|
Grateful Dead
|
http://www.dead.net
|
| |
Date |
Venue - City, State |
Sound Rating | Notes | Media |
|
| 1. |
??/??/39 |
Unsurpassed vol 6 - Unknown,
Unknown |
AA | |
5 flac
|
|
| 2. |
07/16/66 |
Fillmore Auditorium - San Francisco,
CA |
A | Stereo Soundboard Reel
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Master >FLAC (Level 8) Via xACT 2.25, FLAC Tags Via xACT 2.51
Trade DAT Transferred, FLAC'd, & Tagged (+ Front Cover Artwork) By OldNeumanntapr
Tracks Were Not In Correct Order On DAT But Have Been Arranged To Follow True Set List
|
2 flac
|
|
| 3. |
07/17/66 |
Fillmore Auditorium - San Francisco,
CA |
a- | Lineage:
SBD >Reel Master (10 Inch Reels @ 15ips 1/2trk) >DAT >Sonic Solutions >CD >EAC >SHN
(1 Disc Audio / 1 Disc SHN)
Converted To SHN By Charlie Miller
charliemiller87@earthlink.net
12/13/03
***************************************************************
[Trade CD >FLAC (Level 8) Via xACT 2.36
FLAC Tags Via xACT 2.51 By OldNeumanntapr (+ Front Cover Artwork) |
1 flac
|
|
| 4. |
07/29/66 |
P.N.E. Garden Auditorium - Vancouver,
BC |
A | Source:SBD >Master Reel >?? >CDR >FLAC
Trade CD >FLAC (Level 8) Via xACT 2.35
FLAC Tags Via xACT 2.51 By OldNeumanntapr
|
2 flac
|
|
| 5. |
11/19/66 |
Fillmore Auditorium - San Francisco,
CA |
A | - Source -
SBD ► ?
- Transfer -
1xCDR ►
? ►
SHN [395 MB];
foobar2000 v0.9.4.2 (write RAFTSv1.3 tags,
convert incoming files to FLAC Level 8, all files bit-verified identical,
calculate and store album-level replay gain tags for each set) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) (
verify original md5 checksums,
verify sector boundaries,
compute FLAC fingerprints,
compute md5 checksums for the newly tagged files) ►
FLAC [373 MB].
- Notes from Jon -
This is a liberated bootleg that sounds pretty damn good for how old the show is. According to Deadbase, this is the complete show except for Dancin from the end of the first set. If you want to hear some old Dead, I highly recommend this disc.
|
1 flac
|
|
| 6. |
08/23/68 |
Shrine Exposition Hall - Los Angeles,
CA |
A | Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT
Mastering Info: Samplitude Pro X5 > Flac16
Source provided by Anon
Mastering by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC and Pack by Steve Gravel
Originally aired on 91.3 FM KXCI Tucson on Dead Air
Hosted by Jim Blackwood and Jamie Waddell on August 22, 2021
https://spinitron.com/KXCI/pl/13949252/Dead-Air
Shared to www.shnflac.net in August, 2021
FLAC Level 8 at 16bit 44.1kHz
Notes:
- Cut between The Eleven and Death Don't Have No Mercy – very little is missing
|
1 flac
|
|
| 7. |
01/02/70 |
Fillmore East early show - New York,
NY |
A+ | Source: Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick
Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital
(Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998)
Transfer: Zero Gen. DAT play back and transfer on a Sony PCM R-500 > Digital Audio Labs Carddeluxe > WAV @ 16/44.1
Jim Wise April 5 2015
Lineage: Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16
Early Show
Tresure |
2 flac
|
|
| 8. |
01/02/70 |
Fillmore East - late show - New York,
NY |
A+ | Grateful Dead
1-2-70
Fillmore East,
Treasure
New York, NY
SBD >MR >Cass >DAT >CD >EAC >SHN
patched with AUD>??>CD>EAC>SHN>CD>FLAC
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
Disc 1 (63:08)
Early Show:
1. Zarathustra introduction--> (1:09)
2. Mason's Children (6:12)
3. Casey Jones (4:27)
4. Black Peter (12:48)
5. Mama Tried--> (2:39)
6. Hard To Handle (4:58)
7. Cumberland Blues (5:49)
8. Cryptical Envelopment--> (2:01)
9. Drums--> (3:56)
10. The Other One%--> (10:14)
11. Cryptical Envelopment--> (1:59)
12. Cosmic Charlie// (6:49)
Disc 2 (46:14)
Late Show:
1. Uncle John's Band--> (7:19)
2. High Time (7:24)
3. Dire Wolf (4:19)
4. //Easy Wind (7:20)
5. China Cat Sunflower//(-->) (3:36)
6. //I Know You Rider (2:02)
7. Good Lovin' (7:30)
8. Me & My Uncle (3:05)
9. stage banter (1:37)
10. Monkey & The Engineer (1:57)
Disc 3 (72:15)
Late Show continued:
1. stage banter/tuning (1:34)
2. Dark Star//(-->) (29:59)
3. //St. Stephen--> (5:13)
4. The Eleven--> (12:20)
5. Lovelight% (23:07)
Notes:
--aud patch for Zarathustra intro and first 5 seconds of Mason's
--reel flip at 0:47 in Other One
--Cosmic Charlie cuts out just before the end
--beginning of Easy Wind clipped
--large cut in between China Cat & Rider
--Tighten Up jam in Dark Star starting at 22:43, lasting about a full 5 minutes
--Dark Star cuts out during the final verse; at least a couple minutes are missing by the time Stephen cuts in well after its beginning
--reel flip at 14:19 in Lovelight
--Sound Forge was used for normalization and a slight pitch correction
Part of The Music Never Stopped Project 2003
Thanks to Andy Lemieux, Uli Teute, & Hanno Bunjes
edits/encoding by JCotsman
|
2 flac
|
|
| 9. |
01/03/70 |
Fillmore East (Late Show) - New York,
NY |
A | Recording Info:
SBD > Master Reel > Cassette > Dat (48k)
Transfer Info:
Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k
(1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 12, 2017
Notes:
-- There are numerous jams throughout the Alligator jam
-- There is a High Time false start after I Know You Rider
-- There is a cut in TIFTOO at 18:18
-- Thanks to David Gans for supplying the Dats
-- There are some level fluctuations that remain but most have been fixed
1st 11 songs early show
last 14 songs late show
Treasure
|
1 flac
|
|
| 10. |
01/03/70 |
Fillmore East (Early Show) - New York,
NY |
A | Recording Info:
SBD > Master Reel > Cassette > Dat (48k)
Transfer Info:
Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k
(1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 12, 2017
Notes:
-- There are numerous jams throughout the Alligator jam
-- There is a High Time false start after I Know You Rider
-- There is a cut in TIFTOO at 18:18
-- Thanks to David Gans for supplying the Dats
-- There are some level fluctuations that remain but most have been fixed
|
1 flac
|
|
| 11. |
01/10/70 |
Golden Hall - San Diego,
CA |
A+ | Recording Info:
SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips)
Transfer Info:
Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16
Mastering Info:
FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16
(2 Discs Audio / 1 DVD FLAC)
All Mastering By Charlie Miller
charliemiller87@earthlink.net
February 28, 2014
Notes:
-- Disc change is seamless
-- Intro to Casey Jones cut
-- Thanks to Sandy Troy for lending me his reels
-- Thanks to Matt Smith for transferring the reels
-- Thanks to Rob Eaton for helping make this happen
-- Thanks to Joe B. Jones for his help with the pitch correction
-- The pitch is not perfect but it's a lot better |
2 flac
|
|
| 12. |
01/16/70 |
Springer's Inn Portland - Portland,
OR |
A | Source: SBD > Reel Master > Reel > PCM (Sony Beta Tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar.
Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller
Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16
|
2 flac
|
|
| 13. |
01/30/70 |
The Warehouse - New Orleans,
LA |
A | Source:
SBD >MR >Cass >DAT >CDR
Conversion:
CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) >
mkwact(seekable) mvernon54@attbi.com
shntool confirms tracks on sector boundaries
Part of The Music Never Stopped Project 2002 shn em up initiative 7/16/02
Thanks to Raoul Duke for the disks!
Treasure |
2 flac
|
|
| 14. |
02/01/70 |
The Warehouse - New Orleans,
LA |
A | Lineage:
Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27)
Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight)
Transfer info:
Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Treasure |
2 flac
|
|
| 15. |
02/02/70 |
The Fabulous Fox Theatre - St. Louis,
MO |
A+ | SBD >MR >R >R >PCM >DAT >CDR >EAC >SHN >FLAC
excerpt, total time 32:52
195 MB
1. // Cumberland Blues 0:54
2. (tuning) 1:32
3. Dark Star --> 21:49
4. St. Stephen --> 4:32
5. Mason's Children // 4:04
Notes:
-- this is all that circulates of this show as of Feb 2003
-- most of Cumberland is missing
-- Tighten Up Jam at 11:45 in Dark Star
-- Feelin' Groovy Jam at 12:57 in Dark Star
-- Sound Forge was used for pitch correction and normalization
edits/encoding by JCotsman
Treasure |
1 flac
|
|
| 16. |
02/11/70 |
Fillmore East (late show) - New York,
NY |
A | ► Recording Notes ◄
- Credits -
Original recordist unknown, probably Owsley 'Bear' Stanley
Possibly patched by Jeffrey Norman
This source released by Darren Sacks
Downloaded directly from
http://www.gdlive.com/shn/gd70-02-11.shnf/
FLAC conversion by Randy Vogel on 2007-02-12
RAFTSv1.3 tagging by Randy Vogel on 2007-04-16
- Source -
SBD ►
unknown Reel-to-Reel recorder (possibly Revox 15" reel @ 15ips)
- Transfer -
Master Reel-to-Reel tape in unknown deck ►
unknown DAT deck (probably Panasonic SV-3700) ►
2xCDR (transfer details unknown) ►
Exact Audio Copy (unknown version, unknown settings) ►
SHN [728 MB]
foobar2000 v0.9.4.2 (write RAFTSv1.3 tags,
calculate and store album-level replay gain tags,
convert wavs to FLAC Level 8, all files bit-verified identical to originals) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) (
verified original md5 checksums,
corrected sector boundaries (see log for details),
computed FLAC fingerprints,
computed md5 checksums for the newly tagged files) ►
FLAC [676 MB]
- Notes -
d1t01 The Other One cuts in (unknown beginning portion missing)
d2t01 Dark Star has abrupt splice/cut at approx. 6:57.
d2t03 Lovelight has a splice at 30:16 (possible source changes to/from "15ips revox reel"? )
Treasure |
1 flac
|
|
| 17. |
02/11/70 |
Fillmore East - New York,
NY |
A | ► Recording Notes ◄
- Credits -
Original recordist unknown, probably Owsley 'Bear' Stanley
Possibly patched by Jeffrey Norman
This source released by Darren Sacks
Downloaded directly from
http://www.gdlive.com/shn/gd70-02-11.shnf/
FLAC conversion by Randy Vogel on 2007-02-12
RAFTSv1.3 tagging by Randy Vogel on 2007-04-16
- Source -
SBD ►
unknown Reel-to-Reel recorder (possibly Revox 15" reel @ 15ips)
- Transfer -
Master Reel-to-Reel tape in unknown deck ►
unknown DAT deck (probably Panasonic SV-3700) ►
2xCDR (transfer details unknown) ►
Exact Audio Copy (unknown version, unknown settings) ►
SHN [728 MB]
foobar2000 v0.9.4.2 (write RAFTSv1.3 tags,
calculate and store album-level replay gain tags,
convert wavs to FLAC Level 8, all files bit-verified identical to originals) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) (
verified original md5 checksums,
corrected sector boundaries (see log for details),
computed FLAC fingerprints,
computed md5 checksums for the newly tagged files) ►
FLAC [676 MB]
- Notes -
d1t01 The Other One cuts in (unknown beginning portion missing)
d2t01 Dark Star has abrupt splice/cut at approx. 6:57.
d2t03 Lovelight has a splice at 30:16 (possible source changes to/from "15ips revox reel"? )
Treasure |
1 flac
|
|
| 18. |
02/12/70 |
Ungano's Night Club - New York,
NY |
A | Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB
Thanks to Jay Serafin for the disks!
Audio Rating: AR-2
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy
(Trade CD >FLAC (Level 8) Via xACT 2.35) |
1 flac
|
|
| 19. |
02/13/70 |
Fillmore East - New York,
NY |
A | Recording Info:
SBD >Master Reel (7 inch 1/2 Track at 15ips) >DAT (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 23, 2009
|
1 flac
|
|
| 20. |
02/13/70 |
Fillmore East (Late Show) - New York,
NY |
A | Recording Info:
SBD >Master Reel (7 inch 1/2 Track at 15ips) >DAT (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 23, 2009
Notes:
-- All late show disc changes are seamless
-- Thanks to Rob Eaton for lending me his Dats
-- Late show between song tunings patched from shnid=18114
-- Uncle John's Band is patched from shnid=18114 and is also cut
[Trade CDs >FLAC (Level 8) Via xACT 2.36]
|
3 flac
|
|
| 21. |
02/14/70 |
Fillmore East - New York,
NY |
A | Recording Info:
SBD >Master Reel (7 inch 1/2 Track at 15ips) >DAT (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 26, 2009
Notes:
-- All late show disc changes are seamless
-- Thanks to Rob Eaton for lending me his Dats
-- Late show between song tunings patched from shnid=18115
-- Unpatched reel flip between Saint Stephen and The Eleven
[Trade CDs >FLAC (Level 8) Via xACT 2.35] |
4 flac
|
|
| 22. |
02/23/70 |
The Auditorium - Austin,
TX |
a- | Source:
SBD>MR>C>DAT>CDR
Conversion:
CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) >
mkwact(seekable) mvernon54@attbi.com
shntool confirms tracks on sector boundaries
Part of The Music Never Stopped Project 2002
shn em up initiative 7/7/02
Thanks to Raoul Duke for the disks |
2 flac
|
|
| 23. |
02/27/70 |
Family Dog at the Great Highway - San Francisco,
CA |
a- | Recording Info:
SBD -> Master Reel (7.5ips 1/2trk) Reel >DAT >Pre FM Rebroadcast >CDR >FLAC
Trade DATS (Ardas) Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 24. |
02/28/70 |
Family Dog at the Great Highway - San Francisco,
CA |
A | SBD>MR>C>D>CD>EAC>SHN |
2 flac
|
|
| 25. |
03/01/70 |
Family Dog at the Great Highway - San Francisco,
CA |
A | Source: Soundboard > Mater Reel > Dat (44.1k) |
2 flac
|
|
| 26. |
03/08/70 |
Star Theatre - Phoenix,
AZ |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v11.2 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 5, 2011
Notes:
-- Disc change is seamless
-- Numerous flaws cleaned up and I attempted to fix the level fluctuations
-- Cold Rain And Snow cuts in
-- Bad hiss for first 26 seconds of Monkey And The Engineer due to recording levels
-- Monkey And The Engineer through Katie Mae are acoustic
-- Unknown performer joins band for the last 3 tracks |
2 flac
|
|
| 27. |
03/21/70 |
Capitol Theater (Late) - Port Chester,
NY |
a- | Late Show
Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee
Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
|
2 flac
|
|
| 28. |
03/24/70 |
Pirates World - Dania,
FL |
a- | Recording Info:
SBD ->Master Reel ->Cassette ->Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
(2 Discs Audio / 1 Disc FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
January 4, 2006
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
|
2 flac
|
|
| 29. |
04/03/70 |
Field House, U. of Cincinnati - Cincinnati,
OH |
a- | MR>R>FLAC
February, 2012:
Obtained shnid: 114616.
Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable)
and a little of the oversaturation (analog recorder clipping) on the source.
Three Stages:
1. Concatenated the files into 3 large files (1 for each set).
2. Upsampled to 88.2 kHz (retained 16-bit) using "master" settings with no dithering.
3. Generated harmonics and overtones using a multifilter with:
a. the dynamic noise "enhancer" setting (noise threshold 500, filter frequency 3500,
attack time 25, release 100, HF gain of 8dB.
b. Virtual valve "harmonic enhancer sweet spot" settings
c. Overtone generator at 2.9 level, frequency of 7966, output level at 0
4. Used an multifilter for impulse reduction:
a. de-clipper set at threshold of 43, slope of .300, 6dB gain reduction
b. narrow crackle filter set at 35 threshold, size of 5
c. expert impulse set at threshold of 2000, size of 3, tracking at 32, "universal" mode,
solo/brass checked.
Thanks to Craig of Diamond Cut for the impulse suggestions; Marc H. for the upsampling idea,
and Germain for access to the source files.
|
2 flac
|
|
| 30. |
04/09/70 |
Fillmore West - San Francisco,
CA |
A | SBD MR>C>D>CD + AUD MC>4C>D>CD |
2 flac
|
|
| 31. |
04/11/70 |
Fillmore West - San Francisco,
CA |
A | Source: sbd > Reel Master > Cassette > DAT (44k) |
1 flac
|
|
| 32. |
04/12/70 |
Fillmore West - San Francisco,
CA |
A | Source: SBD for all except Casey Jones through Deep Elem Blues
Lineage: Reel master > Sonic Solutions > DAT > CD > EAC > SHN
Source for Casey Jones through Deep Elem Blues: AUD
Lineage: Aud cassette master > PCM > DAT > Sonic Solutions > CD > EAC > SHN
Taper is believed to be Harry Ely but this is unverified.
Extraction and .shn encoding by Seth Kaplan (Sdk022769@aol.com)
Proper extraction and sector boundaries verified via EAC and MKW
______________________________________________________________________ |
2 flac
|
|
| 33. |
04/15/70 |
Winterland Arena - San Francisco,
CA |
A+ | Sony TC-770 7 Inch Half Track Reel Master @ 7.5 ips-Bob Mathews
DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW)
play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz
Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
Jim Wise: March 27 2015
|
2 flac
|
|
| 34. |
04/18/70 |
Family Dog at the Great Highway - San Francisco,
CA |
A | Soundboard Reel, GDP HDCD |
1 flac
|
|
| 35. |
05/01/70 |
Alfred College - Alfred,
NY |
A | Recording Info:
Source 1: SBD -> Master Reel -> CD
Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD
Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD
Transfer Info:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 6, 2008
Notes:
-- Source 1 provides Deep Elem Blues through Cumberland Blues
-- Source 2 provides The Race Is On through the middle of Drums
-- Source 3 provides the middle of Drums though the end of the show
-- Part of the acoustic set with members of the New Riders
-- Thanks to David Gans for sources 2 and 3
-- Thanks to Joe B. Jones for his help with the pitch correction
[Trade CDs >FLAC (Level 8) Via xACT 2.35] |
2 flac
|
|
| 36. |
05/02/70 |
Harpur College - Binghamton,
NY |
a- | Bear's Recording
reel> cass > cass
Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz
Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell
As the tape sounds.
a project **GEMS** www.shnflac.net
---------------------------------------------
24 bit to 16 bit conversion:
Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC
|
2 flac
|
|
| 37. |
05/02/70 |
Harpur College - Binghamton,
NY |
A | Soundboard; Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k (1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 2, 2017 Notes: -- Dat supplied By Dick Latvala -- Thanks to Rich Gastwirt for his help with the project *************************************************************** FLAC >WAV >Audacity (Downsample to 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr |
2 flac
|
|
| 38. |
05/06/70 |
Kresge Plaza, M.I.T. - Cambridge,
MA |
A | Soundboard; 10" 1/2 Track Mono Master Reels Trade CDs >FLAC (Level 8) Via xACT 2.35 |
1 flac
|
|
| 39. |
05/14/70 |
Meramec Community College - Kirkwood,
MO |
A | Source: Soundboard
Lineage: MSR> DAT> CDR> EAC> FLAC
except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC
[Trade CDs >FLAC (Level 8) Via xACT 2.35] |
3 flac
|
|
| 40. |
05/15/70 |
Fillmore East (Late Show) - New York,
NY |
A | SBD > MR > DAT > ZA2 > CDR
except the NRPS sets which have 2 cassette generations
This is apparently the best possible copy
Thanks to David Hollister and Jeff Tiedrich
dfinney@cts.com
[[[Note by Leigh Orf, who uploaded this show to orp.etree.org: I did
some very minor editing to this show, mostly putting tasteful fades
where there were cuts in the original. No NR whatsoever was applied! I
also removed the mysterious double-strum near the beginning of Don't
Ease Me In (sounded like a digital thing)... Thanks again to the
aforementioned folks, plus David Finney for hunting the show down in its
best form... Leigh ]]]
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
|
2 flac
|
|
| 41. |
06/04/70 |
Fillmore West - San Francisco,
CA |
A | 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-
1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby)
Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise circa 1998)
DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz
Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
Jim Wise:April 3rd 2015
This is a 16 bit 44.1KHz file set
Partial Set |
1 flac
|
|
| 42. |
06/05/70 |
Fillmore West - San Francisco,
CA |
a- | 7 Inch Half Track Reel Master @ 7.5 ips (Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-
1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby)
Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's)
Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz
Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
JW:February 2015
This is a 16 bit 44.1KHz file set
|
2 flac
|
|
| 43. |
06/06/70 |
Fillmore West - San Francisco,
CA |
A+ | ► Recording Notes ◄
- Credits -
Original recordist unknown, probably Owsley 'Bear' Stanley
Seeded by J Ashley
http://www.gdlive.com/shn/gd70-06-06.shnf/
FLAC conversion by Randy Vogel on 2007-02-12
RAFTSv1.3 tagging by Randy Vogel on 2007-04-16
- Source -
SBD ►
1/2 track Reel to Reel tape @ 7.5ips
- Transfer -
playback of 7" Master Reel in unknown deck ►
Tascam 122mkIII Cassette Recorder ►
Panasonic SV-3800 DAT (record) @ 16-bits, 44.1 kHz ►
unknown DAT deck (playback) ►
Zefiro Acoustics ZA2 soundcard (S/PDIF in) ►
2xCDR ►
Exact Audio Copy v.? (unknown settings) ►
mkw Audio Compression Tool v0.97b (
losslessly convert WAV to SHN;
calculate .md5 checksums) ►
SHN [850 MB];
foobar2000 v0.9.4.2 (write RAFTSv1.3 tags,
calculate and store album-level replay gain tags,
convert wavs to FLAC Level 8, all files bit-verified identical to originals) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) (
verify original md5 checksums,
verify sector boundaries,
compute FLAC fingerprints,
compute md5 checksums for the newly tagged files) ►
FLAC [822 MB]
- Notes -
If the structure of this show was the same as on 6/5/70, then the acoustic set opened the evening, followed by sets from Southern Comfort and NRPS with Garcia on pedal steel and Hart on percussion, and then the Dead closed out the evening with their electric sets.
- Notes from Deadlists -
There are a few cuts throughout the show. Regardless of the defects, this show is a gem. A must have for collectors of early Dead.
- Notes from RLV -
The tracking of Set 3 could be much improved!
Deadlists has timings to the nearest second... |
2 flac
|
|
| 44. |
06/07/70 |
Fillmore West - San Francisco,
CA |
A | 7 Inch Half Track Reel Master @ 7.5 ips (Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-
1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby)
Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon-
Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997)
DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz
Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
JW:January 2015
**********************************************************************************
Trade FLACs >Audacity (Downsample to 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntap |
2 flac
|
|
| 45. |
07/16/70 |
Euphoria Ballroom - San Rafael,
CA |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Cassette
Transfer Info:
Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) ->
SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
February 28, 2006
Notes:
-- Thanks to Paul Scotton Cassette
-- Turn On Your Lovelight with Janis Joplin
|
1 flac
|
|
| 46. |
09/20/70 |
Fillmore East - New York,
NY |
A | Set One from BETA
Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER->
Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->
SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
Set Two from DAT
DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1
This recording was gratefully supplied by PO and Stucco TINA Holmes.Thanks to spamjam for the equipment generosity.
