tascam DR100-mkiii > wav 24/192 - on pole 1o feet high, DFC directly behind soundboard Lineage: wav 24/192 > iZotope RX6 Advanced > iZotope 8 Advanced > iZotope RX6 Advanced > wav 24/96 > CD Wave > TLH > Flac 24 2 flac  
7. 02/09/18 Sage Gateshead - Gateshead, UK A SP-CMC-4U > TASCAM DR-40 > Sound Forge Pro 10 > Trader's Little Helper (level 8) > Torrent Site A Rocking Regimental Recording 2 flac  

Mickey Hart & Friends  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/10/92 Shoreline Amphitheatre - Mountain View, CA A (Recorded, Transferred, Audacity + FLAC & Tags By OldNeumanntapr) (iZotope/Har-Bal Post Production by Flying -M-) (NEED SET LIST) Native American Indian Benefit, “All Our Colors, The Good Road Concert" w/Carlos Santana, Steve Miller, Kitaro, D'CuCKOO, Michael Shrieve, etc. OldNeumanntapr 1 flac  

Phil Lesh & Friends http://www.phillesh.net
  Date Venue - City, State Sound Rating Notes Media  
1. 04/13/01 Sunrise Musical Theater - Fort Lauderdale, FL 8.5 Source - 10th Row Center (FOB) Schoeps CMC6 MK21/MK8>KC5(actives)>Apogee AD1000. Matrixed thru AEA's MK38M/SII>DAT Transfer: DA-20mkII > RME DIGI96/8 PST > CDWAV > SHN 2 Flac  
2. 06/30/01 Greek Theater - Berkeley, CA A Source: (OTS) Neumann KM140's (ORTF) > Beyer MV-100 > Tascam DA-P1 (16bit/44.1kHz) Lineage: DAT-M > Sony TCD-D7 > HHb CDR 800 Recorded/Transferred: OldNeumanntapr Extraction [CD>EAC>WAV>FLAC]: Brad Foster (8/15/10) FLAC Tags Via xACT 2.53 + Front Cover Artwork By OldNeumanntapr 2 flac  
3. 07/01/01 Greek Theater - Berkeley, CA A Source: (OTS) Neumann KM-140's (ORTF) > Beyer MV-100 > Tascam DA-P1 Lineage: DAT-M > Tascam DA-P1 > HHb CDR 800 Recorded/Transferred: OldNeumanntapr Extraction [CD>EAC>WAV>FLAC]: Brad Foster (8/14/10) FLAC Tags (Via xACT 2.53) + Front Cover Artwork By OldNeumanntapr 2 flac  
4. 07/07/01 Red Rocks Ampitheatre - Morrison, CO 9 Lineage>Notes Bertha Remaster of the Official Soundboard Release by jashley@deadacated.com. SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA 2 Flac  
5. 07/10/01 Riverport Amphitheatre - Maryland Heights, MO 9 Source: MBHO 603a/ka-200n > Sound Devices MP-2 > ADC-20 > D8 @ 48k; DFC, 1st row T.S. Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac Taped By: Marty S. Patched & Transferred By: Ryan Burns (mstrpce420@aol.com) 3 Flac  
6. 11/09/01 Fox Theatre - St. Louis, MO 9 Source Info: FOB: Schoeps MK4V-> Schoeps VMS5-> Sony SBM1-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (11-2001) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped By Pete Ebel and Jeff Travitz Transfers by Pete Ebel March 22, 2019 3 Flac  
7. 11/10/01 Palace Theater - Louisville, KY 8 Neumann KM140 -> Sonosax SX-M2 -> Panasonic SV-255 recorded by Dirk Cota. Sony PCM-R300 -> Zefiro ZA2 -> Cool Edit Pro -> CDWav -> CDRWin transferred by David Ward 2 Flac  
8. 12/03/01 Beacon Theatre - New York, NY A Lineage>FOB Audience - clamped to front center of Loge / B&K 4021s (t-bar) > Apogee AD-1000 (+20db, 44.1kHz) > Sony PCM-M1 DAT masters TRANSFER INFORMATION Fostex D-10 / DAT master > RME Digi 96/8 Pro XLRs / PC / SoundForge (trim & fades) > .wav files >... for .SHN... mkwACT > .shn files recording, mastering / transfer and cover art by ericv 3 Flac  
9. 06/27/06 Asheville Civic Center - Asheville, NC A   3 flac  
10. 12/31/17 Hawai'i Theatre - Chinatown, Honolulu, HI a- Source: Sennheiser MKH 8070 > Sound Devices 722 Transfer: SD 722 > SF Audio Studio 10 > FLAC Keywords: Chuck Deleonardis Presents; Hawai'i Tour; O'ahu; New Years; Phil Lesh; Grahame Lesh; Ross James; Alex Koford; Jason Crosby; Eric Krasno Recorded by Jay H. Taylor for Zann Taylor Transferred for 'MAKU' (Music Archive Kaua'i Unlimited) 2 flac  