Wavelab 7.1 mastering by Jamie Waddell
Track, FLAC and Pack by John Wenzel
16 bit 44.1kHz a project **GEMS** August 2016
Acoustic set includes both David Grisman and David Nelson as guests |
2 flac
|
|
| 47. |
10/24/70 |
Kiel Opera House - St. Louis,
MO |
A | SBD MR >Reel >Reel >DAT >DAT >ZA2 >DartPro32 NR
(weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L.
overlay)-> CD
"via D. Hollister, J. Ayers"
pitch correction using SoundEdit 16 on the Macintosh platform
by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05:
SHN->xACT->AIFF->SoundEdit16->FLAC |
2 flac
|
|
| 48. |
10/30/70 |
Gym, SUNY (Early Show) - Stony Brook,
NY |
A | SBD>MR>PCM>D>CD>EAC>SHN
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
Notes:
--reel flip at 1:53 in Me & My Uncle
--high pitch whine at 1:02 in Rider
--Tighten Up Jam from 4:58 to 8:17 in Dancin'
--glitch at 7:20 in Dancin from static
--glitches at 1:19, 3:17 & 3:48 in Big Railroad Blues
--high pitch whine from 2:42 to 2:52 in Lovelight
--Sound Forge was used to remove a number of pops that sounded as if they originated from equipment adjustments
Part of The Music Never Stopped Project 2003 |
1 flac
|
|
| 49. |
10/30/70 |
Gym, SUNY (Late Show) - Stony Brook,
NY |
a- | SBD>MR>PCM>D>CD>EAC>SHN
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
has a sound defect not sure what it is |
2 flac
|
|
| 50. |
10/31/70 |
Gym, S.U.N.Y. (Early) - Stony Brook,
NY |
A | [Trade CD >FLAC (Level 8) Via xACT 2.35]
Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180
min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR
and/or EQ processes were performed, using between 95% and 100% analog
realm outboard equipment, at Serafin Station Studio A or B; released
between 03/94 and 12/96
TRANSFER INFO:
Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC |
1 flac
|
|
| 51. |
10/31/70 |
Gym, S.U.N.Y. (Early) - Stony Brook,
NY |
A | [Trade CD >FLAC (Level 8) Via xACT 2.35]
Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180
min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR
and/or EQ processes were performed, using between 95% and 100% analog
realm outboard equipment, at Serafin Station Studio A or B; released
between 03/94 and 12/96
TRANSFER INFO:
Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC |
1 flac
|
|
| 52. |
10/31/70 |
Gym, S.U.N.Y. (Late) - Stony Brook,
NY |
A | SOURCE INFO:
Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180
min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR
and/or EQ processes were performed, using between 95% and 100% analog
realm outboard equipment, at Serafin Station Studio A or B; released
between 03/94 and 12/96
TRANSFER INFO:
Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC
NOTES:
Last Viola Lee Blues |
2 flac
|
|
| 53. |
11/16/70 |
Fillmore East - New York,
NY |
AA | SBD:MR>Revox deck (model unknown): 10" ¼ track Reel @ 7.5ips>
Revox B77 playback deck>Alesis Masterlink ML9600>CD>
EAC>Cool Edit 2000>SHN.
A>D by Bill Gadsden.
Cool Edit 2000 was used for minor glitch removal.
CDWav was used to retrack both discs.
EAC(secure mode, offset corrected), seekable shorten encoding with MKW, and sector boundaries verified via shntool by D. Winters.
|
2 flac
|
|
| 54. |
12/12/70 |
Santa Rosa Fairgrounds - Santa Rosa,
CA |
AA |
Lineage:
Source: Master Soundboard Reel > Cassette > DAT > CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
9/14/01 (2001-09-01r)
blog > nontorrent dl > iMac (OSX 10.13.6) > xACT 2.45 (ffp st5) > Transmission 2.94 > ttd
http://www.themidnightcafe.org thanks to Mat Brewster
Flac encoding notes:
All processing with Trader's Little Helper |
2 flac
|
|
| 55. |
12/17/70 |
Winterland - San Francisco,
CA |
A | SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac |
1 flac
|
|
| 56. |
12/23/70 |
Winterland Arena - San Francisco,
CA |
A | Recording Info:
(d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC
(d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC
Transfer Info:
FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 27, 2012
Notes:
-- Cumberland Blues is cut during last verse
-- Thanks to Joe B. Jones for his help with the pitch correction
|
1 flac
|
|
| 57. |
12/26/70 |
Legion Stadium - El Monte,
CA |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> SHN
(2 Discs Audio / 2 Discs SHN)
Patch Info:
SBD -> Master Reel -> ? -> Dat -> SHN
Edited and Patched By Charlie Miller
charliemiller87@earthlink.net
2/18/04
Notes:
The following songs have patches in them:
Easy Wind, Till The Morning Comes, Truckin', Black Peter, Morning Dew
and China->Rider.
This patch is better than the patch that was on my CD's, which is why
I re-did it. |
2 flac
|
|
| 58. |
12/26/70 |
Legion Stadium - El Monte,
CA |
A | "Bertha Remaster Series"
Bertha Remaster of the Master Reel/Cassette source (SHN ID 22369)
SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) >
Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted
prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav
with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave
Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC
encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
(level 8) |
2 flac
|
|
| 59. |
12/27/70 |
Legion Stadium - El Monte,
CA |
A+ | Recording Info:
SBD -> Master Reel (7inch Master Reels @7.5ips 1/2trk) -> Cassette ->
Dat ->CD -> EAC -> Samplitude v7.02 Professional -> SHN
(2 Discs Audio / 2 Discs SHN)
Edited By Charlie Miller
charliemiller87@earthlink.net
4/15/04
Notes:
-- I cleaned up the cuts, fixed the errors, removed several pops and
re-tracked the discs.
-- It sounds like they are going into Eyes Of The World towrads end
of NFA. |
2 flac
|
|
| 60. |
12/28/70 |
Legion Stadium - El Monte,
CA |
A | gd70-12-28.sbd.miller.22313.sbeok.flac16
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> SHN
Patched with:
Sony ECM-22>Rm>Dat>CD (BIODTL, Sugar Magnolia and Cumberland Blues)
(2 Discs Audio / 2 Discs SHN)
All Editing Done By Charlie Miller
charliemiller87@earthlink.net
2/18/04
Notes:
The previous seed for this show was not patched very well, so I re-patched it.
This new copy also more tuning, stage banter, etc and is about 11 minutes longer.
__________________________________________ |
2 flac
|
|
| 61. |
12/28/70 |
Legion Stadium - El Monte,
CA |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02
Professional -> SHN
Patched with:
Sony ECM-22>Rm>Dat>CD (BIODTL, Sugar Magnolia and Cumberland Blues)
(2 Discs Audio / 2 Discs SHN)
All Editing Done By Charlie Miller
charliemiller87@earthlink.net
2/18/04
Notes:
The previous seed for this show was not patched very well, so I re-patched
it. This new copy also more tuning, stage banter, etc and is about 11
minutes longer.
AUD (shnid=17706)
AUD : MR > DAT > CD
Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW.
Proper extraction and sector boundaries verified via EAC and shntool.
Another installment of The Music Never Stopped Project!
(NOTE: per Bob Menke the equipment used was Sony ECM-22P mics > Sony 770 reel
deck, 1/4 track 7.5 ips and it was taped by Harv Kaslow and Craig Todd)
---------------------------------------------------------
Tech Notes
-SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks
back to 1 long wave.
-Audition 2.0 was used to align & synch the SBD & both AUD sources.
-Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode
-CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 16-SEP-2007
---------------------------------------------------------
Multitrack Mixdown Settings
SET ONE
Stereo Matrix
SBD -1
AUD -2.5
SET TWO
Stereo Matrix
SBD -1
AUD -2.5
---------------------------------------------------------
Audio Faults:
1) Before Cold Rain and Snow, 04.253 seconds were missing from the soundboard
source and was filled in with audio from the audience source. This portion
of the audio was normalized to blend in better.
2) Between Cold Rain and Snow and Truckin', 06.613 seconds were missing from
the soundboard source and was filled in with audio from the audience
source. This portion of the audio was normalized to blend in better.
3) Also between Cold Rain and Snow and Truckin', 20.548 seconds were missing
from the audience source and was filled in with audio from the soundboard
source. This portion of the audio was normalized to blend in better.
4) Between Truckin' and It Hurts Me Too, 07.460 seconds were missing from the
soundboard source and was filled in with audio from the audience source.
This portion of the audio was normalized to blend in better.
5) Between It Hurts Me Too and Me And My Uncle, 1 minute and 30.433 seconds
were missing from the audience source and was filled in with audio from
the soundboard source. This portion of the audio was normalized to blend
in better.
6) Between BIODTL and China Cat Sunflower, 20.948 seconds were missing from
the audience source and was filled in with audio from the soundboard
source. This portion of the audio was normalized to blend in better.
7) Also between BIODTL and China Cat Sunflower, 35.716 seconds were missing
from the soundboard source and was filled in with audio from the audience
source. This portion of the audio was normalized to blend in better.
8) Between I Know You Rider and Cryptical Envelopment, 5 minutes and 04.149
seconds were missing from the audience source and was filled in with audio
from the soundboard source. This portion of the audio was normalized to
blend in better.
9) Also between I Know You Rider and Cryptical Envelopment, 22.632 seconds
were missing from the soundboard source and was filled in with audio from
the audience source. This portion of the audio was normalized to blend in
better.
10) Also between I Know You Rider and Cryptical Envelopment, 3 minutes and
10.689 seconds were missing from the audience source and was filled in
with audio from the soundboard source. This portion of the audio was
normalized to blend in better.
11) At the start of Sugar Magnolia, 26.048 seconds were missing from the
audience source and was filled in with audio from the soundboard source.
This portion of the audio was normalized to blend in better.
12) At the end of Sunshine Daydream, 27.378 seconds were missing from the
soundboard source and was filled in with audio from the audience source.
This portion of the audio was normalized to blend in better.
13) At the start of Smokestack Lightnin, 20.943 seconds were missing from
the soundboard source and was filled in with audio from the audience
source. This portion of the audio was normalized to blend in better.
14) Between Big RR Blues and Me and Bobby McGee, 15.891 seconds were missing
from the soundboard source and was filled in with audio from the audience
source. This portion of the audio was normalized to blend in better.
15) Also between Big RR Blues and Me and Bobby McGee, 10.346 seconds were
missing from the audience source and was filled in with audio from the
soundboard source. This portion of the audio was normalized to blend in
better.
16) Between Me and Bobby McGee and Deep Elem Blues, 11.486 seconds were
missing from the audience source and was filled in with audio from the
soundboard source. This portion of the audio was normalized to blend in
better.
17) Close to the end of Uncle John's Band, 35.257 seconds were missing from
the audience source and was filled in with audio from the soundboard
source. This portion of the audio was normalized to blend in better.
Brokedown House Production
______________________________________________________________________________
|
2 flac
|
|
| 62. |
01/24/71 |
Seattle Center Arena - Seattle,
WA |
A | Recording Info:
SBD > Master Reel > Cassette > DAT (44.1k)
Transfer Info:
DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC
(2 Discs Audio / 1 Disc FLAC)
Patch Info:
SBD > Master Reel (dead.net taper's section stream)
Good Lovin (0:40 - end of track)
Uncle John's Band (complete track)
All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
June 24, 2020
Notes: |
2 flac
|
|
| 63. |
02/18/71 |
Capitol Theater - Port Chester,
NY |
AA | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 ->
Samplitude Professional v11.2 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 3, 2011 |
3 flac
|
|
| 64. |
02/19/71 |
Capitol Theatre - Port Chester,
NY |
A | Source: Matrix (SBD/AUD mix):
SBD: (shnid=1029) - via WBOTB Project
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >
Cool Edit Pro (filtering and sample rate conversion) > SHN
AUD: (shnid=30230) - via Clinton Vadnais
1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0
lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC
Transfer/Editing:
The SBD is from SHN files downloaded from LMA, and the AUD is from FLAC
files downloaded from bt.etree.org; both sources were converted to
WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)
Matrixed by Chris Chappell
ScarFire@liquidcity.com
10-14-05 |
2 flac
|
|
| 65. |
02/19/71 |
Capitol Theatre - Port Chester,
NY |
A+ | Recording Info:
SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips)
Transfer Info:
Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD
Mastering Info:
CD > Samplitude Pro X5 Suite > FLAC/16
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
February 26, 2021
Notes:
-- This is not the Betty board, it comes from a different set of reels
-- Thanks to Digitalrbb for this source |
2 flac
|
|
| 66. |
02/20/71 |
Capitol Theater - Port Chester,
NY |
A+ | Grateful Dead
02/20/1971
Capitol Theater
Port Chester, NY
Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT.
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, June 2007.
(Trade CDs >FLAC(Level 8) Via xACT 2.35)
Comments:
Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files.
FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering.
|
2 flac
|
|
| 67. |
02/21/71 |
Capitol Theater - Port Chester,
NY |
AA | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 26, 2008
Patch Info:
SBD -> Master Reel -> PCM -> Dat -> CD supplies:
Bertha (5:25 - 5:52 post song tuning)
Wharf Rat (4:50 - 5:06)
Uncle John's Band (6:36 - end of track)
|
2 flac
|
|
| 68. |
02/23/71 |
Capitol Theater - Port Chester,
NY |
A+ | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 17, 2010
Patch Info:
SBD -> Master Reel -> PCM -> Dat -> CD supplies:
Wharf Rat (2:16 - 2:47)
Notes:
-- All disc changes are seamless
-- Thanks to the tape owner who allowed me to put this out
-- This source is a huge upgrade to all circulating copies
-- This is not the Betty board that has been in circulation
-- Thanks to Joe B. Jones for his help with the pitch correction
______________________________________________________________________
|
2 flac
|
|
| 69. |
02/24/71 |
Capitol Theater - Port Chester,
NY |
AA | |
2 flac
|
|
| 70. |
03/03/71 |
Fillmore West - San Francisco,
CA |
A+ | Master Soundboard Recording, unknown pedigree
Provided by ANON
Transfer - Nak BX-300 > Sony 75ES > DAT
Mastering by Jamie Waddell and Jason Chastain
- reel flip in Other One
- *with flute player. Martin Fiero opened the show so can we assume it is him?
- in 1971, the Grateful Dead were constantly out of tune. The 1-2+ minutes of tuning between songs, we chose to track out; they are not short moments
16bit 44.1kHz FLAC |
2 flac
|
|
| 71. |
03/14/71 |
Camp Randall Field House, University of Wisconsin - Madison,
WI |
A+ | Source: Sbd >MR >DAT >CD
Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3
Conversion & Seed: Brian Cole (cole7007@yahoo.com) 11/14/01
**************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr |
2 flac
|
|
| 72. |
03/18/71 |
Fox Theatre - St. Louis,
MO |
AA | Set # Two only
7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)-
Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz)
DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz
Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015
This is a 16 bit 44.1KHz file set
|
1 flac
|
|
| 73. |
03/20/71 |
University of Iowa - Iowa City,
IA |
A | SBD >MR >Cass >DAT >CD >SHN (seekable) >FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 74. |
03/24/71 |
Winterland Arena - San Francisco,
CA |
A+ |
SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(2 Discs Audio / 1 Disc FLAC)
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 3, 2007
Notes:
-- The hiss in the first minute of Sugar Mags is due to low levels on the Master Reel
-- The setlist on the Dat does not match Deadlists.
-- Benefit for the Sufi Choir of San Francisco, who also opened the show
-- Patch recorded by Gene Taback supplied by David Minches
Patch Info:
Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies:
The Other One (6:59 - 7:23)
Beat It On Down The Line (0:00 - 0:32)
|
2 flac
|
|
| 75. |
04/04/71 |
Manhattan Center - New York,
NY |
A | MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac
|
2 flac
|
|
| 76. |
04/05/71 |
Manhattan Center - New York,
NY |
A | Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)
; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0b132 (48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > MKW Audio Compression Toolkit v0.96f (no DAE ; 48k FLAC archived and available by request)
|
2 flac
|
|
| 77. |
04/06/71 |
Manhattan Center - New York,
NY |
A | Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)
; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0 build 132
(48-44.1,highest accuracy with anti-alias filter) > CDWav v1.71 > MKW Audio Compression Tool v0.96f (no DAE ; 48k FLAC archived and available by request)
|
2 flac
|
|
| 78. |
04/07/71 |
Music Hall - Boston,
MA |
AA | Source:
Betty Cantor 7" two track reel w@ 7 1/2 ips>
PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>
Dat @ 48 kHz
Jace Crouch’s original source WBOTB DAT via trailmix and Tim Deibert
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF >
Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz]
Mastering: In WaveLab with iZotope Ozone 3
Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. |
3 flac
|
|
| 79. |
04/08/71 |
Music Hall - Boston,
MA |
A+ | Source:
Betty Cantor 7" two track reel @ 7 1/2 ips>PCM501ES @ 44.055 kHz
PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz
Jace Crouch’s original source WBOTB DAT via trailmix and Tim Deibert
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF >
Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz]
Mastering: In WaveLab with iZotope Ozone 3
Rate Conversion with r8brain to [16bit/44.1kHz]> CD Wave> TLH> Flac
Transfer and Mastering by Bill Koucky
January 1, 2009, Green Mountain Bros. |
2 flac
|
|
| 80. |
04/10/71 |
East Hall, Franklin & Marshall College - Lancaster,
PA |
AA | SBD> MR> C> DAT> CD
I used CD Wave and Shntool to retrack, and verify sb's.
EAC/SHN by Willy |
3 flac
|
|
| 81. |
04/12/71 |
Civic Arena - Pittsburgh,
PA |
A+ | Recording Info:
SBD >Reel Master >DAT >Sound Forge >CD
Transfer Info:
CD -> EAC -> FLAC
(2 Discs Audio / 2 Discs FLAC)
Transferred By Charlie Miller
charliemiller87@earthlink.net
August 23, 2005
|
2 flac
|
|
| 82. |
04/13/71 |
Catholic Youth Center - Scranton,
PA |
A+ | MSR >DAT >Delta Dio 2496 soundcard>Soundforge>Flac
|
2 flac
|
|
| 83. |
04/14/71 |
Davis Gymnasium - Lewisburg,
PA |
A+ | 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews)
Transferred By Dick Latvala (Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 48KHz).
This is a Jim Wise transfer of his DAT via a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 24bit/96KHz
All editing and conversion work with Diamond Cut Forensics 8.5.
Converted to 24-bit, 48kHz using Triple precision math; editing done in 24/48 with 32-bit interpolation.
Converted to 16/48 with triple precision, 32-bit interpolation and DC8.5 Forensics custom dither (Noise Shape 2).
Editing:
Speed changes to stabilize the speed in Set I. Speed was off slightly in a linear fashion, so speed change varied
from -.14% to +1.0% over a given 45 minute period. Set II did not need any speed correction. I noticed instances
suggesting that there were two recorders with some editing done on the master tape. Jim doesn't think it was done.
After all the editing was complete, I did a very light eq to increase bass and treble, and then gain normalized each
channel to -.5 dB.
* multiple instances of static - possibly discharge from record or playback head. I minimized these. Some are gone
completely, others are still audible but minimized. I am sure I missed some but these are all I can find within a
limited time frame.
# Just after reel change/tape flip, cb-radio type noise. Minimized but still there
^ 1 electro-glitch instance (may be different kind from the others) fixed
___________________________________________________________________________________________________________________________
Other notes:
-In between Bird Song and Sugar Mag, there is loud feedback. I reduced the level so it did not determine the overall
loudness of the recording.
-Several songs clip badly in the vocals. There was not much that could be done with it.
-Truckin' - level change at the beginning was smoothed out
-Deal has an edit or glitch at the very beginning of the first solo. At the end of Deal - hum and buzz starts.
-Bobby McGee - after song is over, Phil's bass and stage mics are increased way beyond what the system could take for
about 10-15 seconds. I reduced these to sound more like what they probably sounded like in the audience.
-Noticeable Reel Change/Tape Flip after Sing me Back Home. Hum/buzz noise is lower afterwards.
-Cryptical Envelopment - very short edit or tape glitch at "summer sun looked down on him"
-WharfRat appears to be a very quick cut/glitch just before 'got no dime' and cuts at "no friend of mine" - probably reel
change/flip (missing several seconds) |
2 flac
|
|
| 84. |
04/15/71 |
Allegheny College - Meadville,
PA |
A | SBD >MR>DAT>CD |
2 flac
|
|
| 85. |
04/17/71 |
Dillon Gym, Princeton University - Princeton,
NJ |
AA | The lineage of these files is:
Main: S:R?
Dub: S:RPD
Both DATs were downsampled into my computer via ZA2 (48>44.1)
The Main tape sounds much better than the dub - which is only used
for 1.1 seconds (want to find it? Listen to the last time the guys
say "the blues" in Bobbi McGee)
Given the differences in the reel flip (at the end of lovelight)
I would guess that the 'Main' tape represents a separate A>D transfer
than the 'Dub' tape. If you know more, I'd love to hear about it.
This tape is NOT an A+, healy master to DAT, multi-track remix,
96bit A>D conversion. This is from a reel made in 1971, so you will
hear some rough bits. To the best of my knowledge, this transfer
represents the best circulating copy in existence.
|
2 flac
|
|
| 86. |
04/18/71 |
Lusk Field House, S.U.C.N.Y - Cortland,
NY |
A | SBD : MR > RR > DAT > CD
From: John Valter
(Extraction and .shn encoding by "Alan J. Fink, MCP" )
Notes:
d1t11 Casey Jones splice at 4:20, missing a couple seconds
d1t13 Sugar Magnolia missing the opening notes
d2t8 Uncle John's Band 3:20 - 6:32
patched using Cool Edit 96 from higher gen cassette and
increased 86 hz by 14.9
increased 172 hz by 8.5
increased 344 hz by 6.1
increased 689 hz by 4.1
increased 1.3 K by 6.1
increased 2.9 K by 8
increased 7.3 K by 10.5
increased 22K by 12.9
by "Alan J. Fink, MCP" |
2 flac
|
|
| 87. |
04/21/71 |
Rhode Island Auditorium - Providence,
RI |
A | Source: SBD
Lineage: MSR>R>D>CD>DAE>SHN |
2 flac
|
|
| 88. |
04/22/71 |
Bangor Municipal Auditorium - Bangor,
ME |
A+ | Master Soundboard Reel > DAT > CDR
shn encoded/uploaded by Scott Clugston 10/00
|
2 flac
|
|
| 89. |
04/24/71 |
Wallace Wade Stadium, Duke University - Durham,
NC |
A | SBD>MR>PCM>CD
CD>EAC>SHN>etree by Mike Lai (usalai@nycap.rr.com)
This info file written by Michael K. Weise (mkw@att.net)
mkw notes:
---> I moved Casey Jones D2 to D1. While the file names within the
md5 files have changed, the md5 signatures themselves have not.
---> This recording is afflicted with a dozen or two very brief
(tenths of seconds) PCM dropouts. While that is unfortunate,
this appears to be the best recording of 4/24/71 in circulation.
---> Good Lovin' is *not* cut (contrary to deadbase)
|
2 flac
|
|
| 90. |
04/25/71 |
Fillmore East - New York,
NY |
A | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 29, 2008
Patch Info:
SBD -> Master Reel -> Cassette -> Dat -> CD supplies:
Morning Dew (0:00 - 0:08)
Goin' Down The Road Feeling Bad (2:07 - 5:08)
Notes:
-- All disc changes are seamless
-- Master Reel transferred to CD at the Mastering Plant in L.A.
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Patch in GDTRFB had to be extended 3 minutes to due reel flutter
|
2 flac
|
|
| 91. |
04/26/71 |
Fillmore East - New York,
NY |
A | Recording Info:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit ->
Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Transfer Info:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k)
Mastering Info:
WAV (24bit/96k) -> Adobe Audition v1.5 ->
Samplitude Professional v10.22 -> FLAC/16
(2 Discs Audio / 2 Discs FLAC)
Master Reels Baked and Transferred By David Gans
All Mastering By Charlie Miller
charliemiller87@earthlink.net
February 1, 2010
Patch Info:
SBD -> 16 Track Master Reel -> Dat supplies:
Big Boss Man (0:00 - 2:52)
Wharf Rat (0:24 - 2:07) (2:46 - 2:51)
Mama Tried (complete track)
Notes:
-- Disc change is seamless
-- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman
-- I Know You Rider is cut at "north bound train"
-- Thanks to Bill Gadsden for supplying the reels
-- Thanks to Joe B. Jones for his help with the pitch correction |
2 flac
|
|
| 92. |
04/29/71 |
Fillmore East - New York,
NY |
AA | Recording Info:
SBD -> 16 Track Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 26, 2011
Patch Info:
SBD -> Master Reel -> FLAC (shnid=105925) supplies:
Me And My Uncle (complete track)
Loser (complete track)
Greatest Story Ever Told (3:02 - end of track)
|
3 flac
|
|
| 93. |
05/29/71 |
Winterland Arena - San Francisco,
CA |
A | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 21, 2008
Notes:
-- Very end of Wharf Rat cut due to reel flip
-- Master Reel transferred to CD at the Mastering Plant in L.A.
-- Thanks to Joe B. Jones for his help with the pitch correction
|
1 flac
|
|
| 94. |
05/30/71 |
Winterland Arena - San Francisco,
CA |
A+ | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 21, 2008
Notes:
-- Reel fades in at I Know You Rider
-- Master Reel transferred to CD at the Mastering Plant in L.A.
-- Thanks to Joe B. Jones for his help with the pitch correction
|
1 flac
|
|
| 95. |
06/21/71 |
Chateau D'Herouville - Herouville,
France |
A | Soundboard Reel
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Master >FLAC (Level 8) Via xACT 2.35
Transferred By OldNeumanntapr
|
1 flac
|
|
| 96. |
07/02/71 |
Fillmore West - San Francisco,
CA |
A |
Master Reel KSFX FM Broadcast (7 & 1/2 ips) >DAT >VHS >DAT >CDR
Trade VHS Transferred: Mitsubishi HS-U59 >Tascam DA-30,
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
(VHS / DAT / CD Transferred By OldNeumanntapr)
|
2 flac
|
|
| 97. |
07/31/71 |
Yale Bowl, Yale University - New Haven,
CT |
AA | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
|
2 flac
|
|
| 98. |
08/04/71 |
Terminal Island Correctional Fac. - San Pedro,
CA |
A | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 22, 2008
Notes:
-- Disc change is seamless
-- Master Reel transferred to CD at the Mastering Plant in L.A.
**************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
**************************************************
|
2 flac
|
|
| 99. |
08/05/71 |
Hollywood Palladium - Hollywood,
CA |
AA | Recording Info:
SBD -> Master Reel -> FLAC/24
Transfer Info:
FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24
(1 DVD FLAC)
FLAC 16 Additional Lineage:
24/96 flac -> 16/44.1 WAV with dbpoweramp.
flac level 8, SBE fix and checksums with traderslittlehelper.
|
2 flac
|
|
| 100. |
08/06/71 |
Hollywood Palladium - Hollywood,
CA |
A | Sony ECM-22Ps >Sony TC-770 7” Reel (1/4 Track, 7.5 ips) >DAT >CD >FLAC
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
Transferred By OldNeumanntapr
|
2 flac
|
|
| 101. |
08/14/71 |
Berkeley Community Theater - Berkeley,
CA |
A+ | SBD MR->DAT->CD->FLAC
Trade CDs>FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 102. |
08/15/71 |
Berkeley Community Theater - Berkeley,
CA |
A | Recording Info:
SBD > MR > C > DAT
Transfer Info:
DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC
NOTES AND FIXES:
Upgrade of existing sources. No shn or CDR in lineage.
Pitch sharp and fast on existing version. This is correct.
Realistic dynamic range, better clarity and presence.
No aud source available. Could not patch.
Fades used on many tracks for continuity.
Keyboards can only be heard during tuning.
Disc 1, track 9 is incomplete. Cut at 03:45, now near seamless.
Disc 2, track 8 is incomplete. Fades in.
Transferred, tracked and mastered by Bill Guarneri, August 7, 2014.
|
2 flac
|
|
| 103. |
08/23/71 |
Auditorium Theatre - Chicago,
IL |
A+ | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 22, 2008
Notes:
-- All disc changes are seamless
-- There is some vocal distortion
-- Beginning of Casey Jones cut due to reel flip
-- Reel flip at very end of Me And My Uncle
-- Reel flip in Not Fade Away jam
-- Thanks to Digitalrbb for the discs |
2 flac
|
|
| 104. |
08/23/71 |
Auditorium Theatre - Chicago,
IL |
A+ | Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 22, 2008
Notes:
-- All disc changes are seamless
-- There is some vocal distortion
-- Beginning of Casey Jones cut due to reel flip
-- Reel flip at very end of Me And My Uncle
-- Reel flip in Not Fade Away jam
-- Thanks to Digitalrbb for the discs |
2 flac
|
|
| 105. |
08/26/71 |
Gaelic Park - Bronx,
NY |
A+ | Recording Info:
SBD -> Master Reel (7in @ 7.5ips 1/2 Track) ->
Cassette (Tascam 122mkII) -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional 8.01 ->
Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
February 10, 2006
Patch Info:
Notes:
-- I 'tried' to fix the levels with Cool Edit Pro v2.0
-- d1t12 static in one channel in the last second on the song that was fixed
-- I cleaned this up as best as I could without going crazy!
-- It's not perfect, but it's better
-- Thanks to Steve Rolfe for the source Dat
|
2 flac
|
|
| 106. |
08/26/71 |
Gaelic Park - Bronx,
NY |
A+ | Recording Info:
SBD -> Master Reel (7in @ 7.5ips 1/2 Track) ->
Cassette (Tascam 122mkII) -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional 8.01 ->
Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
February 2, 2006
Patch Info:
Notes:
-- I 'tried' to fix the levels with Cool Edit Pro v2.0
-- I cleaned this up as best as I could without going crazy!
-- It's not perfect, but it's better
-- Thanks to Steve Rolfe for the source Dat
|
2 flac
|
|
| 107. |
10/19/71 |
Northrop Auditorium, U. of Minn. - Minneapolis,
MN |
A | The Grateful Dead Live at the Northrup Auditorium, Minneapolis, MN
71OCT19
This is a landmark show --
It was Keith's FIRST SHOW.
Also the first time for Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time, One More Saturday Night, and Ramble On Rose.
The lineage as best as I can tell is FM(KQRS)>cassette>DAT>CDR>SHN>CDR>AIF>SHN
|
2 flac
|
|
| 108. |
10/21/71 |
Auditorium Theatre - Chicago,
IL |
A+ | Recording Info:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> Samplitude Professional v11.2 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 22, 2011
Notes:
-- Disc change is seamless
-- Thanks to David Gans for this recording
|
2 flac
|
|
| 109. |
10/23/71 |
Eastown Theater - Detroit,
MI |
a- | Recording Info:
SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24
Transfer Info:
FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 18, 2011
Patch Info:
FM -> ? -> 3rd Gen Cassette -> CD (shnid=19862) supplies:
Bertha (0:00 - 1:05)
Big Railroad Blues (0:00 - 0:08)
Truckin' (9:35 - end of track)
Notes:
-- All disc changes are seamless |
2 flac
|
|
| 110. |
10/24/71 |
Eastown Theater - Detroit,
MI |
A | Recording Info:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> Samplitude Professional v11.03 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 30, 2010
Notes:
-- Disc change is seamless |
2 flac
|
|
| 111. |
10/27/71 |
Onondaga County War Memorial - Syracuse,
NY |
AA |
Recordings FM 135
Master recording source(s): 7inch Master Reels@7.5ips 1/2trk
Download/Listen Sources
SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD >
SBD -> Master Reel -> Cassette -> Dat (48k) D
SBD>FM>MR>?>CD
********** The GEMS Knudsen Tape Project **********
In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.
As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes. We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.
The Knudsen Tape Project is about sharing the tapes.
In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.
We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.
HISTORY
The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.
WHAT CAN I DO WITH IT ?
Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.
LINEAGE QUESTIONS
The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.
Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
2 flac
|
|
| 112. |
10/29/71 |
Allen Theatre - Cleveland,
OH |
A | SBD>MR>DAT>CDR>EAC>SHN
|
2 flac
|
|
| 113. |
10/30/71 |
Taft Auditorium - Cincinnati,
OH |
A | Primary Source:
Pre-FM MR (1/2 track, 7.5 ips)
Transfer:
Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (resample to 44.1 and edits) > CDWAV > mkwACT
Primary source supplied by Josh Braveman
Secondary Source:
FM > Pioneer RT-707 (7" reel @ 19 ips) > CD
Conversion:
Kenwood TrueX > EAC > shn v3 (seekable)
Secondary source supplied by the Internet Archive Project
*See further edit and patch notes at bottom
Edit Notes:
- All patching and edits done with Adobe Audition
- SHN'd with mkwACT
- Primary source supplies the entire show until 1:34 in GDTRFB where the secondary source is crossfaded in. The patch was necessary as the primary source was marred with digital noise. If another MR transfer exists, please share it
- Sonic Foundry Pitch Shift applied to secondary source at +52.2 semitones on high setting w/Anti-Alias Filter
- Repaired several dropouts and tons of digital pops throughout the primary source
Edits performed by Doug Nawrocki 11-07-04 with the help from the kind folks at Supplicationjam.
http://launch.groups.yahoo.com/group/supplicationjam/ |
2 flac
|
|
| 114. |
10/31/71 |
Ohio Theatre - Columbus,
OH |
A+ | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 12, 2006
Notes:
-- The complete 2nd Set available as Dick's Picks 2 (buy it)
-- First few notes of Bertha and Jack Straw missing
-- Reel flip in Tennessee Jed fixed with crossfade
|
2 flac
|
|
| 115. |
11/07/71 |
Harding Theater - San Francisco,
CA |
A+ |
SBD : KSFX Pre-FM Reel > DAT > CD > FLAC
Trade CDs >FLAC (Level 8) Via xACT 2.35
Known flaws:
Some brief Master Reel distortion on a couple of sections
|
4 flac
|
|
| 116. |
11/07/71 |
Harding Theater - San Francisco,
CA |
A+ | SBD : Pre-FM Reel > DAT > CD
|
2 flac
|
|
| 117. |
11/11/71 |
Atlanta Municipal Auditorium - Atlanta,
GA |
A | Sbd>MR>?>Dat>cd>shnv3
Discs obtained from Yubah |
2 flac
|
|
| 118. |
11/12/71 |
San Antonio Civic Auditorium - San Antonio,
TX |
A | |
2 flac
|
|
| 119. |
11/14/71 |
Texas Christian University - Fort Worth,
TX |
A | Recording Info:
SBD -> Master Reel -> Dat -> WAV
Transfer Info:
WAV -> Samplitude Professional v10.2.1 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 10, 2009
Notes:
-- Disc change is seamless
-- Tuning track added for disc change purposes
|
2 flac
|
|
| 120. |
11/15/71 |
Austin Municipal Auditorium - Austin,
TX |
A+ | Recording Info:
SBD -> Master Reel -> Dat -> WAV
Transfer Info:
WAV -> Samplitude Professional v10.2.1 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 10, 2009
Notes:
-- Disc change is seamless
-- Tuning track added for disc change purposes |
2 flac
|
|
| 121. |
11/20/71 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 18, 2008
Patch Info:
FM -> ? -> Reel -> Dat -> CD (shnid=8806) supplies:
Truckin' (0:00 - 0:37)
Notes:
-- Thanks to Rob Eaton for lending me his Dats
-- This is a SBD from the GD Vault, not an FM
-- First few notes of Bertha are missing
-- First few notes of Cumberland Blues are missing
|
2 flac
|
|
| 122. |
12/01/71 |
Music Hall - Boston,
MA |
A+ | Recording Info:
SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Mastering done By Charlie Miller
charliemiller87@earthlink.net
August 10, 2006
Notes:
-- First 2 tracks patched from SBD->Master Reel->Cass->Dat->Samplitude->WAV
-- Flaw in Big Boss Man fixed
2nd set only
|
1 flac
|
|
| 123. |
12/02/71 |
Music Hall - Boston,
MA |
A+ | FM broadcost WBCN-Boston - Other artist(s): NRPS
Notes
Notes:
- Thanks to Matt Smith for the 1st generation reel source and the transfer
- Thanks to Charlie Miller for coordinating this effort
- Based on this copy, we now know, that the majority of what we thought were tape flips on previous versions, were actually the editing of the radio station id's and between song banter/tunings. Previous versions had cuts at the beginning of "Black Peter", the end of Sunshine Daydream, in the middle of "Deal" and in the transition between "Turn On Your Lovelight > Going Down The road Feeling Bad". The only cut remaining is the one in the middle of "Deal" and we also now know that there was no "gozinta" from Lovelight> GDTRFB. Lovelight ends, there's a radio station id and then GDTRFB starts. This transcription also contains most, if not all, of the between song banter and tunings
- Upgrade to all circulating copies (3/21/2018)
Mastered by Scott Clugston
March 21, 2018
Identifier gd1971-12-02.141425.fm.smith.miller.clugston.flac2496
Location Boston, MA
Run time 174:32.152
Source Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
Transferred by Scott Clugston and Charlie Miller and Matt Smith |
2 flac
|
|
| 124. |
12/04/71 |
Felt Forum, Madison Square Garden - New York,
NY |
A+ | Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 8, 2010
Notes:
-- This is the an upgrade to shnid=110128 |
2 flac
|
|
| 125. |
12/05/71 |
Felt Forum, Madison Square Garden - New York,
NY |
A | ► Recording Notes ◄
- Credits -
Original recordist unknown
This source comes from Merry Prankster tree #6; tree seeded by Charlie Miller
SHN branch possibly from Michael Weise
FLAC conversion and RAFTS tagging by Randy Vogel on 2007-07-07
- URL -
http://www.gdlive.com/shn/gd71-12-05.shnf/
http://db.etree.org/shn/3391
- Source -
Pre-FM ►
(unknown reel to reel tape recorder)
- Transfer -
(playback of master reel on unknown deck) ►
(A>D via unknown DAT deck) ►
(unknown means of conversion to 3xCDR) ►
(unknown means of RIP and SHN conversion) ►
SHN [1.14 GB];
foobar2000 v0.9.4.2 (write RAFTSv1.6 file tags,
convert incoming files to FLAC Level 8 via libFLAC v1.1.1 20041001, all files bit-verified identical,
rename files to RAFTS standard,
calculate and store album-level replay gain tags) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) (
verify original md5 checksums,
verify sector boundaries,
compute FLAC fingerprints,
compute md5 checksums for the newly tagged files) ►
FLAC [1.11 GB]
- Rec Notes -
Casey Jones, d2t03 has a small cut
the Encore, Johnny B. Goode was not broadcast or recorded
|
3 flac
|
|
| 126. |
12/05/71 |
Felt Forum, Madison Square Garden - New York,
NY |
A | Recording Info:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 8, 2010
Patch Info:
FM -> Master Cassette -> Dat supplies:
Casey Jones (0:00 - 0:23)
Set 2 Tuning Track (complete track)
Truckin' (0:00 - 0:45)
Big Railroad Blues thru End Of Show
Notes:
-- All disc changes are seamless |
3 flac
|
|
| 127. |
12/06/71 |
Felt Forum, Madison Square Garden - New York,
NY |
A+ | Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 5, 2010
Notes:
-- All disc changes are seamless
-- Master Reels restored and transferred by Rob Eaton
-- This source doesn't have any of the cuts/flaws that other sources have
|
3 flac
|
|
| 128. |
12/07/71 |
Felt Forum, Madison Square Garden - New York,
NY |
A+ | ► Recording Notes ◄
- Credits -
Original recordist unknown
This source comes from Merry Prankster tree #6; tree seeded by Charlie Miller
SHN branch possibly from Michael Weise
credit to for what?
FLAC conversion and RAFTS tagging by Randy Vogel on 2007-07-02
- URL -
http://www.gdlive.com/shn/GD71-12-07.shnf/
http://db.etree.org/shn/3375
- Source -
SBD ►
(unknown 10" 1/2 track reel to reel tape recorder)
- Transfer -
(playback of master reel on unknown deck) ►
(A>D via unknown DAT deck) ►
(unknown means of conversion to 2xCDR) ►
(unknown means of RIP and SHN conversion) ►
SHN [904 MB];
foobar2000 v0.9.4.2 (write RAFTSv1.6 file tags,
convert incoming files to FLAC Level 8 via libFLAC v1.1.1 20041001, all files bit-verified identical,
rename files to RAFTS standard,
calculate and store album-level replay gain tags) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) (
verify original md5 checksums,
verify sector boundaries,
compute FLAC fingerprints,
compute md5 checksums for the newly tagged files) ►
FLAC [871 MB]
|
3 flac
|
|
| 129. |
12/09/71 |
Fox Theatre - St. Louis,
MO |
AA | Lineage: MSR>LATVALA C>DAT>CDR
Extraction and shortening by Seth Kaplan
|
2 flac
|
|
| 130. |
12/10/71 |
Fox Theatre - St. Louis,
MO |
A+ | Source: MR>DAT>Latvala's Cassette>D>CDR
Transfer: ?
EAC and SHN'd: Ben Yerys |
2 flac
|
|
|
| 131. |
12/14/71 |
Hill Auditorium - Ann Arbor,
MI |
A+ | SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN
7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz
Mastered to CD using a Tascam DA302 > HHB 850
|
3 flac
|
|
| 132. |
12/15/71 |
Hill Auditorium - Ann Arbor,
MI |
A+ | Recording Info:
SBD -> Master Reel -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 4, 2009
Patch Info:
SBD -> Master Reel -> CD supplies:
Big Railroad Blues (complete track)
Brokedown Palace (complete track)
El Paso (complete track)
Casey Jones (complete track)
Turn On Your Lovelight (18:47 - end of track)
Uncle John's Band (complete track)
Notes:
-- All disc changes are seamless
-- It sounds like the patch source has a different mix
-- I used Eaton's Dat source since it sounded better than the patch source
-- The beginning of Big Railroad Blues is cut
-- Lovelight contains King Bee and I'm A Man verses
-- Thanks to Rob Eaton for lending me his Dats
-- Thanks to Digitalrbb for the patch source
-- Thanks to Joe B. Jones for his help with the pitch correction
___________________________________________________________________________
|
3 flac
|
|
| 133. |
12/31/71 |
Winterland Arena - San Francisco,
CA |
A+ | Recording Info:
SBD > Master Reel > Dat (48k)
Transfer Info:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >
Samplitude Pro X3 Suite > FLAC/48k
(3 Discs Audio / 1 DVD FLAC)
Patch Info:
FM (KSAN) > Master Reel > Cassette > PCM (shnid=141329) supplies:
Big River (complete track)
Ramble On Rose (complete track)
The Other One (6:58 - 7:23)
All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
July 14, 2018
Notes:
-- Most of the first set tunings were edited out on Rob's Dat
-- The mix for El Paso is all over the place
-- Donna's first show (One More Saturday Night)
-- The patch source for The Other One has a cut 3 seconds into it
-- The patch source was remastered to better match the soundboard
-- Thanks to Rob Eaton for the Dats
-- Thanks to Tim Dalton and SIRMick for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings
|
3 flac
|
|
| 134. |
01/02/72 |
Winterland Arena - San Francisco,
CA |
A | Soundboard Master> Reel > Reel > CD > SonicSolutions Workstation > CD> SHN
|
2 flac
|
|
| 135. |
03/05/72 |
Winterland Arena - San Francisco,
CA |
A- | Recording Info:
SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD
Transfer Info:
CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 8, 2009
Patch Info:
Unknown Mics -> ? -> Reel -> Dat (shnid=20704) supplies:
Bertha (complete track)
Black Throated Wind (complete track)
Mr. Charlie (complete track)
Sugaree (complete track)
Greatest Story Ever Told (complete track)
Next Time You See Me (complete track)
China Cat Sunflower (0:00 - 0:47)
I Know You Rider (0:13 - 0:41)
Casey Jones (0:00 - 0:12)
Goin' Down The Road Feeling Bad (6:38 - 6:53)
One More Saturday Night (0:00 - 0:06)
Notes:
-- Note updated source info (but still can not confirm)
-- That's Wavy Gravy at the beginning of China Cat Sunflower
-- Mind Left Body Jam in Good Lovin'
-- Thanks to Joe B. Jones for his help with the pitch correction |
2 flac
|
|
| 136. |
03/21/72 |
Academy Of Music - New York,
NY |
A | Lineage:
Master Soundboard Reel (2 track)->Dat->Dat->
Sonic Solutions->CD
Transfer:
CD->EAC->FLAC
EAC, Re-track, and FLAC by Joe Samaritano
2/12/2006
Notes:
1. This is the entire 2nd set from the Gans seed.
2. shnid 15041 did not include NFA->GDTRFB->OMSN. |
2 flac
|
|
| 137. |
03/22/72 |
Academy of Music - New York,
NY |
A | Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat (48k)
Transfer Info:
Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 21, 2007
Notes:
-- All disc changes are seamless
-- Cut in Loser
-- Intro to Big Railroad Blues cut due to reel flip
-- Reel flip in Caution at 9:25
-- Hundreds of flaws removed, but some may still remain
-- Thanks to Rob Eaton for lending me his Dats
|
2 flac
|
|
| 138. |
03/23/72 |
Academy of Music - New York,
NY |
A | Lineage: Betty Board > Gans CD > CD > DAE > SHN
|
1 flac
|
|
| 139. |
03/25/72 |
Academy of Music - New York,
NY |
A | Source: sbd > master reel > dat (48k)
|
2 flac
|
|
| 140. |
03/26/72 |
Academy of Music - New York,
NY |
A | Here's a review of the show from The Grateful Dead Guide:-
SET I
These songs are all standard for the run, with no standouts until the end. (The first sets tend not to vary that much from one show to the next, other than a few song selections. For instance 3/26 omits a few of my favorites – Bertha, China > Rider, Cumberland Blues…)
After a couple minutes of tuning, the band starts the show off with Greatest Story Ever Told.
After a pause, they decide on Cold Rain & Snow for the next song, as Lesh announces: “These decisions always take time, folks… We’ve gotta consult with our advisors.”
Then Weir notices someone with a request -
Weir: “There’s a guy that’s been out there somewhere around there for the last few nights.”
Garcia: “Let’s have a light out there, let’s have a look at this guy! Who is this guy, anyway?”
Weir: “He’s been hollering ‘Alligator,’ and that’s no joke, there’s an alligator that lives out there under rows double-E and double-F, seats 4, 5 and 6, and you wanna watch out for that.”
Whoever this guy was, he apparently didn’t let up - you can still hear him hollering “Alligator” on the 3/27 AUD - and on 3/28 after Mexicali Blues, someone’s still calling for Alligator, and Lesh felt the need to speak up too:
“Hey, for all you Alligator fans out there...we understand there's a lot of Alligator fans out there, but we done forgot it, see. And so we're gonna have to remember it sometime later, you know.”
Even on the Europe tour, Weir still remembered this guy – in the 4/11 Newcastle show after Brown Eyed Women, someone else yells for Alligator (hopefully not the same guy!), and Weir replies:
“The guy hollering Alligator is serious. He's dead serious. There's an alligator in the Academy of Music. He lives under, I think rows triple-C and triple-D. And he wakes up for the rock and roll shit. So there's always some dude back there hollering ‘Alligator! Alligator!’ and everybody else thinks he's making a request.”
At any rate, the band never played Alligator again, though they had brought back Caution for Pigpen’s final tour.
3/26 continues with Cold Rain & Snow, then a couple new songs: Chinatown Shuffle (which had debuted on 12/31/71), and Black Throated Wind (a newly-recorded song for Ace). After a little more tuning, a few more songs familiar from ‘71 follow - You Win Again, Mr Charlie, Jack Straw, and Loser.
Then we have some more banter – Lesh asks the audience: “Did I hear a request for Psychedelic Dildo? - Must be my hearing…” Someone in the band mentions “Steely Dan,” and Lesh cracks up on the mike, causing feedback. “Watch out for that 1600 cycles, it’ll get ya every time!” The rest of the band is quite amused by this: “Steely Dan, ha ha!”
(The surprising thing about this is that the band Steely Dan had just been formed, and wouldn’t release any music for months yet, so the Dead must have been tickled by the name alone – it was the name of a dildo in Burroughs’ novel Naked Lunch. The Dead were joking not about a rival band onstage, but about beat literature!)
Weir announces: “First seven-eighths of this set is dedicated to Vic Tanny and associates the world over, for no reason at all.” (Vic Tanny was a bodybuilder and gym owner, so we can see how that train of thought developed…)
Then Weir sings Looks Like Rain, another new Ace song. As throughout this run, Garcia plays pedal steel on this song (as he had on the album) and Phil sings boisterous harmony. (Garcia had stopped playing pedal steel with the New Riders a few months earlier in November ’71, and hadn’t played it with the Dead since February ‘70. But a hopeful Weir had told the Harvard Independent back in February ’71, “I would like to see Jerry back us on pedal steel and we could do a few country numbers, which I certainly wouldn’t mind doing.” The idea wouldn’t last beyond the start of the Europe tour, though.)
After Looks Like Rain, Lesh pays their latest member a compliment: “That’s Keith, and he’s our new piano player. He’s been with us for quite a while now – part of the family, you might say. Actually, he’s our old piano player – we just didn’t know it for a long time.”
Big Railroad Blues and Big Boss Man follow, then they spend a couple minutes tuning for Playing in the Band. Lesh comments: “And now we’re gonna play a song that’s about playing a song that’s about playing a song…” There seems to be some muttering about the sound system, though, and Lesh addresses the sound crew: “Hey, they’re all crying down here for us to make it louder. You know what that means.”
Playing is excellent as always. (One notable thing about this Playing is that it’s the last version for a long time with no Donna!) The band keeps up a churning rhythm as Garcia floats majestically over the top, alternating wah-wah wails, sustained cries and rapid flurries, climaxing in screeching trills that Godchaux balances perfectly on piano. Kreutzmann really kicks through the jam, and Godchaux adds jazzy piano tinges – he’s very up-front in his playing, goading Garcia on. The jam calms down and then swells in intensity again – finally the band coalesces in an awesome extended single- chord crescendo that gradually quiets down for a return of the Main Ten riff. This is still done more quickly than it would be later in ’72, indeed Garcia rushes back to the chorus too soon! (It’s always impressive how carefully they handle the quiet outro after the last chorus, though.)
After a brief cowboy detour into El Paso, it’s time to close the set, and Kreutzmann starts off Good Lovin’ with the familiar drumbeats. This is a textbook version of Good Lovin’, full of driving hot rhythms meant to get the audience boogieing – it’s very similar to the 3/21 version. Pigpen sings his standard rap with feeling – it’s not about the words, but about the chantlike feel of his repeated lines – then he steps back with a wail and lets the band tear into a jam. It’s all about the nonstop rhythm, but sometimes Garcia rips out some great leads. Midway they suddenly stop and resume quietly under Pigpen’s rap, like a practiced r&b band. There’s so much forward momentum, it’s a surprise when they pause to return to the main riff; they prolong it so Pigpen can time the end of his rap with the chorus.
They slam to a strong ending, and Pigpen says: “Thank you. We’re gonna take a short break now, and we’ll be back in a few minutes.” (This is rare! I can’t think of many times when Pigpen announced the set-break.)