11. 03/15/19 Capitol Theatre - Port Chester, NY 8 ource: Nakamichi CM-1000 CP-101 (Sank P48a) > Sound Devices 302 > Sound Devices MixPre-6 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.8.4 > FLAC 2 Flac  
12. 07/04/22 Stone Pony Summer Stage - Asbury Park, NJ A Source: Schoeps CMC 6 mk41 > Sound Devices MixPre-3 ii (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.8.4 > FLAC 2 flac  
13. 08/20/22 Bethel Woods Center for the Arts - Bethel, NY A Location: Sec 100, row G, seats 23 & 24, 15 ft left of ctr, left back corner of mixer enclosure ~ Mic config: DPA UA0896 windscreens, DINA Kwonbar, Schoeps A20S shock mount, WindTech clamp, clamp stand on rail @ 6.5 ft ~ Source: Neumann KM150's(AK50's/LC3's/KM100's)>HQRP xlrs>Lunatec V3(Oade neutral ACM Mod)>AES/EBU>Sound Devices 722 @24bit/48kHz ~ Transfer, editing, mastering & conversion: SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.1.12, ffp & md5-TLH ~ Notes: ~ S.F. 12.1 (fades, iZotope mastering limiter +4.0db/+3.5db to -.10db) ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld ~ ~ Thanks to Keith Litzenberger for the clamp space and saving my day ~ ~ Many Thanks to the Band and crew for allowing us to record and share the music ~ ~ Venue security was awful and would not allow us to bring mic stands in for this show. 2 folks got in small clamp stands ~ 2 flac  
14. 03/17/23 Capitol Theatre - Port Chester, NY A Source: AKG 451's > Zoom H5 Location: Taping section right of the SBD Recorded, edited and seeded by Michael Buzzeo 2 flac  
15. 04/08/23 Egyptian Theater - Park City, UT 8 Taped and transferred by opsopcopolis Lineage: Berliner CM33 > Zoom F8 > WAV > ProTools > WAV > xACT > FLAC 2 Flac  
16. 03/16/24 Capitol Theatre - Port Chester, NY A Location: OTS in front, 35-40 ft from stage, GA floor, right side of mixer enclosure, just in front of the balcony overhang ~ Mic config: Shapeways DINA bar, Schoeps A20S shock, WNS 100 windscreens, iMpact air-cushioned stand @ 7.5 ft ~ Source: Neumann KM150's(AK50's/LC3's/KM100's)>HQRP xlr>Lunatec V3(Oade Mod)>AES/EBU>Sound Devices 722 @24bit/48kHz ~ Transfer, editing, mastering & conversion: SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 16.1.14>CD Wave v1.98(tracking)>FLAC16 via TLH v2.8.4(level 8), tag w/Tag Scanner6.1.15 ffp & md5-TLH ~ Notes: ~ S.F. 12.1(fades, cFx limiter + 6.0db, resample highest quality w/ anti-alias filter, POW-r #1 dithering to 44.1/16) ~ ~ Editing performed in 24bit/48kHz realm ~ ~ Recording, transfer, editing, mastering & conversion by Steve Weld ~ ~ Many Thanks to Phil and the band, his crew, the venue staff & crew for allowing us to record and share the music ~ 2 flac  

Unbroken Chain - A Celebration Of The Life & Music Of Phil Lesh  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/15/25 Capitol Theater - Port Chester, NY 8 Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) FOB/DFC/KFC/ZFC/AARP 45' From Stage, 7' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Tapers's Assistant:David "Cousin Eddie" Dyche 2 Flac  

Voodoo Dead  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/09/18 Gothic Theatre - Englewood, CO 8 Notes: featuring Steve Kimock, Oteil Burbridge, Jeff Chimenti, Jackie Greene, John Morgan Kimock FOH Engineer: Dave Tash Source: AUD> Line Audio CM3 [NOS]> GAKables> Sound Devices MixPre-3 (24bit/96kHz)> SDHC card Transfer: SDHC card> USB> Sound Forge Audio Studio 10> CD Wave (tracking/24bit flac) Recorded, mastered and transferred by gerry gladu some background noise 2 Flac  

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