SET II
They did Truckin’ at four shows on this run (every other show), and each time it always started the set. So after some tuning, it’s no surprise to hear Truckin’ – and it’s a lot more driving than on 3/21. The band pours enthusiastically into the strong jam, Garcia especially blazing. After truckin’ on for a couple minutes, they calm down for a bit, then heat right back up again for another climax. After the last chorus is repeated, the music dissolves and rearranges as hints of the Other One slip into the jam. Space opens up for an interlude between bass, drums, piano & rhythm guitar – the band starts to resemble a chamber-jazz combo, and Garcia drops in some sweet lines. Lesh, Kreutzmann & Godchaux start a funky little vamp, which gradually turns into a remarkable full-fledged jam of its own. Weir adds a nice chord backing, Garcia re-enters and fits in some perfect lines, and the music takes on a warm, somehow familiar feeling. They roll along for a bit, as if letting the music play itself – then the theme passes and the jam breaks up. After a few rhythmic dead ends, Lesh keeps rolling out false starts to the Other One; but it’s time for drums. The others drop out, and Kreutzmann gets the spotlight. (The whole Truckin’ jam was 13 minutes, much longer than any Truckin’ had gone before.)
After a few minutes of drums, the Other One comes in with a bang. It’s very energetic - fast Garcia runs, darting bass, tumbling drums, and punchy rhythm. The jam stays centered on the Other One theme for a few minutes – there’s a tough, aggressive feel, the instruments whirling like a flock of hungry birds in a quick climax. (As the band quiets down, the crowd can be heard cheering.) Once they’ve worked out the knots, they start to drift and leave the rhythm. The music washes like an abstract sonic wave, toms rolling as the band surges together. Everyone starts playing fast notes, creating a bubbling effect, as Lesh’s bass lead ties it all together. The piano guides them into an alarming space – Garcia cries out, Weir warbles feedback, Kreutzmann thumps and rattles, Godchaux stabs out piano clusters, and Lesh underpins them with a giant rumble. Fragments of the Other One theme start to creep back in like little echoes, and they slowly reform around it - the twirling strands of music fly out freely, then pull together in an insistent rhythm, made solid by Kreutzmann’s drumbeat. Weir very quickly sings the verse (and Pigpen suddenly appears on organ, just in time).
They stay on theme after the verse, still going frantically pell-mell as if they’re running a race. Pigpen stays on organ, adding a nice circus texture. They tumble forward, so it sounds like they’re going straight for the second verse, but then put on the brakes. The guitars start a repeating two- chord pattern – and suddenly things get dense, and they fall into another pounding climax with Weir and Garcia struggling together in noisy confusion. Lesh unwinds from this with twisting bass lines as Godchaux hits a few fractured chords. Weir starts a spiraling line, and Garcia plays a tormented lead over it. Pigpen is still swirling in the backdrop, and the mood is very heavy. Lesh nudges them back to the Other One theme again, but it doesn’t last for long. Garcia keeps playing an especially distressed-sounding lead, and the band scatters back to arrhythmic wildness - bass grunts, ringing organ, odd chords from Weir & Godchaux, and Garcia’s piercing keens. Then there’s a little passage of Weir chimes and bass groans with light piano/organ backing. When Garcia comes back in, they all combine in a brief harmonic maelstrom, the instruments twisting around each other in hideous beauty. It subsides, and there’s a little drum break as the audience cheers. Garcia percussively beats on his strings and Lesh plays along with the rhythm; Weir returns with a strum, and suddenly before knowing it, they have entered Me & My Uncle. (24 minutes into the jam.)
After this jaunty western interlude, Weir and the band dash straight back into the Other One riff out of the song. Kreutzmann’s banging hard on the drums, but they tone it down for a quiet segment. Garcia does a pretty solo over Weir’s subdued chords - Lesh initially plays the root notes but then starts following Garcia’s lines in a duplicate lead. He drops to low repeating notes, and Garcia climbs up the frets to a high note, joined by Pigpen in a small finale. After some momentary uncertainty, Lesh hints at the Other One theme; Weir & Kreutzmann grab on, and they lead the band back to the second verse.
The Other One crashes to a somewhat unsynchronized end (this epilogue was about five minutes long); when Garcia starts up the Wharf Rat chord, and the others slowly tumble in. It’s a fine, strident version, with another long solo at the end – which comes across as more upbeat, less poignant than on 3/21, and ends with a march of slow harmonics and drums, and a final cry of feedback.
(Definitely no shiny melodic jams in this Other One! It’s very dense, driving, and focused – the groupmind is quite impressive as the music disintegrates and coalesces at will. Stormclouds thunder through the jams here; with its raging, heavy atmosphere, it looks forward to the Other Ones of late ’72.)
Weir perks things up again with a fast, standard Sugar Magnolia. Then they slow things down for Pigpen’s new song Two Souls, which they performed at six of these shows – it has a nice Garcia solo and a long, emotive ending as Pigpen sings, “Won’t somebody please help me!” (Note that the band hasn’t yet added the “whoa-oh” backing vocals at the end that they would do in Europe.)
Lesh immediately starts the Not Fade Away riff, and Kreutzmann obliges by starting the beat. NFA closed four shows in this run - like Truckin’, it was done at every other show. (On 3/21 it was rather brief and perfunctory; 3/23 and 3/28 were both good versions, but very similar – they’d streamlined NFA since the giant jams of late ’71.) It’s a typically hard-driving version, not too different from the others, though there’s a nice reflective passage before Goin’ Down the Road starts, that almost goes into China Cat mode. (They would extend this idea in the 3/28 version.) Goin’ Down the Road rocks out, and the Goodnight coda is reasonably extended before the band stomps back into Not Fade Away. (This is also the last version of Goin’ Down the Road without Donna, as she joins in the chorus on 3/28.) I like how Weir & Pigpen both sing the “not fade away” closing – Pigpen has impeccable timing.
The band leaves as Weir says, “See y’all later, folks.” |
3 flac
|
|
| 141. |
03/27/72 |
Academy of Music - New York,
NY |
A | Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat (48k)
Transfer Info:
Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 9, 2008
Notes:
-- All disc changes are seamless |
2 flac
|
|
| 142. |
04/08/72 |
Wembley Empire Pool - London,
England |
A | Source: SBD
Lineage: Discs 1 and 2: MR > DAT > CD > EAC > SHN
Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN
Extraction, retracking of discs 1 and 2,
and SHN encoding by G.S. Hamilton
Thanks to Seth Kaplan for this wonderful show!
|
2 flac
|
|
| 143. |
04/14/72 |
Tivoli Theater - Copenhagen,
Denmark |
A | Recording Info:
SBD -> (16 Track) Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 2, 2006
Patch Info:
FM -> Master Reel -> Cassette -> Cassette -> Dat -> CD supplies:
d1t08 - Me And Bobby McGee (patched from 5:08 - 6:20)
d1t09 - Cumberland Blues (patched from 0:00 - 0:37)
d1t09 - Cumberland Blues (patched from 1:23 - 3:29)
SBD -> Master Reel -> Cassette -> Dat -> CD supplies:
d3t01 - Dark Star (patched from 0:00 - 0:43)
d3t01 - Dark Star (patched from 18:01 - 22:48)
d3t03 - Good Lovin' (patched from 14:37 - 15:12)
Notes:
-- Thanks to Steve Rolfe for the Dat
(Trade CDs >FLAC (Level 8) Via xACT 2.35) |
2 flac
|
|
| 144. |
04/17/72 |
Tivoli Concert Hall - Copenhagen,
Denmark |
A | Recording Info:
SBD -> (16 Track) Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 2, 2006
Patch Info:
FM -> Master Reel -> Cassette -> Cassette -> Dat -> CD supplies:
d1t08 - Me And Bobby McGee (patched from 5:08 - 6:20)
d1t09 - Cumberland Blues (patched from 0:00 - 0:37)
d1t09 - Cumberland Blues (patched from 1:23 - 3:29)
SBD -> Master Reel -> Cassette -> Dat -> CD supplies:
d3t01 - Dark Star (patched from 0:00 - 0:43)
d3t01 - Dark Star (patched from 18:01 - 22:48)
d3t03 - Good Lovin' (patched from 14:37 - 15:12)
Notes:
-- Thanks to Steve Rolfe for the Dat
(Trade CDs >FLAC (Level 8) Via xACT 2.35) |
2 flac
|
|
| 145. |
04/26/72 |
Jahrhundert Halle - Frankfurt,
Germany |
A | Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable)
This is an upgrade to the previous shn set
http://db.etree.org/shninfo_detail.php?shnid=9197
The sound quality here is on par with the commercially released tracks, while the previous shn set I now believe to have been from an FM broadcast based on the spectral signature and hiss level. This new shn set also includes El Paso which was missing from the previous, "FM" shn set. Although I do not know the exact source/lineage information, it is probably from the same 16 track tapes used for the commercial release.
shn encoding mvernon54@attbi.com.
shntool provides track times and confirms no sector boundary errors
submitted to etree ~ 10/31/02
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
|
2 flac
|
|
| 146. |
04/29/72 |
Musikhalle - Hamburg,
Germany |
A | Recording Info:
SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k)
Transfer Info:
Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
April 22, 2008
Notes:
-- All disc changes are seamless
-- There is a tone that can be heard during quiet passages
-- The tone's frequency changes throughout the show |
2 flac
|
|
| 147. |
05/03/72 |
Olympia Theater - Paris,
France |
A | Lineage:
Soundboard->Master Reel (multi-track)->DAT x 5
Transfer:
DAT->ZA2->.wav->mkw->SHN
DAT seed provided by Michael P. Weitzman
Transfer and SHN by Joe Samaritano
1/25/2004
Notes:
1. Known lineage and transfer from DAT, no EAC step.
2. Most circulating copies have digital noize about
a minute into Bertha, this seed is clean.
3. Some circulating copies are plagued with static
from Truckin' on, this seed is clean.
4. Consistent with other copies, Casey Jones has a
skip about 4 minutes in.
5. China Cat->IKYR, Tennessee Jed, and Jack Straw are
patched in from the Europe '72 CD. If you don't own it,
please go buy it today! |
2 flac
|
|
| 148. |
05/04/72 |
Olympia Theater - Paris,
France |
A | Recording Info:
SBD -> (16 Track) Master Reel -> Dat
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus ->
Samplitude Professional v8.01 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 6, 2006
Notes:
-- Thanks to Steve Rolfe for lending me his Dat
-- 2nd Set disc changes are seamless
-- Cut at start of Casey Jones
-- Cut at end of Dark Star
-- Cut in Not Fade Away
-- Diginoise in Big Railroad Blues patched with shnid#20562
-- Next Time You see Me is from a different source
Set 1: |
2 flac
|
|
| 149. |
05/10/72 |
Concertgebouw - Amsterdam,
Netherlands |
A+ | Source: SBD
Lineage: S:MR > Cassette > DAT > CDR > SHN
Extraction and SHN encoding by Seth Kaplan
Thanks Seth for this excellent show!
|
2 flac
|
|
| 150. |
05/11/72 |
Rotterdam Civic Hall - Rotterdam,
Netherlands |
A | Soundboard: Master Reel >Reel >PCM >DAT >CDR
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o.
CD Masters >FLAC (Level 8) Via xACT 2.28 |
3 flac
|
|
| 151. |
05/13/72 |
Lille Fairgrounds - Lille,
France |
A | source: sbd > mr > cass > dat > cda > wav > shn v3
dae: eac, high secure mode, offsets in place, wav md5's included.
|
2 flac
|
|
| 152. |
05/16/72 |
Theatre Hall - Luxembourg,
Luxembourg |
A | Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
|
2 flac
|
|
| 153. |
05/18/72 |
Kongressaal Deutsches Museum - München,
Germany |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
|
2 flac
|
|
| 154. |
05/23/72 |
Lyceum Ballroom - London,
England |
A | Genealogy: MSR>C>DAT>CD>EAC>WAV>SHN.
This shn file set may or may not be derived from the same source as other shn file sets with this date, however the source discs for this file set have a verified lineage, and are reportedly of better sound quality than other file sets with an unverified or suspect lineage. This source exhibits occasional static throughout, which seems to be from the master recording. In addition, much of the between-song tuning is at the start of tracks. No edits of any kind were made to this file set, including patches from other sources listed at db.etree.org. I'll leave that to someone who is brave enough to sort out the mess of sources that exist for this show. My hope is that the track timings listed below might help sort out the mess. Special thanks to Andy Lemieux for the source discs.
|
2 flac
|
|
| 155. |
05/26/72 |
Lyceum Ballroom - London,
England |
A | Soundboard: Master Reel >DATx5 >CD >FLAC
(Trade CDs >FLAC (Level 8) Via xACT 2.35) |
2 flac
|
|
| 156. |
07/18/72 |
Roosevelt Stadium - Jersey City,
NJ |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 20, 2006
Patch Info:
AUD>Cm>?>Reel>Dat>CD supplies the following patches:
Jack Straw (0:07 - 0:10)
Beat It On Down The Line (0:36 - 0:39)
Dark Star (21:00 - 21:03)
Comes A Time (3:38 - 6:36)
Not Fade Away (0:31 - 0:32)
Going Down The Road Feeling Bad (1:35 - 1:37)
Not Fade Away (0:34 - 0:38) (AUD>Cm>?>Cass>Dat>CD)
Notes:
-- Drop out in Bertha removed, no patch available
-- This is the complete show from the SBD (minus encore)
-- I patched the drop-outs and cleaned up the tape pauses, etc.
-- Pops and static removed with Cool Edit Pro v2.0
-- Many tracks still have static & buzzing from the piano |
2 flac
|
|
| 157. |
07/22/72 |
Paramount Northwest Theater - Seattle,
WA |
A | Sound Board Master Reel>DAT 16/48
DAT Master Transfer from The Collection of Todd Evans
DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
-Utilized mastering tools from Universal Audio:
* UAD1e-DSP
* Cambridge EQ
* LA2A
* Precision Limiter
* Waves Tools- S1 Imager, RBass and Z-Noise
* L3 for Dither
All mastering performed in Wavelab 6.0 by Jamie Waddell.
-This is an improvement over the circulating 13562 , though the cuts and missing songs are similar.
-Billy Kreutzman's drums are quite high in the mix. That's how the mix happened that night.
-Volume fluctuations were rampant and evened out over the whole show on a song by song basis
-There are a few reel flips and whatnot throughout...all made listenable
-thanks to the shnflac irc chat for listening and approving.
a **GEMS Production** www.shnflac.net August 2007
|
2 flac
|
|
| 158. |
07/25/72 |
Paramount Theater - Portland,
OR |
A | SBD>MR>C>D>CD>EAC>SHN
|
2 flac
|
|
| 159. |
07/26/72 |
Paramount Theater - Portland,
OR |
A | Source: MR > PCM > DAT > CD > EAC > SHN
Patch Source: Master Soundboard Reel > DAT > ZA2 > CDR x2
Edits: SHN > WAV > Sound Forge > CDWave > FLAC (level 8)
NOTES:
- Primary source shnid 8957
- Patch source (sbd) shnid 1411
- Greatest Story patched from alternate sbd source. The patch was adjusted
with iZotope Ozone to brighten it up and better match the primary source.
- Several sub-second dropouts @ 12:38 in Dark Star repaired.
- The disc breaks were made seamless.
- He's Gone was already patched from (I believe) the same alt. source used to
patch GSET.
- Dark Star has been left intact, tracked as a single cut. In the previous seed,
there was a "Drums" track which was really a brief Drums followed by Phil/Drums
and then an extended jam before the return to the theme. Dark Star breaks down
like this:
- Thanks to Charlie Miller for his comment under shnid 8957 which suggested
this fix.
- The only way to get this onto 3 audio discs would have been to cut out much of the
tuning and banter, which is often entertaining. Jerry says to Weir before BTW, "You
gonna bullshit all night or play..."
- Put the kids to bed and enjoy this fine show.
|
2 flac
|
|
| 160. |
08/12/72 |
Sacramento Memorial Auditorium - Sacramento,
CA |
A | Source: SBD
Lineage: Reel master > DAT > CDR > EAC > SHN
Thanks to Seth Kaplan for this copy!
Retracked (Cool Edit/CDWav) by G.S. Hamilton
Notes:
D1t09 (El Paso): ending cut
D1t10 (Tennessee Jed): first half cut
D2t03 (Jack Straw): large cut @ 3:11
D2t05 (GSET): First couple of seconds cut
|
2 flac
|
|
| 161. |
08/20/72 |
San Jose Civic Auditorium - San Jose,
CA |
A | SBD -> Cassette Master -> Reel -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net |
3 flac
|
|
| 162. |
08/21/72 |
Berkeley Community Theater - Berkeley,
CA |
A | Source: SBD>MR>PCM>DAT>CD>EAC>SHN
D1t03 (Black-Throated Wind): brief buzziness/possible digi-snit @ 5:04
D1t06 (China Cat): brief buzziness/possible digi-snit @ 2:09
D1t09 (Sugareee): brief buzziness/possible digi-snits @ 1:32 and 6:24
D2t04 (Casey Jones): reel splice @ 1:01
D2t06 (Ramble On Rose): brief digi-snit @ 3:11
D3t01 (Dark Star): occasional transient distortion (for example, @ 21:30); minor diginoise @ 20:14 and 20:30 |
2 flac
|
|
| 163. |
08/22/72 |
Berkeley Community Theater - Berkeley,
CA |
A | Set 1 Recording Info:
SBD -> Master Reel (10 inch Master Reels @ 7.5ips 1/2trk) ->
Apogee AD500 -> Master Dat (Panasonic SV3800/48k)
Set 1 Transfer Info:
Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus ->
Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
Set 2 Recording Info:
SBD -> Master Reel (10 inch Master Reels @ 7.5ips 1/2trk) -> PCM -> Dat -> CD
Set2 Transfer Info:
CD -> EAC -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
2/13/04
Notes:
-- First few notes of Bertha are missing
-- All disc transitions are seamless
-- The 2nd Not Fade Away cuts at 1:18
-- Cool Edit Pro v2.0 used to remove numerous pops
-- There is some distortion from the Piano
-- There were channel loss and level changes going on in Loser, most fixed.
-- In the middle of the 1st Set, there is a level change, and then it gets a little hissy.
|
2 flac
|
|
| 164. |
08/24/72 |
Berkeley Community Theater - Berkeley,
CA |
A+ | Recording Info:
SBD>Rm>Dat(48k)
Transfer Info:
Dat(Sony 500)>Prodif Plus>Samplitude v6.0>SHN
Notes:
Sugar Magnolia, Ramble On Rose And Greatest Story Ever Told
Patched From SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN
All transfers (including the patch) were done by Charlie Miller
charliemiller87@earthlink.net
6/12/03 |
2 flac
|
|
| 165. |
08/25/72 |
Berkeley Community Theater - Berkeley,
CA |
A | Source: Partial Set 1: SBD>MR>PCM>DAT>CD>EAC
Partial Set 2: FMSBD>??? |
2 flac
|
|
| 166. |
08/27/72 |
Old Renaissance Faire Grounds - Veneta,
OR |
A+ | Bertha Remaster of the Braverman/Dank 16 track source.
SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
(Between songs from the two-track master reels)
|
2 flac
|
|
| 167. |
09/03/72 |
Folsom Field, U of Colorado - Boulder,
CO |
A | Recording info: SBD > Bear's Master Reels > Cassette
Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz
Recorded by Augustus Owsley Stanley III (aka Bear)
2023 transfer and mastering by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
Originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on September 3, 2023
https://spinitron.com/KXCI/pl/17830348/Dead-Air
Originally shared to www.shnflac.net in November 2023 |
3 flac
|
|
| 168. |
09/09/72 |
Hollywood Palladium - Hollywood,
CA |
A | Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD
Transfer Info:
CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 13, 2010
Patch info:
Sony ECM 22P -> Master Reel -> ? -> Cassette (shnid=31949) supplies:
Tennessee Jed (6:21 - 6:49)
Johnny B. Goode (3:42 - end of track)
China Cat Sunflower (0:00 - 0:13)
Truckin' (9:25 - 9:50)
The Other One (18:36 - 18:38)
Notes:
-- All disc changes are seamless
-- This is a re-master of shnid=14086
-- The pitch is not perfect but is a lot better
-- Dozens of flaws cleaned up - some may still remain
-- Thanks to Joe B. Jones for his help with the pitch correction |
2 flac
|
|
| 169. |
09/10/72 |
Hollywood Palladium - Hollywood,
CA |
AA | Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz) |
2 flac
|
|
| 170. |
09/15/72 |
Music Hall - Boston,
MA |
A | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 ->
Samplitude Professional v11.2.1 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 12, 2015
Patch Info:
Audience (shnid=7924) Supplies:
The Other One (22:00 - end of track)
Sugar Magnolia (complete track)
One More Saturday Night (complete track)
Notes:
-- All disc changes are seamless
-- Reel flips in Tennessee Jed and Playing In The Band
-- Thanks to Joe B. Jones for his help with this project
|
2 flac
|
|
| 171. |
09/17/72 |
Baltimore Civic Center - Baltimore,
MD |
A | small digi-snit during Uncle John's Band.
tech notes: fixed show order/track order(moved Uncle John's Back to where it occured)
**/spliced in the encore from corey wolfson/david minches aud source(shnid 28165). added to checksums(rehashed)
shn > flac with Traders Little Helper, Tagged with Foobar2000 + LST addon(etree/furthurnet)
checksums rehashed and validated with TLH 2.7.0, .fpl playlist generated with foobar2000 1.3.10
Flac encoding notes:
All processing with Traders Little Helper
Shn - st5 generated
Shn > Flac ( level 8 )
Flac - st5 generated and matched to Shn st5
Tagging notes:
Show information is embedded within the headerof each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected.
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
MisterMojoRising 4-26-2016
|
2 flac
|
|
| 172. |
09/21/72 |
The Spectrum - Philadelphia,
PA |
A | Soundboard; Master Reel >DAT >CDR >FLAC
Trade DATs Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
(Transferred By OldNeumanntapr) |
2 flac
|
|
| 173. |
09/23/72 |
Palace Theater - Waterbury,
CT |
A | Source: SBD >MR >Cass >DAT >CDR >EAC >SHN >FLAC
From the point of the splice in Rider, all the way through
Deal, there is an oscillating fuzziness that sounds like
tape waver, reminiscent of how some of the water-damaged
Betty tapes sound. It is particularly bad on Deal. Playing
reverts to the previous cleaner sound, and the sound is fine until
about the 6:11 point in GDTRFB. From here on, there is an
oscillating loss of the left channel, again sounding like a
problem with tape wavering as it passes over the record head.
D1t01 (Big River): intermittent static in right channel 2:34-2:45
D1t02 (Sugaree): occasional right channel static, some soundboard problems
D1t07 (Rider): cut/splice @ 1:57; some tape waver and fuzziness in latter half
D1t09(Tennessee Jed)-D2t01 (Deal): intermittent tape waver/oscillation?
D2t07 (Around And Around): dropout @ 3:39
D3t04 (Wharf Rat): discontinuity/splice @ 7:12
D3t08 (GDTRFB)-10 (OMSN): intermittent fadeout of left channel
|
2 flac
|
|
| 174. |
09/24/72 |
Palace Theater - Waterbury,
CT |
A | Recording Info:
SBD > MR > ? > C > DAT > SHN
Transfer Info:
SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC
NOTES AND FIXES:
Retracked, patched, remastered upgrade of shnid 25282.
Overall cleanup was needed to remove many digital artifacts.
Big sonic improvement now with better clarity and presence.
Patches were pulled from aud shnid 99860. Thanks for this.
Fades used on many tracks for smooth transition.
This is a good mix with all instruments and vocals balanced.
35 plus minutes of "Dark Star". A deep space experience...sick!
Set 1, disc 1, track 8 patched from 0:00 - 04:18
Set 1, disc 2, track 1 patched from 14:55 - 16:11
Set 2, disc 3, track 5 patched from 05:40 to end
Tracked, patched and mastered by Bill Guarneri, July 28, 2014
____________________________________________________________ |
2 flac
|
|
| 175. |
09/26/72 |
Stanley Theatre - Jersey City,
NJ |
A | Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz)
notes:
- this version of this classic show has been provided by an anonymous source
- there is no cassette gen. in the lineage of this documented source
- the original sound has not been altered in any form
- the reel splices in 'cumberland blues' and 'the other one jam'
had been crossfaded for smoothed transitions
- the second set opener 'bertha' is missing as on all other copies
- occasional level fluctuations had been corrected
- occasional static and some noise had been removed
- the cuts between many of the songs had been softened for smooth transitions
- all files are tagged
edited and mastered
BRUNO
March 2013 |
2 flac
|
|
| 176. |
09/27/72 |
Stanley Theatre - Jersey City,
NJ |
A | Soundboard Reel >Reel >PCM >DAT >CDR >FLAC
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35
Transferred By OldNeumanntapr
|
2 flac
|
|
| 177. |
09/28/72 |
Stanley Theatre - Jersey City,
NJ |
AA | |
2 flac
|
|
| 178. |
09/30/72 |
American University - Washington,
DC |
A | Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
2/25/02 |
2 flac
|
|
| 179. |
10/02/72 |
Springfield Civic Center - Springfield,
MA |
A | Recording Info:
SBD -> Master Reel -> Dat -> Data DVD
Transfer Info:
Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
April 17, 2011
Notes:
-- All disc changes are seamless
-- Thanks to David Gans for the recording
-- Thanks to Joe B. Jones for his help with the pitch correction |
2 flac
|
|
| 180. |
10/09/72 |
Winterland Arena - San Francisco,
CA |
A+ | Recording Info:
SBD > MR > C > DAT > CD
Transfer Info:
CD > WAV > Sound Forge 10 > TLH > FLAC
FIXES AND NOTES:
A remastered, retracked version of shnid 5249
Abrupt track cuts were faded for continuity.
Dead air before and after songs was eliminated.
Vocals were attenuated for proper balance.
No patches were made due to lack of an aud source.
Disc 1, track 9, incomplete, fades out
Disc 1, track 13, 2 second cut at 04:00
Disc 2, track 1, incomplete, fades out
Disc 2, track 2, guessing at title
Disc 3, track 1, fades out
Disc 3, track 5, incomplete, fades out
Grace Slick (vocalist of Jefferson Airplane) sings on Disc 2
track 2, plus helps out with harmony on several other tracks.
This is a terrific performance and a nice overall recording.
Another ignored jewel returned to general circulation.
Mastered and retracked by Bill Guarneri, July 3, 2014. |
2 flac
|
|
| 181. |
10/17/72 |
Fox Theatre - St. Louis,
MO |
A | Source: MSR>C>DATs>CDRs>EAC>SHN |
2 flac
|
|
| 182. |
10/18/72 |
Fox Theatre - St. Louis,
MO |
A+ | Recording Info: SBD > Master Reel > Dat
Transfer Info: Dat > Samplitude Professional v10.22 > FLAC
All Transfers and Mastering By Charlie Miller
|
2 flac
|
|
| 183. |
10/19/72 |
Fox Theatre - St. Louis,
MO |
A+ | SBD > MR > Cass > DAT > CDR |
2 flac
|
|
| 184. |
10/24/72 |
Milwaukee Performing Arts Center - Milwaukee,
WI |
A | Recording Info:
SBD -> Master Reel -> Dat -> Sonic Solutions -> CD
Transfer Info:
CD -> Samplitude Professional v11.03 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 12, 2010
Patch Info:
Sony ECM-250 -> Cassette Master (shin=97641) supplies:
The Other One (6:06 - 6:53)
SBD -> Reel Master -> Cassette -> Dat -> CD supplies:
Casey Jones (complete track)
Johnny B. Goode (complete track) |
1 flac
|
|
| 185. |
10/26/72 |
Cincinnati Music Hall - Cincinnati,
OH |
A | Recording Info:
SBD -> Cassette Master -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01
-> FLAC (3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 15, 2006 |
2 flac
|
|
| 186. |
10/28/72 |
Cleveland Public Hall - Cleveland,
OH |
A | SBD>MC>D>CD>EAC>SHN
Ampex C-90 cassette master
Notes:
--the overall mix is generally light on bass, and sometimes piano
--significant mix problems from Box Of Rain into Me & My Uncle
--splice at 1:52 in Bobby McGee
--dropout at 3:12 in Bobby McGee
--splice at 17:51 in Playin'
--splice at 1:52 in BIODTL
--"Philo Stomp" from 16:53 to 18:32 in Dark Star
--Sound Forge was used for normalization and to fix track boundaries
Part of The Music Never Stopped Project 2003
Thanks to KingBee & Andy Lemieux
encoding by JCotsman |
2 flac
|
|
| 187. |
11/13/72 |
Soldiers and Sailors Memorial Hall - Kansas City,
KS |
A | A Dick Latvala DAT shared with for Dead Air's 500th radio show, KXCI 91.3 FM Tucson.
This source and many more to come provided graciously by Jim Blackwood, former Dead Air co-host. We believe it is Dick's copy of Owsleys AUD. We know more of the AUD exists , but this is what Dick chose to share with KXCI. The song list is Dick's and the tracking reflects this.
Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz
Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz
TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE
-cut at 11:56 or so
-slight ammount of hiss, phenominal recording
Editing and Mastering on the GEMS Edit Station by Jamie Waddell
a **GEMS** Production www.shnflac.net February 1 2010
This is for Kevin Tobin |
1 flac
|
|
| 188. |
11/14/72 |
Civic Center Music Hall - Oklahoma City,
OK |
a- | Recording Info:
Source One: SBD-> Master Reel-> Cassette x 3-> Dat (d1t01-> d2t09)
Source Two: SBD-> Master Reel-> Cassette-> Dat (d2t10-> d3t07)
Transfer Info:
Dat (Sony R500)-> M-Audio Dio 2448-> Samplitude v6.0-> CD->
EAC-> SHN
(3 Discs Audio / 2 Discs SHN)
All Transfers By Charlie Miller
charliemiller87@earthlink.net
1/30/04
Notes:
--I forgot to make shn's off of my Dats which is why I had to
use EAC.
--This is a new conversion since the last one was missing GSET.
--Rob Eaton lists this show as a Cassette Master,
but he only has Set Two. |
2 flac
|
|
| 189. |
11/15/72 |
Civic Center Music Hall - Oklahoma City,
OK |
A+ | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 9, 2010
Patch Info:
SBD -> Master Cassette -> Dat supplies:
Ramble On Rose (0:09 - 0:57)
Playing In The Band (11:27 - 11:46)
Notes:
-- All disc changes are seamless
-- The mix starts off rough but gets much better very quickly
-- Thanks to Rob Eaton for lending me his Dats
[Trade CDs >FLAC (Level 8) Via xACT 2.35] |
2 flac
|
|
| 190. |
11/15/72 |
Civic Center Music Hall - Oklahoma City,
OK |
A+ | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 9, 2010
Patch Info:
SBD -> Master Cassette -> Dat supplies:
Ramble On Rose (0:09 - 0:57)
Playing In The Band (11:27 - 11:46)
Notes:
-- All disc changes are seamless
-- The mix starts off rough but gets much better very quickly
-- Thanks to Rob Eaton for lending me his Dats |
3 flac
|
|
| 191. |
11/17/72 |
Century II Convention Hall - Wichita,
KS |
A | sdb>>reel master>>cassette>>dat>>cdr |
2 flac
|
|
| 192. |
11/18/72 |
Hofheinz Pavilion - Houston,
TX |
A | Recording Info:
SBD -> Master Cassette -> Dat
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 ->
Samplitude Professional v11.2.1 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 10, 2012
Notes:
-- Disc change is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
|
1 flac
|
|
| 193. |
11/19/72 |
Hofheinz Pavilion - Houston,
TX |
A | Gave it an a because Bertha was/had sound variations
Recording Info:
SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B)
Transfer Info:
Reel (Dolby B Decoded) -> WAV (24bit/96k)
Mastering Info:
WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
(3 Discs Audio / 1 DVD FLAC)
Reels supplied and Transferred By David Gans
Mastered By Charlie Miller
charliemiller87@earthlink.net
November 8, 2012
Notes:
-- All disc changes are seamless
-- Mix problems in Bertha
-- Cut at 0:27 in I Know You Rider
-- Cut at 0:13 in Playing In The Band
-- Cut at 2:46 in Weather Report Suite Prelude
-- This is far from perfect but is still an upgrade to other sources
-- Thanks to Joe B. Jones for his help with the pitch correction
|
3 flac
|
|
| 194. |
11/22/72 |
Austin Municipal Auditorium - Austin,
TX |
a- | Recording Info:
SBD -> Reel Master -> Reel -> Dat (48k)
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charlieniller87@earthlink.net
August 19, 2011
Notes:
-- All disc changes are seamless
-- Thanks to David Gans for supplying the Dat
-- There were fades after most of the tracks which sucked
-- This is the same source that circulates but is a better transfer/mastering |
2 flac
|
|
| 195. |
11/24/72 |
Dallas Memorial Auditorium - Dallas,
TX |
A | SBD>MR>DAT>CDR>EAC>SHN |
2 flac
|
|
| 196. |
12/10/72 |
Winterland Arena - San Francisco,
CA |
A | Source:
MSR > Cass x 3 > DAT > CDR > EAC (secure mode, test and copy) > SHN |
2 flac
|
|
| 197. |
12/11/72 |
Winterland Arena - San Francisco,
CA |
A+ | Lineage: "7 MR @ 7 1/2 ips.>R@ 3 3/4 ips.(Kidd dub for Jerry)>R @ 3 3/4 ips(Will Boswell)>DVD
Tape stock: Black Maxell UDII reel tape.
Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering)
>> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz
Will's reel was dubbed in the spring of 1979 and to the best of my knowledge, has been the source to the circulating version. However, in this case, Pat Lee dubbed his reel off of will's so it could have been Pat's reel that has been the source through the years. I do know Will's reel has hardly been played and in pristine condition and the results bear this out- Matt Smith
Audience patches come from master tapes recorded by Gene Taback aka Snoid at LL. He and sent to me for this project. Some mastering and pitch correction was performed to improve the sound. The Johnny B Goode is on Gene's tape but likely isn't from that night, but we left it just because we wanted and because memories still seem hazy. Almost no music is missing from this now, short of the casey jones..2 patches in darkstar, 2 in china cat and tons of others. enjoy.
Another slightly better audience tape is in the works. This may be re-released some day.
As it stands, certainly an enjoyable listen.
Editing and Final Mastering by Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
All transfers, edits and mastering done in the 24 bit realm
Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
Tracked in CDWAV | Tag&Rename for Meta_Data
TradersLittleHelper for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)
Art by Gyro
[ a **GEMS** Production ][ www.shnflac.net ][ May 2010 ]
http://db.etree.org/shn/107877
|
2 flac
|
|
| 198. |
12/12/72 |
Winterland Arena - San Francisco,
CA |
AA | Recording Info:
SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
July 1, 2004 |
3 flac
|
|
| 199. |
12/15/72 |
Long Beach Arena - Long Beach,
CA |
A | Recording Info:
SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
July 1, 2004
Notes:
-- Seamless transition between discs 2 and 3.
-- Various flaws removed with Cool Edit Pro.
Notes:
- This version has been provided by an anonymous source.
- There was a cut in "Playin' In The Band2 of approximately 27 seconds which has been been patched with shnid 17186
- A number of level adjustments have been made and speed issues addressed.
- There is some light crackle in the left channel during the first 30 minutes or so of Set I, which is only really noticeable between songs and in quiet passages. Although it has been greatly reduced it cannot be entirely eliminated.
- All files are tagged.
edited and mastered
SIRMick
May 2013 |
2 flac
|
|
| 200. |
12/31/72 |
Winterland Arena - San Francisco,
CA |
A+ | ertha Remaster of the PreFM source.
(*)PreFM>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Sound A / Patched Sources B
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha,
by jashley@deadacated.com. Completed on August 18, 2004.
--------------------------------------------------------
From original text file, and prior to Bertha processing:
(*) Main Source:
Vault pre-FM reels > DAT
Patch Source:
pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340)
DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0
by Marc Pujol
WAV > SHN editing, encoding & patching by Matt Vernon
__________________________________________________________________________
|
2 flac
|
|
| 201. |
02/09/73 |
Roscoe Maples Pavilion, Stanford University - Palo Alto,
CA |
A+ | Bertha Remaster by jashley@deadacated.com
SBD >MR >Reel >DAT >SS >CDR >DAW(Bertha) >CDA >SHN >
COOL EDIT PRO>>SHN - Sound A
|
2 flac
|
|
| 202. |
02/15/73 |
Dane County Coliseum - Madison,
WI |
a- | MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD;
upgrade relative to previous shn copies; includes soundcheck and most of encores;
via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD
|
2 flac
|
|
| 203. |
02/17/73 |
St. Paul Auditorium - St. Paul,
MN |
A | Recording Info:
SBD -> Master Reel -> PCM -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v7.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 4, 2006
Patch Info:
The following songs are patched from SBD->?->Cassette->CD
Bird Song, BIODTL, Loose Lucy, Me And Bobby McGee & Stella Blue
Notes:
-- Thanks to Matt Smith for the patch source
-- Some pops and level problems fixed with Cool Edit Pro v2.0
-- This still isn't perfect, but it's a lot better and complete |
2 flac
|
|
| 204. |
02/17/73 |
St. Paul Auditorium - St. Paul,
MN |
A | Recording Info:
SBD -> Master Reel -> PCM -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v7.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 4, 2006
Patch Info:
The following songs are patched from SBD->?->Cassette->CD
Bird Song, BIODTL, Loose Lucy, Me And Bobby McGee & Stella Blue
Notes:
-- Thanks to Matt Smith for the patch source
-- Some pops and level problems fixed with Cool Edit Pro v2.0
-- This still isn't perfect, but it's a lot better and complete |
2 flac
|
|
| 205. |
02/19/73 |
International Amphitheatre - Chicago,
IL |
A | SBD : MC > C > DAT > SS > CDR > EAC > SHN
2nd set only |
1 flac
|
|
| 206. |
02/21/73 |
Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana,
IL |
A | Recording Info:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> Samplitude Professional v11.03 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 1, 2010
Patch Info:
SBD -> Master Reel -> Cassette supplies:
Jack Straw (complete track)
Notes:
-- All disc changes are seamless
-- Can not confirm set break is in correct spot
|
2 flac
|
|
| 207. |
02/22/73 |
Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana,
IL |
A | Recording Info:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> Samplitude Professional v11.03 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 1, 2010 |
2 flac
|
|
| 208. |
02/24/73 |
Field House, University Of Iowa - Iowa City,
IA |
a- | shnid=16051 provides last 4 tracks of the first set
SBD>MR>DAT>CDR>EAC>SHN
Notes for this recording:
El Paso cuts in at "Fear of Death"
Minor skip at 1:24 of Playin'
Muchos Gracias to Senor Raoul Duke por los disco
Another Installment of The Music Never Stopped Project
partial set |
1 flac
|
|
| 209. |
02/26/73 |
Pershing Municipal Auditorium - Lincoln,
NE |
A+ | Source: S:MR > cassette > DAT > CDR > EAC > SHN
Extraction and SHN encoding by Seth Kaplan
Thanks Seth for this show!
Info file and notes by G.S. Hamilton
(Trade CDs >FLAC (Level 8) Via xACT 2.35) |
2 flac
|
|
| 210. |
02/28/73 |
Salt Palace - Salt Lake City,
UT |
A+ | Source One:
SBDMR > ? > C > DAT > WAV > SHN
(set I and II through Promised Land)
Source Two:
SBDMR > R > C > CD > EAC > SHN
(set II //Nobody's Jam >>> end)
A>D & EAC>SHN by Noah Weiner (noahbw@attbi.com), February, 2003
Source One cassette playback on Nakamichi MR-1 > Fostex D5 DAT
(A>D only) > Turtle Beach Montego II Digital I/O > Sound Forge
(wav edits and track IDs) > SHNTOOL (SBE fix) > MKW Audio
Compression Toolkit (shn). This cassette provides an upgrade
to previous circulating copies.
Source Two provided by David Gans via direct transfer of his
cassette to CD > EAC > Sound Forge (normalizing, wav edits and
track IDs) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit
(shn). This cassette provides a known gen as well as the
complete "Eyes Of The World" and the "And We Bid You Good Night"
encore, neither of which previously circulated. |
2 flac
|
|
| 211. |
03/15/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
A+ | Source: Soundboard > Reel Master > Cassette > DAT (48k)
- This version has been provided by an anonymous source.
- A substantial amount of this show has never circulated in soundboard quality before and it's not hard to figure out why, parts of the Master Reels are not in very good shape at all. However, after major surgery, including a transplant, our patient is doing fairly well. The new Sugaree is functioning perfectly. Our benefactor is not in favour of audience patches so the patient is missing some vital parts as there are no suitable donors.
- "Sugaree" is provided by shnid 14035
- Some sections have been made mono as the damage in one channel was too severe to be repaired.
- The mix gets a little different in places. e.g. 'Me and My Uncle' has Weir's guitar up much higher than anything else for a lot of the track.
- All files are tagged.
edited and mastered
SIRMIck
April 2013
|
2 flac
|
|
| 212. |
03/16/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
A+ | Recording Info:
Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k)
Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 15, 2006
Patch Info:
AUD pulled from etree supplies:
Ramble On Rose (0:00 - 0:06)
Big River (1:11 - 1:50)
Truckin' (7:34 - 8:05)
Notes:
-- All disc changes are seamless
-- Thanks to Steve Rolfe for the Dat
-- 18:10 in Dark Star through Morning Dew from same source as Set 1
-- This is the 'infamous' bust show
-- This version doesn't have all the flaws that the other sources have
-- This is also an upgrade in sound quality
-- Some static in Sugar Magnolia
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
|
2 flac
|
|
| 213. |
03/16/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
A+ | Recording Info:
Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k)
Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 15, 2006
Patch Info:
AUD pulled from etree supplies:
Ramble On Rose (0:00 - 0:06)
Big River (1:11 - 1:50)
Truckin' (7:34 - 8:05)
Notes:
-- All disc changes are seamless
-- Thanks to Steve Rolfe for the Dat
-- 18:10 in Dark Star through Morning Dew from same source as Set 1
-- This is the 'infamous' bust show
-- This version doesn't have all the flaws that the other sources have
-- This is also an upgrade in sound quality
-- Some static in Sugar Magnolia
|
2 flac
|
|
| 214. |
03/19/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
A+ | Recording Info:
SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC
(2 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 27, 2013
Patch Info:
Sony Mic -> Master Cassette -> Reel -> Cassette -> CD -> FLAC (shnid=97417) supplies:
The Other One (6:36 - 6:52)
Johnny B. Goode (3:19 - end of track)
Casey Jones (complete track)
Notes:
-- Disc change in seamless
-- This is a remaster of shnid=9987
-- Thanks to Joe B. Jones for his help with the pitch correction |
2 flac
|
|
| 215. |
03/21/73 |
Utica Memorial Auditorium - Utica,
NY |
A | Recording Info:
SBD -> Master Reel -> PCM -> Dat
Transfer Info:
Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
5/15/05
Notes:
I originally transferred my Dat back in 2000. At that time, I only made Audio
discs. Someone asked me to circulate this source since the circulating source
has NR applied to it. My source DOES NOT have any NR applied to it. I made
these FLAC's off of my Master Audio Discs. Enjoy...cm
The afore mentioned NR was likely applied because there is a persistent
line buzz throughout. This is especially noticeable in the quieter sections
to the point of moderate annoyance.
|
2 flac
|
|
| 216. |
03/22/73 |
Utica Memorial Auditorium - Utica,
NY |
A+ | Most of Set I and some of Set II. missing 2nd Encore.
Middle reel of show unplayable due to mold and water damage.
10" Betty Board Reel > PCM501ES analog out >
Fostex D5 optical S/PDIF out (Jace's Tape) > disk
Transferred by Tim Deibert 6-10-2002
NOTES:
* Sound Forge 6.0 volume raised to +2.4dB.
* Sound Forge 6.0 peak normalization @ 99%.
*
notes from trailmix 3-15-07:
† Project WBOTB
† these shns were decoded to wav, SBE's fixed (by set), then encoded
to flac16 (level 6). The process was repeated and resulted in
identical wavs.
Although the original shns were created in 2002, they are not in
circulation and do not exist in the database (which is why these
shns were converted and fixed).
|
2 flac
|
|
| 217. |
03/22/73 |
Utica Memorial Auditorium - Utica,
NY |
A+ | Master Soundboard Reel (10.5 “ Reel, 1/2 Track, 7.5 ips) >DAT >CDR >FLAC
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35
Transferred By OldNeumanntapr |
3 flac
|
|
| 218. |
03/24/73 |
The Spectrum - Philadelphia,
PA |
A+ | 10" Betty Board Reel > PCM501ES >
Fostex D5 (Jace's tape) optical S/PDIF out > disk
Transferred by Tim Deibert 5-18-02
* First reel of show unplayable due to mold and water damage.
* Mold & water damage causes some distortion.
* Sound Forge 6.0 volume raised to +2.4dB.
* Sound Forge 6.0 peak normalization to 99%.
* Sound Forge Noise Reduction 2.0 noise reduction sample taken and
used to reduce hum to -30dB in mode 3.
* Splits in Truckin' at about 8:45.
notes from trailmix 3-15-07:
† Project WBOTB
† these shns were decoded to wav, SBE's fixed (by set), then encoded
to flac16 (level 6). The process was repeated and resulted in identical
.wavs.
† Although the original shns were created in 2002, they are not in
circulation and do not exist in the database (which is why these shns
were converted and fixed). |
2 flac
|
|
| 219. |
03/26/73 |
Civic Center - Baltimore,
MD |
A+ | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
(Trade CDs >FLAC (Level 8) Via xACT 2.35)
|
2 flac
|
|
| 220. |
03/26/73 |
Civic Center - Baltimore,
MD |
A+ | SBD>>MR>>DAT>>CDA>>CDA>>EAC>>SHN - Sound A Show A+
EAC and shortening by Jay Ashley, with CDA provided by
Charlie Miller.
...more on the DAT>>CDA>>CDA bit, from Charlie (13 SEPT 2000):
"Actually, I just remembered that 3/26/73 came to me on CD. I cloned it off of
a Sony CDP-XE500> Tascam CDRW700 via Monster optical cable. I have a Behringer
UltraMatch SRC2000 which has a jitter remover, but I didn't use it. I didn't
feel that it was neccesary. It also removes SCMS (so does the tascam) and the
track marks. I didn't feel like dealing with the track marks, so I didn't run
it through the jitter remover. The Tascam does bit-for-bit clones. Also, I
didn't have my 8x HP then.
This show circulates as MR>CASS>DAT>CD, but my copy is MR>DAT>CD. I don't think
that he would appreciate me giving out his name. Sorry. I am sure that you can
understand."
We understand :)
Seeded by Charlie Miller and uploaded by jashley@deadacated.com |
2 flac
|
|
| 221. |
03/28/73 |
Springfield Civic Center - Springfield,
MA |
A+ | gd73-03-28.sbd.miller.86459.sbeok.flac16
Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 13, 2007
Notes:
-- All disc changes are seamless
-- Minor diginoise in first part of Cumberland Blues
-- Quality improves for disc 3 |
2 flac
|
|
| 222. |
03/30/73 |
Rochester Community War Memorial - Rochester,
NY |
A+ | Recording Info:
SBD > Reel Master (10in 7.5ips 1/2trk) > Apogee AD-500 > DAT (Panasonic SV-3700/48k)
Transfer Info:
DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)
Additional Mastering:
WAV > Samplitude Pro X5 Suite > FLAC
(2 Discs Audio)
Original Transfers and Mastering by Rob Eaton
Additional Mastering by Charlie Miller
charliemiller87@earthlink.net
December 1, 2020
Notes:
-- Thanks to Rob Eaton and Dick Latvala for both sources
-- I removed the loud hum but a slight buzz still remains but it's inaudible during music
-- Thanks to Jim Blackwood for his input on this project
|
1 flac
|
|
| 223. |
03/31/73 |
Buffalo Memorial Auditorium - Buffalo,
NY |
AA | SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (audio DVD extraction through FLAC encoding by Gary F.
(2 discs .flac/3 discs audio) |
3 flac
|
|
| 224. |
04/02/73 |
Boston Garden - Boston,
MA |
A | Soundboard; Master Reel (7.5 ips / 2 Track Reel) >DAT >CDR >FLAC
Trade DAT Transferred: Tasca,m DA-30 >HHb CDR 800 PRO Via Analog i/o,
Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35
Transferred By OldNeumanntapr |
2 flac
|
|
| 225. |
04/02/73 |
Boston Garden - Boston,
MA |
A | gd73-04-02.sbd.miller.17346.sbeok.flac16
Recording Info:
SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD (David Gans' Master Discs) ->
EAC (Secure) -> SHN
CD -> SHN Conversion Done By Charlie Miller
charliemiller87@earthlnk.net
5/18/03
Thanks to David Gans for lending me his master discs!!! |
2 flac
|
|
| 226. |
05/13/73 |
Iowa State Fairgrounds - Des Moines,
IA |
A | gd73-05-13.sbd-set3.fix-miller-smith.flac16
Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 24, 2009
Notes:
-- Thanks to Matt Smith for the disc
-- More from this source to follow when I find my Dat
-- I fixed the pitch and worked on the levels a bit
-- Thanks to Joe B. Jones for his help with the pitch correction
|
1 flac
|
|
| 227. |
05/20/73 |
Campus Stadium, UCSB - Santa Barbara,
CA |
A+ | gd73-05-20.sbd.miller.86905.sbeok.flac16
Recording Info:
SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info:
CD -> EAC -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 24, 2007
Patch Info:
Sony Mic -> Master Cassette -> Reel -> Cassette -> Dat ->
CD supplies:
Box Of Rain (6:03 - 6:16) (post song tuning)
Deal (0:00 - 0:03)
Promised Land (0:00 - 0:08)
Here Comes Sunshine (7:43 - 8:07)
Nobody's Fault But Mine Jam (5:58 - 6:27)
Stella Blue (8:06 - 8:34) (post song tuning)
Sugar Magnolia (0:00 - 0:01) (9:20 - 10:09)
Alternate Multi-Gen SBD Source supplies:
Eyes Of The World (6:54 - 7:15)
Notes:
-- All disc changes are seamless
-- I cleaned up many flaws and fixed the levels
-- Line buzz during Bertha
-- First few notes clipped from Greatest Story Ever Told
-- Thanks to Noah Weiner for his previous work on this project |
2 flac
|
|
| 228. |
05/26/73 |
Kezar Stadium - San Francisco,
CA |
AA | Recording Info:
SBD -> Master Reel -> PCM -> Dat
Transfer Info:
Dat -> CD -> Samplitude Professional v9.02 -> FLAC
(4 Discs Audio / 2 Discs FLAC) |
2 flac
|
|
| 229. |
06/09/73 |
Robert F. Kennedy Stadium - Washington,
DC |
AA | |
4 flac
|
|
| 230. |
06/10/73 |
Robert F. Kennedy Stadium - Washington,
DC |
AA | |
3 flac
|
|
| 231. |
06/22/73 |
P.N.E. Coliseum - Vancouver,
BC |
A+ | Recording Info:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12
-> FLAC
(5 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 15, 2007
Patch Info:
(FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889)
supplies:
Bertha (0:00 - 1:23)
Big Railroad Blues (0:00 - 0:17)
The Other One (5:44 - 12:54)
Casey Jones (6:07 - end of show)
SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies:
Bird Song (Numerous patches to fix tracking problems)
The Race Is On (0:00 - 0:23)
I Know You Rider (2:01 - 3:12)
SBD -> Master Reel -> Cassette -> Dat -> CD supplies
Truckin' (7:51 - end of Casey Jones)
Notes:
-- Each set is seamless
-- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD
-- Truckin' contains Nobody's Fault But Mine Jam
-- The Encore will fit on end of 1st Set
|
2 flac
|
|
| 232. |
06/24/73 |
Memorial Coliseum - Portland,
OR |
A+ | gd73-06-24.sbd.miller.99852.sbeok.flac16
Recording Info:
SBD -> Master Reel -> DAT -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 3, 2008
Notes:
-- All disc changes are seamless
-- The first few tracks are a mess
-- Thanks to Matt Smith for the discs |
2 flac
|
|
| 233. |
06/26/73 |
Seattle Center Arena - Seattle,
WA |
A | gd73-06-26.sbd.goodbear.80602.sbefail.flac16
Sources:
3 - SBD >MR >Cass 1 (Latvala?) >GoodBear DAT >
5/2000 edit by GoodBear >CD >EAC
11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in
CoolEdit Pro) >FLAC 11/2006;
2 - SBD >MR >Cass 1 (Latvala?) >DAT >CD > "12076"> Teddy slight hiss reduction &
retracking in 11/2006 >FLAC;
1 - AUD MC >Reel >Reel >DAT >WAV >SHN (from "12076"> GoodBear heavy edit >FLAC)
*Teddy edited all original aud shnid "12076" with silence removal, heavy hiss
reduction, eq'ing and retracking in late 11/2006.
*Previous "12076" Loser aud patch edited with heavy hiss reduction & eq'ing
by Teddy in 11/2006 from about 2:56 to 3:23.
*AUD Patch from "12076" in Truckin' from 4:14 to 4:38 edited with heavy hiss
reduction & eq'ing by Teddy on 11/30/2006.
*shnid #12076 ~ AUD>MR(1)>C>D>CD>EAC>SHN. Audience recording provides:
--Casey Jones through Brown Eyed Women
--patch in Loser from 2:55 to 3:22
--all of Black Peter
--the final few seconds of Sugar Magnolia
(1) Per http://www.deadlists.com entry:
AUDMC > Reel > Reel > DAT > WAV > SHN
Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master
cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner November, 2002
Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT
(A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track
IDs) > SHNTOOL (SBE fix) > MKW (shn)
This recording is the same master that is found on current copies listed as
AUD>MR>C>DAT>CD. That genealogy is completely fabricated. Not only was the
recording not mastered on reel, but Amick put his master cassette onto reel and
all direct copies he made, that we know of, came from that. Judging from the
drastic difference in sound quality, this other listing is AUDMC>R>?>C>DAT>CD at
best. The difference in sound quality is absolutely striking.
*Notes on original shnid "12076":
--the first few seconds of He's Gone are clipped (they are clipped on the audience
recording as well)
--Sound Forge was used for a slight pitch correction throughout
--Part of The Music Never Stopped Project 2002
--Thanks to Mark Sweeney & Chuck Gannon
--Original shnid "12076" edits/encoding by JCotsman
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
**SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in
11/2006.
**SBD portions of Loser left unedited from "12076" and entire Loser only retracked
by Teddy in 11/2006.
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
***SBD>MR>C1 (Latvalla?)>Teddy DAT(1?)>5/2000 edit by Teddy in CoolEdit (slight
reduction in Bertha diginoise)>CD>EAC 11/2006 (slight hiss reduction & remove all
remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006.
***All timings were by Teddy in 5/2000 (retracked slightly 11/2006) w/extracting
from DAT & tracked on 5/30/2000 in CDWave.
***This is not shnid "5293" nor "12076". HOWEVER, "12076" (perhaps "5293" also) is
believed to be from another DAT copy of original source sometime in 9/2001 or more
then likely "5293"/"12076" was derived from Teddy 5/2000 seed. "12076" sounds
almost the same as Teddy's 5/2000 seed except minor retracking.
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
Teddy :^) http://www.goodbear.com
Home of etrees: http://www.goodbear.com/tree.html
All encoded to FLAC & Seeded 11/30/2006 by Teddy "GoodBear" Selby :wave: |
2 flac
|
|
| 234. |
06/29/73 |
Universal Amphitheatre - Universal City,
CA |
A | SBD>MR>R>D>CD>EAC>SHN
Notes:
--the first 1:20 of Jack Straw shows some noticeable tape wear
--splice @ 15:15 in Playin'
part of The Music Never Stopped Project 2002
Thanks to Mark Sweeney
edits/encoding by JCotsman
k Sweeney
edits/encoding by JCotsman |
2 flac
|
|
| 235. |
06/30/73 |
Universal Amphitheatre - Universal City,
CA |
A | BD > ? > DAT > CD
CD > Sound Forge 10 > TLH > flac > you
Transferred, tracked and mastered by Bill Guarneri
JazzFanatic, April 19, 2014
This was sourced from shn ID 177. "Hot" distorted vocals
marred this otherwise nice performance. Vocals were attenuated
resulting in better balance and less vocal distortion. Still
not perfect but much better. |
2 flac
|
|
| 236. |
10/29/73 |
Kiel Auditorium - St. Louis,
MO |
A+ | Recording Info:
SBD -> Master Reel -> Dat -> WAV
Transfer Info:
WAV -> Samplitude Professional v10.2.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 18, 2009
Patch Info:
2nd Gen AUD supplies:
Cold Rain And Snow (2:10 - 2:20)
Row Jimmy (0:00 - 0:26)
El Paso (complete song)
Around And around (0:00 - 0:02)
Truckin (7:27 - 7:55)
The Other One (14:14 - 14:16)
Notes:
-- Set 2 is seamless
(FLAC Tags Via xACT 2.50 By OldNeumanntapr)
|
2 flac
|
|
| 237. |
10/29/73 |
Kiel Auditorium - St. Louis,
MO |
A | Both sources have numerous cuts. Soundboard source has patches with another uncirculated audience source used. Longer patches were removed, shorter ones left in. No patches were used for the gaps in the audience source. Audience source is hissy, noticable during quieter parts in particular. El Paso is not on the sbd source, so aud only. Aud ends near the conclusion of Sugar Magnolia, so only soundboard thereafter.
Source 1(sbd): gd73-10-29.sbd.miller.32352.sbeok.flac16
Recording Info:
SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) ->
Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k)
Transfer Info:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude Professional v7.02 -> FLAC
(3 Discs Audio / 2 Disc FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
July 4, 2004 & February 10, 2006
Patch Info:
The following songs have patches from a 2nd Gen AUD:
Cold Rain And Snow 2:10 - 2:20
Mexicali Blues 0:00 - 0:03
Row Jimmy 0:00 - 0:26
El Paso 0:00 - 4:05 (complete song)
Around And around 0:00 - 0:02
Truckin 7:27 - 7:55
The Other One 14:14 - 14:16
Notes:
-- Thanks to Rob Eaton for letting me copy his dats.
-- Thanks to Matt Smith for the patch source discs.
Source 2(aud): gd73-10-29.116118.aud.cousinit.flac16
Taper: Unknown
Source: Unknown Mics and Deck>??>C>WAV>FLAC
Transferred and Encoded by Cousinit
Notes:
A nice AUD from 73. Sorry not much info for source and lineage. I only know the show was recorded by a Chicago area taper.
Enjoy!
|
2 flac
|
|
| 238. |
10/30/73 |
Kiel Auditorium - St. Louis,
MO |
A | Recording Info:
SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) ->
Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k)
Transfer Info:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude Professional v7.02 -> FLAC
(4 Discs Audio / 2 Disc FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
July 4, 2004 & February 10, 2006
Patch Info:
The following songs have patches from a 3rd Gen AUD:
Me And My Uncle 0:00 - 0:01
Eyes Of The World 6:27 - 6:42
Notes:
-- This source doesn't have some of the flaws that other sources have.
-- You can combine Discs 2 and 4 onto one CD if you want.
-- Thanks to Rob Eaton for letting me copy his dats.
-- Thanks to Matt Smith for the patch source discs. |
2 flac
|
|
| 239. |
11/09/73 |
Winterland Arena - San Francisco,
CA |
A | soundboard |
2 flac
|
|
| 240. |
11/23/73 |
County Coliseum - El Paso,
TX |
AA | Recording Info:
SBD -> Reel Master -> Cassette -> Dat -> CD |
3 flac
|
|
| 241. |
12/08/73 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
AA | Recording Info:
Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala)
Transfer Info:
Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16
Notes:
- Thanks to Dick Latvala for the source
- Thanks to Rob Eaton for the transfer
- Thanks to Dick Latvala and Charlie Miller for the shnid105607 MSR > Cassette source that supplies "Ramble On Rose", "El Paso", "Row Jimmy" and "Greatest Story > Bertha"
- Thanks to Matt Smith for the "Johnny B. Goode" audience source
- Thanks to Charlie Miller for coordinating this effort
- Tape flip in "China Cat Sunflower"
- End of "Around And Around" clipped
- Other One space included in "The Other One"
- Tape flip in "The Other One"
- A few notes missing in the "Greatest Story Ever Told > Bertha" transition?
Mastered by Charlie Miller & Scott Clugston
March 15, 2018 |
2 flac
|
|
| 242. |
02/22/74 |
Winterland Arena - San Francisco,
CA |
9.5 | Recording Info:
SBD -> Master Reel -> Dat
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
(4 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 12, 2011
Patch Info:
Alternate SBD Source provides:
Nobody's Fault But Mine (1:36 - 1:58)
China Doll (0:11 - 0:33)
|
3 Flac
|
|
| 243. |
02/23/74 |
Winterland Arena - San Francisco,
CA |
AA | Grateful Dead
Winterland
San Francisco, CA
February 24, 1974
Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=116902):
Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 3, 2011
Notes:
-- All disc changes are seamless
-- Numerous flaws were cleaned up
-- There is a Spanish Jam in Dark Star
-- Tape flips in Row Jimmy and Dark Star [and I Know You Rider]
-- Thanks to David Gans for lending me his Dats
-- Thanks to Joe B. Jones for his help with the pitch correction
-----------------------------------------------------------------
AUD (shnid=136266):
Unknown Very Good Audience Recording > PCM
Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->
Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR->
SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->
RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
tracked with Audacity-> flac level 8 and checksums with TLH->
tagged with Mp3tag
This recording was gratefully supplied by PO and Stucco TINA Holmes.
Thanks to spamjam for his equipment generosity.
Pitch Corrected By Kevin Tobin In Adobe Audition
Mastering in Wavelab 7.1 by Jamie Waddell
16bit 44.1kHz Track, FLAC and Pack by John Wenzel
a project **GEMS** Betamania Release July 2016
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
and to Kevin Tobin, Jamie Waddell, and John Wenzel for the AUD transfer.
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
August 1, 2016
Set I
-----
d1t01 - U.S. Blues
d1t02 - Mexicali Blues
d1t03 - Brown Eyed Women
d1t04 - Beat It On Down The Line
d1t05 - Candyman
d1t06 - Jack Straw
d1t07 - China Cat Sunflower ->
d1t08 - I Know You Rider
d1t09 - El Paso
d1t10 - Loser
d1t11 - Playing In The Band
Set II
-----
d2t01 - Cumberland Blues
d2t02 - It Must Have Been The Roses
d2t03 - Big River
d2t04 - Bertha
d2t05 - Weather Report Suite ->
d2t06 - Row Jimmy
d2t07 - Ship Of Fools
d2t08 - Promised Land
d3t01 - Dark Star ->
d3t02 - Morning Dew
d3t03 - Sugar Magnolia ->
d3t04 - Not Fade Away ->
d3t05 - Goin' Down The Road Feeling Bad ->
d3t06 - Not Fade Away
Encore
------
d3t07 - It's All Over Now, Baby Blue
Notes:
The edited AUD source occasionally alternates between two different sound fields, mostly between songs, sometimes during songs. I chose to exclude these AUD edits for set 1, but incorporated them for set 2. Soundtrack Pro was used to remove some digital flaws in the SBD during Candyman and Jack Straw.
length expanded size cdr WAVE problems fmt ratio filename
6:37.74 70204892 B --- -- ---xx flac 0.6112 gd74-02-24d1t01.flac
3:44.62 39659468 B --- -- ---xx flac 0.6120 gd74-02-24d1t02.flac
5:30.37 58299068 B --- -- ---xx flac 0.5683 gd74-02-24d1t03.flac
3:51.53 40873100 B --- -- ---xx flac 0.6375 gd74-02-24d1t04.flac
7:30.49 79495292 B --- -- ---xx flac 0.5493 gd74-02-24d1t05.flac
5:07.44 54258332 B --- -- ---xx flac 0.5947 gd74-02-24d1t06.flac
9:59.51 105783596 B --- -- ---xx flac 0.6129 gd74-02-24d1t07.flac
6:59.69 74073932 B --- -- ---xx flac 0.5916 gd74-02-24d1t08.flac
4:50.53 51280700 B --- -- ---xx flac 0.6121 gd74-02-24d1t09.flac
7:04.74 74967692 B --- -- ---xx flac 0.5626 gd74-02-24d1t10.flac
18:37.20 197085884 B --- -- ---xx flac 0.6032 gd74-02-24d1t11.flac
8:26.51 89378396 B --- -- ---xx flac 0.5437 gd74-02-24d2t01.flac
5:44.71 60848636 B --- -- ---xx flac 0.5496 gd74-02-24d2t02.flac
5:44.21 60731036 B --- -- ---xx flac 0.5587 gd74-02-24d2t03.flac
6:38.11 70233116 B --- -- ---xx flac 0.6057 gd74-02-24d2t04.flac
15:42.39 166260572 B --- -- ---xx flac 0.5554 gd74-02-24d2t05.flac
11:21.45 120234284 B --- -- ---xx flac 0.5026 gd74-02-24d2t06.flac
6:38.34 70287212 B --- -- ---xx flac 0.5276 gd74-02-24d2t07.flac
6:09.58 65228060 B --- -- ---xx flac 0.5440 gd74-02-24d2t08.flac
29:37.47 313573388 B --- -- ---xx flac 0.5570 gd74-02-24d3t01.flac
14:02.13 148559420 B --- -- ---xx flac 0.5287 gd74-02-24d3t02.flac
8:57.57 94860908 B --- -- ---xx flac 0.6162 gd74-02-24d3t03.flac
4:56.32 52289708 B --- -- ---xx flac 0.6211 gd74-02-24d3t04.flac
7:22.25 78027644 B --- -- ---xx flac 0.6234 gd74-02-24d3t05.flac
4:38.74 49213292 B --- -- ---xx flac 0.6054 gd74-02-24d3t06.flac
6:28.62 68589068 B --- -- ---xx flac 0.5360 gd74-02-24d3t07.flac
222:26.26 2354296696 B 0.5720 (26 files) |
3 flac
|
|
| 244. |
02/23/74 |
Winterland Arena - San Francisco,
CA |
AA | Grateful Dead
Winterland
San Francisco, CA
February 24, 1974
Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=116902):
Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 3, 2011
Notes:
-- All disc changes are seamless
-- Numerous flaws were cleaned up
-- There is a Spanish Jam in Dark Star
-- Tape flips in Row Jimmy and Dark Star [and I Know You Rider]
-- Thanks to David Gans for lending me his Dats
-- Thanks to Joe B. Jones for his help with the pitch correction
-----------------------------------------------------------------
AUD (shnid=136266):
Unknown Very Good Audience Recording > PCM
Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->
Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR->
SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->
RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
tracked with Audacity-> flac level 8 and checksums with TLH->
tagged with Mp3tag
This recording was gratefully supplied by PO and Stucco TINA Holmes.
Thanks to spamjam for his equipment generosity.
Pitch Corrected By Kevin Tobin In Adobe Audition
Mastering in Wavelab 7.1 by Jamie Waddell
16bit 44.1kHz Track, FLAC and Pack by John Wenzel
a project **GEMS** Betamania Release July 2016
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
and to Kevin Tobin, Jamie Waddell, and John Wenzel for the AUD transfer.
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
August 1, 2016
Set I
-----
d1t01 - U.S. Blues
d1t02 - Mexicali Blues
d1t03 - Brown Eyed Women
d1t04 - Beat It On Down The Line
d1t05 - Candyman
d1t06 - Jack Straw
d1t07 - China Cat Sunflower ->
d1t08 - I Know You Rider
d1t09 - El Paso
d1t10 - Loser
d1t11 - Playing In The Band
Set II
-----
d2t01 - Cumberland Blues
d2t02 - It Must Have Been The Roses
d2t03 - Big River
d2t04 - Bertha
d2t05 - Weather Report Suite ->
d2t06 - Row Jimmy
d2t07 - Ship Of Fools
d2t08 - Promised Land
d3t01 - Dark Star ->
d3t02 - Morning Dew
d3t03 - Sugar Magnolia ->
d3t04 - Not Fade Away ->
d3t05 - Goin' Down The Road Feeling Bad ->
d3t06 - Not Fade Away
Encore
------
d3t07 - It's All Over Now, Baby Blue
Notes:
The edited AUD source occasionally alternates between two different sound fields, mostly between songs, sometimes during songs. I chose to exclude these AUD edits for set 1, but incorporated them for set 2. Soundtrack Pro was used to remove some digital flaws in the SBD during Candyman and Jack Straw.
length expanded size cdr WAVE problems fmt ratio filename
6:37.74 70204892 B --- -- ---xx flac 0.6112 gd74-02-24d1t01.flac
3:44.62 39659468 B --- -- ---xx flac 0.6120 gd74-02-24d1t02.flac
5:30.37 58299068 B --- -- ---xx flac 0.5683 gd74-02-24d1t03.flac
3:51.53 40873100 B --- -- ---xx flac 0.6375 gd74-02-24d1t04.flac
7:30.49 79495292 B --- -- ---xx flac 0.5493 gd74-02-24d1t05.flac
5:07.44 54258332 B --- -- ---xx flac 0.5947 gd74-02-24d1t06.flac
9:59.51 105783596 B --- -- ---xx flac 0.6129 gd74-02-24d1t07.flac
6:59.69 74073932 B --- -- ---xx flac 0.5916 gd74-02-24d1t08.flac
4:50.53 51280700 B --- -- ---xx flac 0.6121 gd74-02-24d1t09.flac
7:04.74 74967692 B --- -- ---xx flac 0.5626 gd74-02-24d1t10.flac
18:37.20 197085884 B --- -- ---xx flac 0.6032 gd74-02-24d1t11.flac
8:26.51 89378396 B --- -- ---xx flac 0.5437 gd74-02-24d2t01.flac
5:44.71 60848636 B --- -- ---xx flac 0.5496 gd74-02-24d2t02.flac
5:44.21 60731036 B --- -- ---xx flac 0.5587 gd74-02-24d2t03.flac
6:38.11 70233116 B --- -- ---xx flac 0.6057 gd74-02-24d2t04.flac
15:42.39 166260572 B --- -- ---xx flac 0.5554 gd74-02-24d2t05.flac
11:21.45 120234284 B --- -- ---xx flac 0.5026 gd74-02-24d2t06.flac
6:38.34 70287212 B --- -- ---xx flac 0.5276 gd74-02-24d2t07.flac
6:09.58 65228060 B --- -- ---xx flac 0.5440 gd74-02-24d2t08.flac
29:37.47 313573388 B --- -- ---xx flac 0.5570 gd74-02-24d3t01.flac
14:02.13 148559420 B --- -- ---xx flac 0.5287 gd74-02-24d3t02.flac
8:57.57 94860908 B --- -- ---xx flac 0.6162 gd74-02-24d3t03.flac
4:56.32 52289708 B --- -- ---xx flac 0.6211 gd74-02-24d3t04.flac
7:22.25 78027644 B --- -- ---xx flac 0.6234 gd74-02-24d3t05.flac
4:38.74 49213292 B --- -- ---xx flac 0.6054 gd74-02-24d3t06.flac
6:28.62 68589068 B --- -- ---xx flac 0.5360 gd74-02-24d3t07.flac
222:26.26 2354296696 B 0.5720 (26 files) |
3 flac
|
|
| 245. |
02/24/74 |
Winterland Arena - San Francisco,
CA |
9.5 | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional
PMD-320 CD Master->Ricoh MP-6200 series CD-R->
HP 8200i CDRW Drive (EAC)->SHNCD
Mastered by Jay Serafin gdtrfb95@flash.net
[Trade CDs >FLAC (Level 8) Via xACT 2.34] |
3 Flac
|
|
| 246. |
03/23/74 |
Cow Palace - Daly City,
CA |
9.5 | Master Soundboard Reel > DAT > CDR
Master Soundboard Reel > Cassette > DAT source supplies first 0:10 of "Ship
of Fools".
Audience source supplies patch in "Morning Dew" from 0:21 thru 0:43, as
well as the patch in "Sugar Magnolia" from 6:57 thru 7:22
The "meat" of the show is captured on Disc 2 and requires an 80 min disc
patching/CD re-mastering by Scott Clugston
EAC > SHN by Scott Clugston |
3 Flac
|
|
| 247. |
05/12/74 |
University Of Nevada - Reno,
NV |
9.5 | gd74-05-12sbd.sacks.2224.sbeok.flac16
Source: MSR>C>DAT>CDRs>EAC>SHN
EAC/SHN by darrin |
2 Flac
|
|
| 248. |
05/14/74 |
Adams Field House, University Of Montana - Missoula,
MT |
9.5 | Soundboard; Master Reel >Cassette >DAT >CD-R >TAE >SHN >CD >FLAC
Trade Discs >FLAC (Level 8) Via xACT 2.35
Note: There is a splice in China Doll
|
2 Flac
|
|
| 249. |
05/17/74 |
P.N.E. Coliseum - Vancouver,
BC |
9.5 | Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 9, 2008
Patch Info:
Unknown Mics -> Cassette Master -> Cassette -> HD (shnid=28041) supplies:
The Promised Land (0:32 - 0:35)
Unknown Mics -> Cassette Master -> HD (shnid=28041) supplies:
Playing In The Band (16:58 - 17:24)
Notes:
-- All disc changes are seamless
-- Many flaws cleaned up
-- This source has more tuning than the other circulating sources
-- Reel flip in China Doll cleaned up with crossfade
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Patch source was slow but has been fixed
(Trade CDs >FLAC (Level 8) Via xACT 2.25)
|
3 Flac
|
|
| 250. |
05/19/74 |
Portland Memorial Coliseum - Portland,
OR |
9.5 | Master Soundboard Reel > PCM > DAT> CDR
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
many copies in circulation are missing Tennessee Jed, Me & Bobby McGee,
Sugaree, Jack Straw, IMHBTR, El Paso and Ship of Fools. This transcription is complete.
EAC'ed / SHN'ed by Scott Clugston
12/24/01 |
3 Flac
|
|
| 251. |
05/21/74 |
Edmundson Pavilion, University Of Washington - Seattle,
WA |
9.5 | SBD SOurce (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
AUD Patch source (shnid=10150)
AudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck, recorded by Pat Lee, hand held mics in right balcony
Patches SHN > WAV > CE Pro (patching) > sector boundary correction (CE Pro & shntool v1.2.3) > SHN V3 encoding (shntool) by Charles Wier
SBEs fixed manually and with shntool, as the crowd is cut between most songs on both the SBD and AUD master. Transitions are smooth, but not continual due to missing crowd. Minor cut at beginning of JBG also cut on AUD and could not be patched.
1/ patch beginning ~0:13.8 w/ aud; 0:12.6 of silence removed from end
2/ trim silence from end
3/ patch w/ aud; -2 dB to R ch & trim/fade crowd
4/ 10 dB boost to R ch fadein for 1st 5 secs (barely detectable) |
3 Flac
|
|
| 252. |
05/25/74 |
Campus Stadium, UCSB - Santa Barbara,
CA |
9.5 | Soundboard Reel >DAT >CDR >FLAC
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35
|
3 Flac
|
|
| 253. |
06/08/74 |
Oakland-Alameda County Coliseum - Oakland,
CA |
9.5 | Recording Info:
Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC
Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC
Re-Mastering Info:
FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Re-mastered By Charlie Miller
charliemiller87@earthlink.net
February 4, 2009
Patch Info:
Sony ECM250 -> Master Cassette -> FLAC (shnid=94594) supplies:
U.S. Blues (complete track)
Big River (complete track)
Ship Of Fools (complete track)
Playing In The Band (17:00 - 17:20)
Sugar Magnolia (complete track)
Notes:
-- All disc changes are seamless
-- This is a re-master of shnid=97182
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Thanks to Matt Smith, Pat Lee, Jamie Waddell and David Gans for the SBD
-- Thanks to Bob Menke for the AUD source
-- I cleaned up some flaws and pitch corrected some tracks |
3 Flac
|
|
| 254. |
06/16/74 |
Des Moines State Fair Grandstand - Des Moines,
IA |
9.5 | Per Andy Lemieux, the source of this is as follows:
Set 1: MSR>C>DAT>CD
Set 2 & 3: MSC>DAT>CD (except for patch in Wharf Rat which is MSR>?>DAT>CD)
(Trade CDs >FLAC (Level 8) Via xACT 2.35)
note: splice in Wharf Rat at 2:51
Based on Alan Fink's patched version:
...I used Steve Windsor's notes from his version:
...to verify and make the fixes myself.
I also made several additional fixes, including...
-- Removed two additional pops from Eyes Of The World at 14:35 and 15:10.
-- Patched the splice in Wharf Rat with MSR>?>DAT>CD. Even after patching,
it sounds like there may be a small chunk of material missing.
-- Removed four additional pops from GDTRFB at 6:41, 6:43, 6:45 and 6:47.
-- Patched the start of Casey Jones with alternate MSC>DAT>CD source.
-- Retracked each disc so that tuning follows songs at the end of tracks.
Kudos to Alan and Steve for their hard work.
Thanks to Andy for the patch material for Wharf Rat. |
4 Flac
|
|
| 255. |
06/18/74 |
Freedom Hall - Louisville,
KY |
9.5 | Soundboard Reel >DAT >CDR >FLAC
Trade CDs >FLAC (Level 8) Via xACT 2.28 |
3 Flac
|
|
| 256. |
06/20/74 |
The Omni - Atlanta,
GA |
9.5 | Master 7 inch, 2 track Soundboard Reel > Cassette > DAT > CDR
uploaded 10/00 by Scott Clugston
made possible by the usual group of suspects/mental patients
|
3 Flac
|
|
| 257. |
06/22/74 |
Jai-Alai Fronton - Miami,
FL |
A | new fresh 24 bit transfer
source: aud cassette master
taped by Jerry Moore
lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b
cassettes re-shelled
nak dragon>hd-p2 24/96>cd wave>flac
transferred & seeded by Rob Berger 2/3/10 |
2 flac
|
|
| 258. |
08/06/74 |
Roosevelt Stadium - Jersey City,
NJ |
A | MR > DAT > CD > Sonic Solutions > CD Circulation
shn:
Plextor SCSI 40x Reader > EAC
As of Sept 00, this copy is just entering circulation.
For more info on the source of this copy, read Jim Powell's comments below.
.shn and .md5 created by Mike Hall (myko@well.com)
>From Jim Powell:
"OK, I just got the master of the DeadLists Edition of Roosevelt
Stadium, Jersey City 8/6/74: a digital copy of the master SBD reels
with the 20 second flip cut in Scarlet Begonias patched with an
excellent AUD master. This is the entire show including Seastones, in
perfect condition, on 4 CDs.
|
3 flac
|
|
| 259. |
10/16/74 |
Winterland Arena - San Francisco,
CA |
A | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional
-> FLAC
(4 Discs Audio / 3 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 21, 2008
Patch Info:
-- Bertha through 1:16 of Deal patched from AUD source
-- Reel flip in Playing In The Band patched from mulitrack reel
(not from GDM)
-- Set 1 tunings patched from Master Reel -> Cass -> Dat
-- 18:03 of PITB through 7:35 of Jam patched from Master Reel ->
Cass -> Dat
Audience source (1st Gen reel) from Matt Smith supplies:
Eyes Of The World (11:07 - 11:31)
Uncle John's Band (4:07 - 4:34)
Notes:
-- All disc changes are seamless
-- Thanks to Rob Eaton for lending me his Dats
-- I can confirm lineage 100% accurate |
2 flac
|
|
| 260. |
03/23/75 |
Kezar Stadium - San Francisco,
CA |
A | Source: SBD
Geneology: Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN
_________________ |
1 flac
|
|
| 261. |
06/17/75 |
Winterland Arena - San Francisco,
CA |
A+ | Recorded by Rob Bertrando
Sony ECM-280 mics >Sony TC-152SD Cassette >Reel >VHS 1 >CDR >FLAC
Audience from Winterland floor, about 30-35' back,
just to the left of dead center.
Trade VHS Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO,
Tayio Uden CD Masters >FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 262. |
09/28/75 |
Lindley Meadows, Golden Gate Park - San Francisco,
CA |
A+ | Soundboard : Dan Healy’s Master Cassette >DAT >CDR >FLAC
Trade CDs >FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 263. |
06/03/76 |
Paramount Theatre - Portland,
OR |
A+ | Recording Info:
SBD >Cass Master >Cass (Dolby B) >WAV (24bit/96k)
Transfer Info:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
(3 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 26, 2013
Patch Info:
Sony ECM-280 -> Cassette Master -> FLAC/24 supplies:
Might As Well (0:00 - 0:20)
Supplication (2:50 - 3:19)
Franklin's Tower (7:10 - 7:43)
Notes:
-- All disc changes are seamless
-- Stella Blue tease after Let It Grow
-- Thanks to Joe B. Jones for his help with the pitch correction |
2 flac
|
|
| 264. |
06/09/76 |
Boston Music Hall - Boston,
MA |
A+ | Recording Info:
Set 1: SBD -> Master Cassette -> CD
Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD
Transfer Info:
Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
Set 2: CD -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 20, 2008
Patch Info:
Sony ECM-99A -> Master Cassette -> Dat -> CD (shnid=5982) supplies:
Cold Rain And Snow (0:00 - 0:42)
Big River (1:29 - 2:24)
Saint Stephen (0:00 - 0:59)
Notes:
-- All disc changes are seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
________________________________________________________________________________
|
2 flac
|
|
| 265. |
06/10/76 |
Boston Music Hall - Boston,
MA |
A+ | Soundboard; Master Reel (Betty Board)
|
2 flac
|
|
| 266. |
06/11/76 |
Boston Music Hall - Boston,
MA |
A+ | Soundboard Reel GDP HDCD
|
2 flac
|
|
| 267. |
06/12/76 |
Boston Music Hall - Boston,
MA |
A+ | Source: FM Reel Master
taped by Jerry Moore
Sony TC-755 reel/Teac AN-180 dolby unit
Maxell UD 35-180 tape
lineage:
WBCN simulcast>10.5" reels @ 7.5 ips, dolby b
Technics RS1506>Teac AN-180>HD-P2 24/96>
hd>cd wave 16/44>flac
transferred & seeded by Rob Berger 7/27/09
|
2 flac
|
|
| 268. |
06/14/76 |
Beacon Theatre - New York,
NY |
A+ | Soundboard Reel; |
2 flac
|
|
| 269. |
06/15/76 |
Beacon Theatre - New York,
NY |
A+ | Soundboard Reel; |
2 flac
|
|
| 270. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
A |
MATRIX MIX: SBD/AUD (About 60%/40%)
---------------------------------------------------------------
SBD:
SBD -> Master Reel -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
April 11, 2006
|
2 flac
|
|
| 271. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
A |
PRE-FM
SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
|
2 flac
|
|
| 272. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
A+ | Recording Info:
SBD >Master Cassette >Apogee Ensemble >Peak >AIFF
Transfer Info:
AIFF -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
Transferred By Digitalrbb
Mastered By Charlie Miller
charliemiller87@earthlink.net
June 19, 2013
Patch Info:
Shure SM96 -> Master Cassette -> Cassette -> Dat -> CD (shnid=6679) supplies:
Row Jimmy (2:37 - end of track)
Looks Like Rain (complete track)
Promised Land (0:00 - 0:01)
Dancing In The Street (2:14 - 4:12)
Notes:
-- All disc changes are seamless
-- This is a cleaned up version of shnid=112191
-- Thanks to Digitalrbb for the supplying and digitizing the tapes
-- Thanks to Rob Eaton for supplying the sbd for Scarlet through Candyman
-- Thanks to Joe B. Jones for his help pitch correcting the patch source
|
2 flac
|
|
| 273. |
06/22/76 |
The Tower Theatre - Upper Darby,
PA |
A+ | Recording Info:
SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF
Transfer Info:
AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 24, 2008
Patch Info:
Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF supplies:
U.S. Blues (2:11 - 2:22)
The Music Never Stopped (4:06 - 4:19)
Cassidy (3:00 - 3:14)
Promised Land (1:32 - 1:58)
Samson And Delilah (4:45 - end of track)
Beer Barrel Polka (complete track)
Eyes Of The World (complete track)
Dancing In The Street (0:00 - 6:53)
One More Saturday Night (1:48 - 2:35)
Notes:
-- All disc changes are seamless
-- There was a lot of static which I cleaned as best as I could
-- Patch source recorded with mics placed at soundboard
-- Playing in The Band contains a Happiness Is Drumming Jam
-- Thanks to Joe B. Jones for his help with the pitch correction
|
2 flac
|
|
| 274. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
A+ | Recording Info:
SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF
Transfer Info:
AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 7, 2008
Patch Info:
Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF supplies:
Tennessee Jed (7:38 - end of track)
Crazy Fingers (0:42 - 1:12)
Notes:
-- All disc changes are seamless
-- Patch source recorded with mics placed at soundboard
-- Thanks to Joe B. Jones for his help with the pitch correction
|
2 flac
|
|
| 275. |
06/28/76 |
Auditorium Theatre - Chicago,
IL |
A+ | Recording Info:
SBD >Master Cassette >Apogee Ensemble >Peak >AIFF
Transfer Info:
AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Mastering By Charlie Miller
charliemiller87@earthlink.net
October 21, 2008
Patch Info:
Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF supplies:
Scarlet Begonias (3:13 - end of track)
Lazy Lightnin' (0:00 - 0:15)
The Wheel (0:26 - 0:50)
Notes:
-- Disc change is seamless
-- Patch source recorded with mics placed at soundboard
-- Thanks to Digitalrbb for the supplying and digitizing the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
______________________________________________________________________________
|
2 flac
|
|
| 276. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
A |
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out >
Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN
(Trade CDs >FLAC (Level 8) Via xACT 2.35)
|
2 flac
|
|
| 277. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
A | lineage:
Soundcheck - SBD->Master VHS->DAT->CD
Set One - SBD->RM->Reel->Reel->Reel->DAT->CD
Set Two - SBD->RM->DAT->Sonic Solutions->CD
Tennessee Jed from Set One patched
from Bob Menke's Aud Recording AUD->RM->DAT->CD
|
2 flac
|
|
| 278. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
A | Pre FM >Master Reel >Reel >PCM >DAT >CDA >DAW (Bertha) >CDA - d1t01 and d3
FM >Reel >DAT >CDA >DAW (Bertha) >CDA - d1t02-d2t07
Bertha Remaster by jashley@deadacated.com
Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW.
Proper extraction and sector boundaries verified via EAC and shntool.
Trade CDs >FLAC (Level 8) + Tags Via xACT 2.37
FLAC & Tags By OldNeumanntapr
|
2 flac
|
|
| 279. |
09/25/76 |
Capital Centre - Landover,
MD |
A | SBD MR >CASS/1 >DAT >CD
CD->EAC->SHN conversion by AJ - a2k@pacbell.net - April 10th, 2000 - Enjoy! |
2 flac
|
|
| 280. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
A | Audio Sources Information
Soundboard (no shnid at this time)
Recording Info:
SBD -> Master Reel -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Behringer Ultramatch SRC2000 ->
Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 18, 2006
Patch Info:
Sony ECM-33P>Master Cassette>Dat>CD (shnid=3821) supplies:
Promised Land (0:00 - 0:09)
It's All Over Now (0:00 - 3:09)
Loser (3:52 - 4:39)
Slipknot! (6:02 - 6:27)
Around And Around (0:36 - 1:49)
Notes:
-- Set 2 is seamless
-- Patch source was pitch adjusted to match sbd
-- Fixed vocal distortion
-- El Paso has a false start
-- Supplication is instrumental
-- First few seconds of U.S. Blues missing
Audience
Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN
Extracted, Edited, Shortened and Uploaded to e-tree
by Mike Parrillo (dankstar@mediaone.net) |
2 flac
|
|
| 281. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
A | Recording info: Vault master reel sourced files (via anon)
Mastered by Jim Blackwood
Pitch adjustment by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
Originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on January 5, 2025
https://spinitron.com/KXCI/pl/20036765/Dead-Air
Originally shared to www.shnflac.net on February 11, 2025 |
2 Flac
|
|
| 282. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A | Soundboard Reel >Gans Dead Head Hr; FM Cable >VHS 2 >CDR >FLAC
VHS 2 Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO,
Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 283. |
10/10/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A |
Source: Master Soundboard Reel > DAT > CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
3/8/01
requires 2 x 80 minute discs
made possible thru the usual group of suspects/mental patients
Trade CDs >FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 284. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
A |
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v9.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Patch Info:
Sony ECM-280 -> Cassette Master -> Dat -> CD supplies:
Mama Tried (0:00 - 0:09)
Lazy Lightning (2:11 - 2:45)
Samson And Delilah (2:26 - 3:35)
Drums (5:03 - 5:07)
Comes A Time (8:27 - end of show)
Notes:
-- Set 2 is seamless
-- Patch source recorded by Rob Bertrando
-- I cleaned up numerous flaws and patched the tape flips
(Trade CDs >FLAC (Level 8) Via xACT 2.35)
|
2 flac
|
|
| 285. |
12/31/76 |
Cow Palace - Daly City,
CA |
A+ | Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
* from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
Seeded to tol 7/19/03 by Jack Warner
Source discs via Steven Martin (thanks!)
Note added 9/1/2003: Cool Edit 2000 was used to fix pops at the following spots in Jack Warner's Pre-FM version of 12/31/76. I [Dave Winters] re-encoded to shorten and generated new MD5's with MKW.
Loud pops were noticed at:
Slipknot! - 6:20
Dew - 4:50, 7:40, 7:50
Dave Winters - 08/16/03. |
2 flac
|
|
| 286. |
02/26/77 |
Swing Auditorium - San Bernardino,
CA |
A+ | Soundboard Reel >? >DAT >VHS I >CDR >FLAC
Trade VHS Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO,
Tayio-Uden CD Masters >FLAV (Level 8) Via xACT 2.35
Transfered / FLAC’d By OldNeumanntapr |
3 flac
|
|
| 287. |
03/18/77 |
Winterland Arena - San Francisco,
CA |
A+ | Source info: SBD MR @ 7.5 ips >DAT >CD >EA C>SHN >CDR >FLAC
(*) Audience info: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
|
3 flac
|
|
| 288. |
03/19/77 |
Winterland Arena - San Francisco,
CA |
AA | SBD recording, the second night of a three show run at Winterland, San Francisco, CA, March 19th 1977. SHN ID 255 ChinaCat. The Terrapin > Playin' > Samson > Playin' is pretty good. Not forgetting the Eyes > Dancin' > Wharf > Franklin's > Sugar Magnolia. Only flaw is a few sonic flutters during Terrapin. Preview 'Estimated Prophet' from this show below. Been listening to this run for the first time in a couple years and had forgotten how good it was. |
3 flac
|
|
| 289. |
03/20/77 |
Winterland Arena - San Francisco,
CA |
A+ | Recording Info:
SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD
Transfer Info:
CD -> EAC -> Samplitude v7.02 Professional -> SHN
Tracked and SHN'd By Charlie Miller
charliemiller87@earthlink.net
9/1/04
Notes:
-- Tracked with Samplitude v7.02 Professional
-- Thanks to David Gans for lending me his Master Production Discs.
[Trade CDs >FLAC (Level 8) Via xACT 2.35] |
3 flac
|
|
| 290. |
04/23/77 |
Springfield Civic Center - Springfield,
MA |
A | Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 9, 2007
Patch Info:
(FOB) Sony ECM-99A -> Cassette Master -> Dat -> CD -> Samplitude supplies:
Franklin's Tower (5:05 - 5:34)
[Trade CDs >FLAC (Level 8) Via xACT 2.35]
Notes:
-- All disc changes are seamless
-- Cleaned up many flaws and fixed the levels
-- This seed does not have any diginoise in Sugaree
|
3 flac
|
|
| 291. |
05/04/77 |
The Palladium - New York,
NY |
A | Recording Info:
Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC
Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD
Transfer Info:
Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC
Set 2: CD -> EAC -> FLAC
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 22, 2008
Patch Info:
Sony ECM33P -> Cassette Master -> ART DIO -> Cool Edit 2000 -> FLAC supplies:
Mississippi Half-Step Uptown Toodeloo (0:29 - 2:13)
Notes:
-- Set 1 is seamless
-- Complete sbd supplied by David Gans
-- Thanks to David Minches for transferring David Gans' Set 1 SBD Cassette
|
2 flac
|
|
| 292. |
05/05/77 |
Veterans Memorial Coliseum - New Haven,
CT |
A+ | Recording Info:
SBD >Master Reel (DBX-1 Encoded) >PCM (Sony PCM501ES/44.055k)
Transfer Info:
PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) ->
Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) ->
Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) ->
Sound Forge -> CD Wave -> SHN
Mastering Info:
SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
Original Transfer and Mastering By Rob Eaton and Dan Stephens
Remastered By Charlie Miller
charliemiller87@earthlink.net
January 18, 2013
Notes:
-- All disc changes are seamless
-- This is a remaster of shnid=8832
-- I cleaned up some flaws and adjusted the levels
-- I was able to clean up the static in d1t01 |
2 flac
|
|
| 293. |
05/07/77 |
Boston Garden - Boston,
MA |
A | source info: SBD -> Betty Reels ->PCM -> DAT ->
Digitally read in on SGI -> SHN
Trade CDs >FLAC (Level 8) Via xACT 2.35 |
2 flac
|
|
| 294. |
05/08/77 |
Barton Hall, Cornell University - Ithaca,
NY |
A | Lineage:
Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)
Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks
[Trade CDs (Set I) >FLAC (Level 8) Via xACT 2.35. Trade DAT (Set II) Transferred: Tascam DA-30 >HHb CDR 800 PRO, CD Master >FLAC (Level 8) Via xACT 2.35]
Set II:
Soundboard; Master Reel >PCM >DAT
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO,
CD Masters >FLAC (Level 8) Via xACT 2.35
|
2 flac
|
|
| 295. |
05/09/77 |
Buffalo Memorial Auditorium - Buffalo,
NY |
A | Sources:
Soundboard Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055
kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>
Dat @ 48 kHz>Soundforge>Shn
Audience Source:
Master Audience Cassette>Sony ecm-33pmics>nak550>reel to reel>cd
The audience source supplies patches for the master reel splices at
D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10
Original Shn Seed provided by Joe Samaritano
Aud source provided by Scott Clugston
Aud Patches were performed using Steinberg's Wavelab 3.0 by
Charlie Connor
Seeded via Fungus and abgd by Charlie Connor 3/21/02
Thanks to Joe Samaritano for the show and to Scott Clugston for the
Aud Source!!!!!!! |
3 flac
|
|
| 296. |
05/11/77 |
St. Paul Civic Center - St. Paul,
MN |
A+ | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 ->
Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
March 7, 2007
Notes:
-- The skip in Jack Straw has been fixed
-- All disc changes are seamless
-- Reel flips in Ramble On Rose and Wharf Rat
-- Cool Edit Pro was used to make level adjustments
-- Fixed flaw in tuning before Ramble On Rose
[Trade CDs >FLAC (Level 8) Via xACT 2.35] |
flac
|
|
| 297. |
05/13/77 |
Auditorium Theatre - Chicago,
IL |
A+ | Recording Info:
SBD -> Master Reel -> CD (HDCD) -> FLAC
Transfer Info:
FLAC -> dbpoweramp (HDCD Decoded) -> Samplitude Professional v11.2.1 -> FLAC/24
(1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 22, 2013
Notes:
-- This is remastered from the May 77 box set
|
3 flac
|
|
| 298. |
05/15/77 |
The Arena - St. Louis,
MO |
A | Recording Info:
SBD >Master Reel (7 inch reels @ 7.5ips 1/2trk) >DAT (44.1k)
Transfer Info:
Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional
-> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
4/11/05
Notes:
-- All disc changes are seamless. |
2 flac
|
|
| 299. |
05/17/77 |
Memorial Coliseum, University Of Alabama - Tuscaloosa,
AL |
A | SBD MR > DAT > CD > EAC > SHN
note: Sugar Magnolia encore supplied by AUD source.
EAC > SHN by Noah Weiner June 2003 |
2 flac
|
|
| 300. |
05/18/77 |
Fox Theatre - Atlanta,
GA |
A+ | Recording Info:
SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 12. 2006
Notes:
-- All disc changes are seamless
-- I can confirm 100% that this comes from the vault master reel
-- Like other copies, this has the radio bleeding through
-- Bleed through only heard during tuning between some songs
-- Reel flip in The Other One fixed with crossfade |
2 flac
|
|
| 301. |
05/19/77 |
Fox Theatre - Atlanta,
GA |
A | The vast majority of copies in circulation suffer from what appears to be a master reel flip during the jam in "Playin' in the Band", thanks to an alternate soundboard source, we now know what we were missing during that 1:43. Enjoy!
Sources:
Master Soundboard Reel > Reel to Reel > DAT > CDR
Alternate Soundboard source-purportedly derived from a cassette master- supplies the patch in "Playin' in the Band" (d3t02) from 7:40 thru 9:23
A third Soundboard source- MSR>RR>RR>DAT-is used for an 0:11 patch in "Sugaree" (d1t02) from 5:22 thru 5:33
Made possible through the usual, and ever growing, group of suspects/mental patients.
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
Circulated 12/30/00
[Trade CDs >FLAC (Level 8) Via xACT 2.35] |
2 flac
|
|
| 302. |
05/21/77 |
Lakeland Civic Center - Lakeland,
FL |
A | SBD >Reel >DAT >CD-R
TFBT Tree #5
Extraction and compression by Drew Boyles
|
3 flac
|
|
| 303. |
05/25/77 |
The Mosque - Richmond,
VA |
A | Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 2, 2007
Notes:
-- Set 2 is seamless
-- Cleaned up a lot of flaws and fixed the levels a bit
-- Reel flip between He's Gone and Drums |
3 flac
|
|
| 304. |
05/26/77 |
Baltimore Civic Center - Baltimore,
MD |
A | - Source -
SBD ►
Grateful Dead Master Reel (7" RTR half-track recording @ 7.5 ips; unknown deck)
- Transfer -
Master Reel (playback in unknown deck) ►
Marin County Mixdown ADAT ►
SSSB - "All editing & processing performed at 24-bit/96 kHz (100% digital realm) by:
Jay Serafin, chief audio/video engineer at Serafin Station Studio B, using
the (code name) "Harpoon" editing software (beta Ver. 0.948.7 Build 103); released 2002-03-29" ►
SHN [960 MB];
foobar2000 v0.8.3 (RAFTSv1.3 file tagging,
conversion to FLAC Level 8, all files bit-verified identical) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 89) (
verify original md5 checksums,
correct sector boundaries (s1/s2 ran separately),
compute md5 checksums for the newly tagged files).
[896 MB]
|
|
|
| 305. |
05/28/77 |
Hartford Civic Center - Hartford,
CT |
A+ | Soundboard; Two-Track Betty-Board Reel >GDP HD CD >FLAC |
3 flac
|
|
| 306. |
06/07/77 |
Winterland Arena - San Francisco,
CA |
A | Updated Lineage:
SBD >MR >DAT with AUD Patches in Peggy-O and UJB from source: AKG D220 mics > Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein > Rob Bertrando's first-gen reel > DAT
[patch source had been marked: AMR >DAT by Rob Bertrando using AKG D220 mic's into a Tandberg 10X reel to reel.]
DAT >CD transfers, including
patches by David Hollister. CD >WAV (EAC Secure mode) with editing of patches
to raise volume of patches to audibly match adjacent SBD source, conversion
to SHN, and uploading by Keith Bode. David Hollister's original transfer
done approximately 1999. Editing of patches, SHN conversion, and uploading
done in May, 2004. I believe this transfer of the show has not been widely
spread, and I am glad to have been involved in the editing and making of the
show available. |
3 flac
|
|
| 307. |
06/08/77 |
Winterland Arena - San Francisco,
CA |
A | Soundboard; Master Reel >GDP HD CD >FLAC
|
3 flac
|
|
| 308. |
06/09/77 |
Winterland Arena - San Francisco,
CA |
A | Recording Info:
SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info:
CD -> EAC -> Samplitude Profesional v8.0 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
3/4/05
Patch Info:
AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD
Patch in d3t02 (St. Stephen) from 4:50 - 4:54
Patch in d3t07 (Sugar Magnolia) from 0:53 - 1:14
All other reel flips take place between songs, no patches needed.
Notes:
-- This is an upgrade to all circulating copies.
-- Thanks to Paul Scotton for the source discs.
-- There are some kind of low-frequency pops in Franklin's Tower.
-- Mind Left Body tease at end of Not Fade Away.
|
3 flac
|
|
| 309. |
09/03/77 |
Raceway Park - Englishtown,
NJ |
a- | Source: Two-track Pre-FM reel > DAT > CD-R,
except for (terrapin), which is unknown AUD
*Comment at etree:
06/17/2003 - barton hall
After comparing the Intro and Promised Land to both dp15 and 4/27/77
I have determined that the first 2 tracks in this set are indeed NOT
from this show. They do not match dp15, but Promised Land does match
4/27/77 (the Intro was not included in the 4/27/77 set. Even just
comparing the Intro from this set to the intro on dp15, John Scher
introduces the members of the band in different orders (although he
calls the godchauxs the "god-chows" in both intros) |
2 flac
|
|
| 310. |
10/02/77 |
Paramount Theatre - Portland,
OR |
A | Recording Info:
SBD -> Master Reel -> PCM -> Dat
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 13, 2012
Notes:
-- Set 2 is seamless
-- Tape flip in Wharf Rat at 9:24
|
|
|
| 311. |
10/06/77 |
Activity Center, Arizona State University - Tempe,
AZ |
A | Recording Info:
SBD > Cassette Master > DAT (48k) > WAV
Mastering Info:
WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
(3 Discs Audio / 1 DVD FLAC)
Patch Info:
FM (KBFH) > Reel Master > FLAC (shnid=113809) supplies:
Promised Land (0:00 - 0:13)
All Mastering by Charlie Miller
charliemiller87@earthlink.net
July 27, 2018 (original mastering)
April 10, 2023 (dozens of clicks cleaned up)
Notes:
-- Tape flips in They Love Each Other and Eyes Of The World
-- Tape 2 runs out during the jam in Uncle John's Band
-- Thanks to Joe B. Jones for the pitch correction settings
|
3 flac
|
|
| 312. |
10/09/77 |
McNichols Sports Arena - Denver,
CO |
a- | Recording Info:
SBD -> Master Reel -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 ->
Adobe Audition v3.0 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 24, 2010
Notes:
-- Disc change is seamless
-- Many flaws cleaned up
-- Tape flips in Brown Eyed Women and He's Gone
-- Sounds like a beat is missing on Truckin' intro
-- Encore (Casey Jones) is missing
-- It sounds like this may be from multiple sources
-- There's quite a bit of distortion on Jerry's guitar
-- Thanks to Joe B. Jones for his help with the pitch correction |
2 flac
|
|
| 313. |
10/28/77 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
AA | Recording Info:
SBD -> Master Reel -> PCM -> Dat
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 1, 2008
Patch Info:
Sony ECM-990 -> Cassette Master -> Reel -> CD supplies:
The Promised Land (0:00 - 0:22)
He's Gone (14:43 - 15:00)
Around And Around (7:45 - 8:49)
Notes:
-- Set 2 is seamless
-- Thanks to David Minches for the patch source
-- Thanks to Joe B. Jones for his help with the patch source pitch correction
****************************************************
Tags Via xACT 2.50 By OldNeumanntapr
****************************************************
|
2 flac
|
|
| 314. |
10/29/77 |
Evans Field House, Northern Illinois University - DeKalb,
IL |
A+ | gd77-10-29.sbd.miller.92085.sbeok.flac16
Recording Info:
SBD ->Master Reel ->PCM ->DAT ->CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 2, 2008
Patch Info:
Sony ECM-990 -> Cassette Master -> Reel -> Dat -> CD supplies:
Eyes Of The World (5:37 - 6:11)
Sugar Magnolia (2:30 - 2:58)
Notes:
-- Set 2 is seamless
-- Patch source was also remastered |
2 flac
|
|
| 315. |
11/01/77 |
Cobo Arena - Detroit,
MI |
A | Recording Info:
SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 13, 2007
Notes:
-- Start of Friend Of The Devil is cut
-- Reel flip in Truckin'
-- Thanks to muletaper for the Dat |
2 flac
|
|
| 316. |
11/04/77 |
Cotterell Gym, Colgate University - Hamilton,
NY |
A | This file is: gd1977-11-04.matera.130927.txt
Remaster - August 10, 2014 - Phil Matera
Seed: gd77-11-04.sbd.braverman.3739.sbeok.shnf
Adjusted amplitudes and equalization with Cool Edit 2000
shn > wav > flac
All (I think) drop outs are fixed and tracks resplit to begin
at the start of the songs or where I perceived the start of
the track. Good show. I think that you guys will enjoy
this "new anad improved" remaster. |
2 flac
|
|
| 317. |
11/06/77 |
Broome County Arena - Binghamton,
NY |
A | MATRIX MIX: SBD/AUD (About 60%/40%)
----------------------------------------------------
SBD:
Reel -> DAT -> CDR
Transfer:
EAC -> Shorten 32
By Doug Nawrocki
----------------------------------------------------
AUD:
Sony ECM-33Ps> Sony 158; A:C:D:Cool Edit:CD
Recorded by Jerry Moore
Transferred by David Minches
-----------------------------------------------------
Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
June 13, 2008
|
3 flac
|
|
| 318. |
12/27/77 |
Winterland Arena - San Francisco,
CA |
A+ | Bertha Remaster of the Master Reel source.
SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A |
2 flac
|
|
| 319. |
12/30/77 |
Winterland Arena - San Francisco,
CA |
A+ | Recording Info:
SBD > Master Reel > Dat > FLAC
Transfer Info:
FLAC > Samplitude Professional Pro X3 Suite > FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 11, 2017
Patch Info:
AKG's > Master Reel > FLAC/24 (shnid=139533) supplies:
Eyes Of The World (13:25 - 14:18)
Notes:
-- This is a patched version of shnid=132379
-- Thanks to SIRMick for his help with this project |
3 flac
|
|
| 320. |
12/31/77 |
Winterland Arena - San Francisco,
CA |
A | Source: SBD > Master Reel > PCM > DAT > CDR >FLAC
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.35
Transferred By OldNeumanntapr |
3 flac
|
|
| 321. |
07/08/78 |
Red Rocks Amphitheatre - Morrison,
CO |
AA | |
3 flac
|
|
| 322. |
12/30/78 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
A+ | Recording Info:
SBD -> Master Reel -> Reel -> Cassette -> Dat
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 ->
Samplitude Professional v11.2.1 -> FLAC
(3 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 13, 2012
Patch Info:
Neumann KM84 -> Master Reel -> CD -> SHN (shnid=19417) supplies:
Stagger Lee (4:11 - 5:05)
Playing In The Band (1:41 - 2:40)
Saint Stephen (6:15 - end of track)
Not Fade Away (complete track)
Goin' Down The Road Feeling Bad (complete track)
Around And Around (complete track)
One More Saturday Night (complete track)
Notes:
-- All disc changes are seamless
-- Ollin Arrageed With Hamza el-Din
-- Around And Around with Lee Oskar
-- I can not confirm the accuracy of the SBD lineage
-- Thanks to Joe B. Jones for his help with the pitch correction
****************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
****************************************************
|
2 flac
|
|
| 323. |
12/09/79 |
Kiel Auditorium - St. Louis,
MO |
A | Recording Info:
SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k)
Transfer Info:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 2, 2010
Patch Info:
Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=8833) supplies:
Minglwood Blues (4:15 - 5:06)
Samson And Delilah (2:04 - 2:24)
Saint Of Circumstance (1:58 - 2:14)
Bertha (6:02 - end of track)
Good Lovin' (0:00 - 0:06)
Notes:
-- Set 2 is seamless
-- This is a remaster of shnid=27751
-- Thanks to Joe B. Jones for his help with the pitch correction
|
2 flac
|
|
| 324. |
12/10/79 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
A | Recording info: SBD Cassette Master > DAT > AIF via Anon
Mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Track, FLAC, and pack by Steve Gravel
Highlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on June 25, 2023
https://spinitron.com/KXCI/pl/17543317/Dead-Air
Originally shared to www.shnflac.net in July 2023
|
2 flac
|
|
| 325. |
08/27/80 |
Pine Knob Music Theater - Clarkston,
MI |
A+ | Recording Info:
SBD -> Master Cassette -> Dat
Transfer Info:
Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 30, 2010
Patch Info:
Audience recording (shnid=12160) supplies:
Eyes Of The World (4:00 - 6:09)
Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
|
2 flac
|
|
| 326. |
10/07/80 |
Warfield Theater - San Francisco,
CA |
A+ | Recording Info:
SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Transfer Info:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) >
Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
(2 DVD's FLAC)
All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
December 29, 2020
Notes:
-- I fixed the dropout in Cold Rain And Snow and a hiccup in Don't Ease Me In
-- A second soundboard source was used to cover the flips and some tunings
****************************************************************
FLAC >WAV >Audacity (Downsample To 16 Bit / 44.1k) >FLAC + Tags Via xACT 2.50 By OldNeumanntapr
****************************************************************
|
2 flac
|
|
| 327. |
12/13/80 |
Long Beach Arena - Long Beach,
CA |
8 | Mike Millard First Generation Tapes via JEMS
The Lost and Found Mike the MICrophone Tapes Volume 127
Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder
Transfer: Mike Millard First Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC
|
2 Flac
|
|
| 328. |
09/26/81 |
Community War Memorial Auditorium - Buffalo,
NY |
A | AUD: 2x Sennheiser mics > Sony TC-D5.
Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 >
Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. |
2 Flac
|
|
| 329. |
11/29/81 |
Civic Arena - Pittsburgh,
PA |
A+ | Recording Info:
SBD -> Cassette Master -> Reel -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 1, 2010
Patch Info:
Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9610) supplies:
Me And My Uncle (0:00 - 0:08)
He's Gone (10:50 - 10:54)
(I Can't Get No) Satisfaction (0:08 - 0:18)
Notes:
-- Set 2 is seamless
-- Numerous teases in jam out of He's Gone
-- Thanks to Joe B. Jones for his help pitch correcting the patch source |
2 flac
|
|
| 330. |
11/30/81 |
Hara Arena - Dayton,
OH |
A+ | Recording Info:
SBD -> Cassette Master -> Dat
Transfer Info:
Dat -> Samplitude Professional v11.1 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 5, 2010
Patch Info:
SBD -> Cassette Master -> Reel -> Dat supplies:
Estimated Prophet (5:18 - end of track)
Eyes Of The World (0:00 - 1:19)
Sugar Magnolia (4:14 - end of track)
Might As Well (complete track)
Notes:
-- Disc change is seamless |
2 flac
|
|
| 331. |
12/02/81 |
Assembly Hall, University Of Illinois - Champaign,
IL |
A+ | Recording Info:
SBD -> Cassette Master -> Reel -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 6, 2010
Patch Info:
Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9595) supplies:
Terrapin Station (4:44 - 5:00)
Stella Blue (complete track)
Around And Around (complete track)
Good Lovin' (complete track)
Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help pitch correcting the patch source |
2 flac
|
|
| 332. |
12/09/81 |
Events Center, University Of Colorado - Boulder,
CO |
A+ | Recording Info:
SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 21, 2007
Patch Info:
Sennheiser 421 -> Master Cassette -> CD (By Jim Wise) supplies:
Bird Song (last 8 seconds - post song tuning)
Mama Tried (complete song)
Mexicali Blues (0:00 - 1:38)
Scarlet Begonias (6:20 - 7:35)
Space (4:52 - end of track)
The Other One (0:00 - 4:19)
Notes:
-- All disc changes are seamless
-- I cleaned up many flaws and fixed the patches
|
2 flac
|
|
| 333. |
05/23/82 |
Greek Theatre, University Of California - Berkeley,
CA |
A+ | Recording Info:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 10, 2008
Notes:
-- Set 2 disc change is seamless
-- This is the only circulating source without digital noise reduction
|
2 flac
|
|
| 334. |
09/05/82 |
US Festival, Glen Helen Regional Park - Devore,
CA |
9.5 | source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II
transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac |
2 Flac
|
|
| 335. |
09/05/82 |
US Festival, Glen Helen Regional Park - Devore,
CA |
9.5 | recording Info:
SBD -> Cassette Master -> Dat -> CD -> SHN
Transfer Info:
SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
May 21, 2011
Patch Info:
(FOB) Sony ECM-220T -> Cassette Master supplies:
Tuning (complete track)
Playing In The Band (0:00 - 0:07)
I Know You Rider (4:05 - end of track)
Black Peter (0:00 - 0:13)
(I Can't Get No) Satisfaction (0:00 - 0:17)
Notes:
-- US Festival
-- This is a re-master of shnid=5490
-- This has the levels fixed in Playing In The Band
-- Thanks to Joe B. Jones for his help with the pitch correction
-- This is dedicated to my sister Carolyn Beth Miller (12/23/61 - 9/5/82) |
2 Flac
|
|
| 336. |
03/30/83 |
Warfield Theater - San Francisco,
CA |
A+ | Recording Info:
SBD -> Cassette Master (Dolby B)
Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) ->
SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
Post Processing by David Minches
charliemiller87@earthlink.net
August 13, 2006
Notes:
-- Thanks to macdaddy for the Nak Cassette Deck |
2 flac
|
|
| 337. |
09/04/83 |
Park West Ski Resort - Park City,
UT |
9 | MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
Ive had this dat for many years, and never listened to it until now. Claims to be aud taped using Schoeps but its pretty much a Sdb. Funky sounding SDB but nice.
Dolphinsmile Archive
Produced by Dolphinsmile |
2 Flac
|
|
| 338. |
04/06/84 |
Aladdin Theater - Las Vegas,
NV |
AA | Recording Info:
SBD > PCM Master > Dat (44.1k)
Transfer Info:
Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC
(2 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller |
2 flac
|
|
| 339. |
06/14/84 |
Red Rocks Ampitheatre - Morrison,
CO |
AA | Recording Info:
SBD > PCM Master > Dat (44.1k)
Transfer Info:
Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC
(2 Discs Audio / 1 DVD FLAC) |
2 flac
|
|
| 340. |
07/03/84 |
Starlight Theater - Kansas City,
MO |
A+ | Recording Info:
SBD > PCM
Transfer Info:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >
Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
(2 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 16, 2017
|
2 flac
|
|
| 341. |
06/27/85 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
A+ | 1 SBD:
Recording Info:
SBD -> Master Cassette -> PCM -> Dat
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
8/27/04
Notes:
I can't confirm this lineage 100%, but that is how my dat was labled and that is how Rob Eaton has it listed, so I can only assume it's correct. I have also seen it listed as SBD>VHS>Cass>Dat>CD. This version sounds better and is more complete than the etree version.
----------------------------------------------------
3 AUDs:
AUD 1
-----
Recorded by Jim Oade
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)
Field:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
AUD 2
-----
Source:
Painoman's Master Analog Cassettes
Digital Mastering by Charlie Connor 11/03/01
Lineage:
FOB AUD>CM (unknown mics)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)
Correct sector boundaries verified using shntool
Note:
Although, the mics used to record this show are unidentified
it only will take you 5 seconds to realize the deck was patched into
a veteran FOB taper with good equipment and a great buffer
zone in front of the mics. This is an awesome "you are there" FOB.
A HUGE special thanks to Painoman for lending me his Master Cassettes,
Which took me a friggin year to digitize. Painoman you have the
patience of a saint.
AUD 3
-----
Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M
Location: *Lawn, Stand at 9 Feet
Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96
Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Tapers: Tony Suraci/nak700
Transfer and upload by Tony Suraci.
---------------------------------------------------
Thank you to Charlie Miller for the SBD transfer;
to Jim Oade, Painoman, and Tony Suraci for recording the show;
and to Charlie Connor and Doug Oade for the AUD transfers.
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC)
July 6, 2008 Speed Corrected July 20, 2008. |
3 flac
|
|
| 342. |
05/11/86 |
Frost Amphitheatre - Palo Alto,
CA |
a- | OTS; Left, Realistic Stereo Cardioid Condenser 33-919 (On Stand) >Sharp Boom Box
XLII Master Tapes Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHZ)
WAV >Audacity (EQ, Amplify, Track Splits, Minor Edits, Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, And Front Cover Artwork By OldNeumanntapr
|
2 flac
|
|
| 343. |
12/17/86 |
Oakland-Alameda County Coliseum - Oakland,
CA |
a- | OTS (Risers); Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS]
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumantapr
|
2 flac
|
|
| 344. |
06/14/87 |
Ventura County Fairgrounds - Ventura,
CA |
A | OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD (HX-S 90, XLIIS 90)
Cass Masters Transferred: Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) (August 2024) WAV >Audacity (Amplify By 4.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
[Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr]
TDK HX-S 90 - 1st Set
Maxell XLIIS - 2nd Set |
2 flac
|
|
| 345. |
12/27/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A | OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD [XLIIS]
Cass Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify By 5.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
[Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr] (August 2024)
|
2 flac
|
|
| 346. |
12/28/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A | OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD [XLIIS]
Cass Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify By 4.2db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
[Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr] (August 2024)
|
3 flac
|
|
| 347. |
12/31/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
a- | KSLY Sly 96 FM Simulcast Of Nationwide Broadcast; Sansui Receiver >Sony TC-153SD w/Dolby B [XLIIS}
Cassette Masters (Dolby Encoded) Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits & Repairs [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
|
2 flac
|
|
| 348. |
10/01/88 |
Shoreline Amphitheatre - Mountain View,
CA |
A | OTS; SEC 202, Row E, Seat #23, Front Row Of Tapers Section;
Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
|
2 flac
|
|
| 349. |
10/02/88 |
Shoreline Amphitheatre - Mountain View,
CA |
a- | OTS; SEC 202, Row E, Seat #20, Front Row Of Tapers Section;
Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
Talking next to the recorder on New Minglewood
|
2 flac
|
|
| 350. |
12/29/88 |
Oakland-Alameda County Coliseum - Oakland,
CA |
a- | OTS; AKG D-190E Dynamic Cardioids (ORTF) >Sony WM-D6C >(patch) >Sony WM-D6C [MX90]
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
|
2 flac
|
|
| 351. |
09/29/89 |
Shoreline Amphitheatre - Mountain View,
CA |
A | OTS, Section 202, Row H, Seat #5; Nakamichi CM-300 CP-4 Shotgun Capsules >Sony WM-D6C [XLIIS]
XLIIS Master Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o
CD Masters >FLAC (Level 8) Via xACT 2.25
FLAC Tags Via xACT 2.53
Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
|
3 flac
|
|
| 352. |
10/08/89 |
Hampton Coliseum - Hampton,
VA |
A | Grateful Dead - Formerly The Warlocks 1989 (6CD Box Set) (C)2010
Grateful Dead Records R2-525760 HDCD USA |
3 flac
|
|
| 353. |
10/09/89 |
Hampton Coliseum - Hampton,
VA |
A | Grateful Dead - Formerly The Warlocks 1989 (6CD Box Set) (C)2010
Grateful Dead Records R2-525760 HDCD USA |
3 flac
|
|
| 354. |
10/18/89 |
The Spectrum - Philadelphia,
PA |
A+ | Recording Info:
SBD -> Cassette Master (TDK MA-XG90)
Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2007
Patch Info:
(2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD
From 1:41 in Drums to 6:21 in Space
Notes:
-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Jill and Rob R. |
2 flac
|
|
| 355. |
10/19/89 |
The Spectrum - Philadelphia,
PA |
A+ | Recording Info:
SBD -> Cassette Master (TDK MA-XG90)
Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2007
Patch Info:
(2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD
Drums (5:01 - 5:06)
Notes:
-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Steve Cherson |
2 flac
|
|
| 356. |
10/20/89 |
The Spectrum - Philadelphia,
PA |
A+ | Recording Info:
SBD -> Cassette Master (TDK MA-XG90)
Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 28, 2007
Patch Info:
(2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD
The Other One Jam (9:13 - 9:22)
Wharf Rat (4:12 - 4:29)
Notes:
-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Steve Cherson
-- This was the longest show of the year
|
2 flac
|
|
| 357. |
12/09/89 |
Great Western LA Forum - Inglewood,
CA |
A | Source: Nakamichi CM-300s w/CP-4's >Sony TCD-D10
Lineage: M-DAT >DAT/1 >Tascam DA-30 >HHb CDR 800 PRO via analog i/o
Location: 2nd row OTS
Recorded, Transferred, FLAC Tags & Front Cover Artwork By OldNeumanntapr
CDR >EAC >TLH (6 )>FLAC: Brad Foster (10/25/09) |
2 flac
|
|
| 358. |
12/10/89 |
Great Western LA Forum - Inglewood,
CA |
A | Source: Nakamichi CM-300s w/CP-4's >Sony TCD-D10
Lineage: Master DAT >DAT/1 >Tascam DA-30 >HHb CDR 800 PRO via analog i/o
Location: 2nd row OTS
Recorded, Transferred, FLAC Tags & Front Cover Artwork By OldNeumanntapr
CDR >EAC >TLH (6) >FLAC: Brad Foster (10/25/09) |
2 flac
|
|
| 359. |
12/30/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A | Source: (OTS) Nakamichi CM-300 CP-4's >TCD-D10
Lineage: DAT-M >Tascam DA-30 >HHb CDR 800
Recorded, Transferred. Tags, & Front Cover Artwork By OldNeumanntapr
Extraction [CD >EAC >WAV >FLAC]: Brad Foster (06/27/10)
|
3 flac
|
|
| 360. |
12/31/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A | ource: (OTS) Nakamichi CM-300 CP-4's >TCD-D10
Lineage: Master DAT >Tascam DA-30 >HHb CDR 800
Recorded, Transferred, Tags, & Front Cover Artwork By OldNeumanntapr
Extraction [CD >EAC >WAV >FLAC]: Brad Foster (6/27/10)
B&W Photos By OldNeumanntapr (Pentax MX w/80-200 f/4.5-5.6 Maraxar zoom w/T-Max 3,200 film)
|
3 flac
|
|
| 361. |
02/25/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A | OTS; Nakamichi CM-300's w/CP-1 Cardioid Capsules >Sony WM-D6C [XLIIS]
XLIIS Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
XLIIS 90 - Set 1
XLIIS 100 - Set 2
|
2 flac
|
|
| 362. |
09/19/90 |
Madison Square Garden - New York,
NY |
AA | Recording Info:
Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD
Set 2: SBD -> Dat Master -> Sonic Solutions -> CD
Transfer Info:
CD -> Samplitude Professional v9.1.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Original Transfer and Mastering By David Gans
Additional Editing and Tracking By Charlie Miller
charliemiller87@earthlink.net
May 9, 2007 |
3 flac
|
|
| 363. |
12/09/90 |
Compton Terrace - Chandler,
AZ |
A | source: SBD > DAT > CDR > WAV > SHNv3
DAT > CDR transfer - via C. Miller.
DAE (EAC > shntool > mkwact)
|
2 flac
|
|
| 364. |
12/13/90 |
McNichols Sports Arena - Denver,
CO |
A | Recording Info:
SBD -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 27, 2010
Notes:
-- Set 2 is seamless
-- This source has no diginoise or flaws and needed no patches like other sources
***********************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
***********************************************************
|
2 flac
|
|
| 365. |
10/27/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
A | OTS; Nakamichi CM 300 CP4s >Sony WM-D6C [MX-S 100s w/Dolby C]
MX-S Cassette Masters Transferred Via Denon DR-M12HR Cassette Deck w/Dolby C Engaged >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Balance Channel Levels, Minor Edits [Tape Flips], Fades, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 [Sept. 2024]
(Audience Cassette Master Recorded, Transferred, FLAC, & Tags By OldNeumanntapr)
|
2 flac
|
|
| 366. |
08/26/93 |
Shoreline Amphitheatre - Mountain View,
CA |
A+ | Recording Info:
SBD > Dat Master (48k)
Transfer Info:
Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
September 26, 2019 |
2 flac
|
|
| 367. |
08/27/93 |
Shoreline Amphitheatre - Mountain View,
CA |
A+ | Recording Info:
SBD > Dat Master (48k)
Transfer Info:
Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
September 26, 2019 |
2 flac
|
|
| 368. |
09/08/93 |
Richfield Coliseum - Richfield,
OH |
A | Recording Info:
SBD -> Master Dat -> Dat Clone (48k)
Transfer Info:
Dat (Sony 500) -> Behringer UltraMatch SRC2000 ->
SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
3/26/05
Notes:
-- Seamless transition between discs 2 and 3.
|
2 flac
|
|
| 369. |
09/09/93 |
Richfield Coliseum - Richfield,
OH |
A | Recording Info:
SBD -> Master Dat (48k)
Transfer Info:
Dat (Sony 500) -> Behringer UltraMatch SRC2000 ->
SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
3/26/05
Notes:
-- Seamless transition between discs 2 and 3. |
2 flac
|
|
| 370. |
09/10/93 |
Richfield Coliseum - Richfield,
OH |
A | Recording Info:
SBD -> Master Dat (48k)
Transfer Info:
Dat (Sony 500) -> Behringer UltraMatch SRC2000 ->
SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(2 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
3/26/05
Notes:
-- Seamless transition between discs. |
2 flac
|
|
| 371. |
09/25/93 |
Boston Garden - Boston,
MA |
A | Recording Info:
Set 1: SBD -> Master Dat -> Dat Clone (48k)
set 2: SBD -> Master Dat (48k)
Transfer Info:
Dat (Sony 500) -> Behringer UltraMatch SRC2000 ->
SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
3/27/05
Notes:
-- Seamless transition between discs 2 and 3. |
2 flac
|
|
| 372. |
09/17/94 |
Shoreline Amphitheatre - Mountain View,
CA |
8.5 | Source: (OTS) Nakamichi CM-300's/CP-1 > Sony TCD-D10
Lineage: DAT-M > Tascam DA-30 > HHb CDR 800
Recorded/Transferred: OldNeumanntapr
Extraction [CD>EAC>WAV>CDWav>FLAC]: Brad Foster (8/14/10)
FLAC Tags & Front Cover Artwork By OldNeumanntapr
|
3 Flac
|
|